Seismograf
*150 copies limited edition* In line with his recent body of work, Uwe Zahn bundled minimal compositions telling narratives situating in the melodic realm of ambient music. On first sight, it seems common that one can enter or construct such stories through the melodies these compositions offer. However, melodies never stand on their own – maybe only theoretically – but in fact truly reveal their magic through the sonical context they’re embedded in. To Zahn, a crucial part of his practice is al…
Actoma
300 copies limited edition "Actoma" is the new full length record by New York–based musician James Emrick. Emrick may be best known for his work with Kinet Media, handling sound design and scoring for a number of their projects. He utilizes an array of granular and feedback processes within Max/MSP environments to arrive at an idiosyncratic form of computer music that feels willfully opposed to operating within the sediments of the genre. Techniques such as real-time granulation of samples, Shep…
Random and emblematic: The sound of space
"It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection, namely Felicia Atkinson, Büşra Kayıkçı, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their willingness to participate in an artistic experiment: to build bridges between architecture and music.Each of these artists chose a space and translated it into a piece of music, and the result is a sonic kalei…
8 Quadrants
Not much is really known about the production process behind the sprawling works of Japanese composer Yosuke Tokunaga, nor about the artist himself. Whatever the process may be, its outcome yields unique soundscapes that lunge and retreat in near mechanical movement, while warm volleys of low flung claps and thumps disperse over a bed of textural hums and lingering chords. At times, Yosuke’s work manages to somehow form an atmosphere that can both feel airy and yet dense simultaneously; it is th…
Mani Mani
Edition of 200 copies. Screen-printed sleeve. Borrowing its title from a verse contained in the Man'yōshū poems, Mani Mani is the recording of the performance held by Pierre Berthet and Rie Nakajima under their collaborative project Dead Plants and Living Objects at Seanaps Festival 2020 in Leipzig. Water dripping in resonant buckets, riverberating rocks, small bowls, self-crafted engines and mobiles: the acoustic gestures of Berthet and Nakajima set into motion an heterogeneous ensemble of soun…
Prisma
* 6-panel digisleeve (coated 350gms cardboard). Edition of 200 * 'Prisma' is the first solo album from Italian composer Luigi Turra on 901 Editions, despite his long-term relationship with the label and appearances on various collaborations and compilations: 'Ma 間' with Fabio Perletta (2020), 'Kailash' with Shinkei (2016) and the piece 'Ki IV' (2016) for the series 'Quark: How Does The Invisible Sound?'.
Three years after 'Fukinsei', his latest solo album released by the Japanese label mAtter,…
Aubrite
Thomas Köner is one of the most influential modernist minimal composers. His music is often defined as dark ambient or drone, because of the use of low frequencies, material from gongs,shadowy resonances and boreal ambience, but at the same time its sound with constant fluctuation and vulnerability of sonic events, what makes it organic, human and almost comforting. Köners soundscapes are no longer simply dark, the question now is that of a profound blackness. Such is the generic darkness of the…
Six & Demi Onze (Bande Originale Du Film)
Edition of 300. Highly atmospheric industrial drones and haunting, cinematic treatments on this amazing, previously unreleased score from L.I.E.S./ Gravats mainstay Krikor Kouchian for Jean Epstein’s silent 1920’s French avant garde classic, a big tip if yr into Eliane Radigue, Ø, Kevin Drumm, Elodie. Krikor summons spooked-out and glacial sounds in this superb, as-yet-unreleased soundtrack for the 2014 redux of Jean Epstein’s pioneering, silent 1920’s avant-garde cinema classic. The 1927 fil…
Swamps/Things
Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer / theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. He will release his new album ‘Swamp/Things’ on Shelter-Press.
Rigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend …
Circular Arguments
Israeli-born, Montreal-based sound artist, performer and composer Adam Basanta returns to 901 Editions after his contribution to the Quark: How Does the Invisible Sound? project in 2016, with a delicate and sublime album summarising his feedback works between 2014–2016."The following are recordings of sound installations created solely using live feedback techniques, varying choreographies between microphones, speakers, kinetic system, physical spaces, and custom software. These works exist - ta…
Shasta Cults
Shasta Cults is the musical project of Canadian electronics technician Richard Smith. For almost two decades, Smith was the official Buchla & Associates go-to repair person for studios, collectors, and musicians around the world, having worked with artists such as Aphex Twin, Suzanne Ciani, Mort Subotnick, and institutions such as The Library of Congress and Mills College, Smith has had the unique experience of restoring and interacting with nearly every model of Buchla instrument constructed ov…
Floating Weeds
Edition of 200. Japanese-born and London-based sound artist Ken Ikeda has previously appeared on the label’s project “Quark: How Does Invisible Sound?” (Q06). He now teams up with Rie Nakajima and Makoto Oshiro for a series of collaborations included in this CD alongside his solo opening track. The album title is borrowed from the 1959’s movie by Yasujirō Ozu called Ukikusa (Japanese word for Floating Weeds). Motors, sound objects, automated gestures, mixed materials as opposed to synthesizer-ge…
Frequencies
Edition of 200. This is the last release in the series of Nicolas Bernier’s worldwide
acclaimed and Prix Ars Electronica Golden Nica awarded project
“frequencies”. The piece frequencies (a / archives) is a composition based on sounds
from the scientific archives of Rennes 1 University (France). This
impressive collection of antique scientific apparatus includes one of
the few remaining "Grand Diapason" built by Rudolph Koenig circa 1880.
The two gigantic forks of the Grand diapason can gen…
Musikaliszer Pinkos
This music was inspired by “Musikaliszer Pinkos” – a collection of more than two hundred Hebrew religious hymns and Chassidic songs compiled and published by Abraham Berenstein in the year 1927 in Wilna (nowadays Vilnius). The selection of songs from “Musikaliszer Pinkos” was used by Arturas Bumšteinas as a source of fragmentary pitch material and re-interpreted in a new context of electronic sound and cut-up composition. All music was recorded with the use of Soviet-era Russian synthesiz…
First
Following numerous small run releases and years of private development First is the debut CD release by Benjamin Nelson. Recorded and mixed in the summer and fall of 2015 in Oslo First represents the culmination of Nelson's live and studio practice since 2008 focused on long form, reductionistic, and near-static electronic music. First explores the perception of time, interference patterns, room reflection and hearing fatigue as primary compositional elements. Favoring textural over tonal …
Removed
In 2000, The Wire wrote of Richard Chartier’s work: “it’s worth stretching the ears in search of Chartier’s sequences of exquisitely sculpted sonic events, as gorgeous detail bodies forth out of the shadows”… the same holds true today. Formed over the course of 5 years, Removed was a process of removal/erasure. Only trace elements appear from what was. Their interactions merely a ghost of a composition - subtle echoes across the sound spectrum. A glacially paced progression of discreet relat…
Gridshape
Gridshape is an intersection of heavily distorted violent sounds with points of kinetic aural quietness through the interaction between digital electronics and guitars. Franz Rosati: Electronics, distorted guitars. Francesco Saguto: Classic, distorted, prepared guitars.
Valence
Line is proud to present a new work by Montreal sound artist France Jobin. Having released under her moniker i8u, Valence is her first release under her own name. Created entirely from transformed field recordings, this collection of three compositions has an elegant flowing simplicity. Slow harmonic modulations of a similar essence to the works of Eliane Radigue and Celer.Valence is inspired by both the valence bond (VB) and molecular orbital (MO) theories.An atomic orbital is a mathematical fu…
Post
Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…
Peace Conference
"Mountain Ocean Sun is a project fronted by His Name Is Alive main man Warren Defever, who collaborates with three like-minded drone artists for an hour-long recording of shruti box, harmonium, bells, gongs and violin. The group's first performance was at a 500 year old Buddhist temple in Osaka, and that pretty much sets the tone for the quartet's quasi-mystical approach to soundscaping. Defever himself continues to mythologise, describing the recording as having been made "on a mountain, in the…