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Pete Shelley's 1974 electronic recording, made two years before Buzzcocks on a home-built oscillator and a two-track tape recorder: drones, feedback and echo, on CD for the first time.
fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant…
Two-Piers' Psychédélique series lands in Kosmische Musik: La Düsseldorf, Neu!, Harmonia, Cluster, Schulze, Faust, Guru Guru, Tangerine Dream and Cosmic Jokers, then the heirs, from Boards of Canada and Tortoise to Beak>.
*2026 stock. 104 copies limited edition* La Division Technique is a French electronics project founded and directed by Philippe Saintlos, which sounds like old-school electronics, dark soundscapes, minimalist synths, industrial ambient, with analog s…
'Dreamland': more sunlit Berlin-school reverie from Tyndall. Interlocking sequencer patterns and glowing melody drift in gentle motion, private-press cosmic music of great warmth and innocence.
'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.
Chemist by day, synth explorer by night. Rüdiger Lorenz's 'Southland' glides on sunlit sequencer patterns and melodic warmth, homemade Berlin-school music of great charm, a cult private-press favourite reborn.
'Island music': Trostel maps a private electronic paradise. Warm sequencer motifs and glowing synth melody drift in unhurried loops, solitary, serene Berlin-school reverie from a cult German synthesist.
German synth mystic Rolf Trostel at the sequencer. 'Der Prophet' unfurls stately, hypnotic electronic patterns: solemn, melodic and deeply Berlin-school. A private-press cosmic gem returned to the light.
France's electronic guitar visionary. The Heldon founder folds searing, delay-treated guitar into churning synthetic drift: heavy, hypnotic and cosmic, where krautrock momentum meets sci-fi menace. Pinhas at full intensity.
The Tangerine Dream man's debut solo statement. 'Romance 76' splits between pulsing electronic sequences and orchestral romanticism: lush, melodic and forward-looking. A landmark of the Berlin school stepping toward song.
Tangerine Dream's keyboardist in solo flight. 'Nightfall' glides on elegant sequencer patterns and widescreen synth melody: the Berlin-school aesthetic at its most polished and songful. Cosmic music with a pop pulse.
Cosmic bass explorer Michael Bundt goes fully electronic. 'Electri City' rides propulsive sequences and interstellar synth sweep: Berlin-school motion with a rock heart, a lost gem of German space music returned.
'Electronic music from Berlin, 1985-87.' Lapre's private-press sequencer explorations glide through classic Berlin-school terrain: pulsing arpeggios, cosmic pads and patient build. A cult synth artefact rescued from obscurity.
A Dutch composer's private synthesizer odyssey, 1977. Andriessen conjures a 'trance symphony' on Minimoog and Rhodes: luminous, minimal and quietly euphoric, drawing on Berlin and Düsseldorf electronics rather than the concert hall.
A cornerstone of German cosmic music. Ashra and Klaus Schulze drummer Harald Grosskopf steps out solo, wedding propulsive live drums to shimmering sequencer bliss. 'Synthesist' is euphoric Berlin-school pop: melodic, driving, timeless.
Von Deyen's debut, an interstellar synthesizer suite of vast pads and slow sequencer pulse. Sternzeit (star time) is pure late-'70s German cosmic music, equal parts Tangerine Dream grandeur and lonely, meditative space.
More deep-space synthesis from the reclusive cosmic voyager. Nordborg unfolds in patient, glacial layers of Moog and Mellotron: Berlin-school drift at its most oceanic and serene. A cult private-press artefact returned to CD.