Live At The Melkweg 25.9.87
100 copies. C60 cassette with improved master and fullcolor print on the cassette but original printwork. Los Angeles, September 1987. Savage Republic are in the middle of their first European tour when they land at Amsterdam's legendary Melkweg. What gets captured on eight-track tape that night is pure alchemy: tribal post-punk, cosmic surf, oil drum industrial and guitars droning like desert prayers.
Founded in 1981 by Bruce Licher and Mark Erskine in the underground parking garages of UCLA - …
Mechanics & Music (2CD)
"The Italian post-industrial scene has certainly been very rich: bands like Officine Schwartz, Rosemary's Baby, Ain Soph, Sigillum S, Atrax Morgue, T.A.C., and many others are testament to how this genre unexpectedly took root in Italy. F:A.R. came from a quiet city like Savona, yet their claustrophobic, frenzied, and obsessive music seems to originate in some hellish place dominated by disused factories with machinery that occasionally turns on itself. F:A.R. formed in the early 1980s and made …
Entités
2010 release ** Limited numbered edition of 142 copies. Special cardboard sleeve. Entities is the spectral realization of a process of transformation, or even a mutation, of a sound material stemming from recordings of tracks originally created to be played in concert. These works for voice, bass and double bass, processed with computer, were organically modified to insure their concrescence, their future, and confront them with the game of difference. After all, these entities come from everywh…
Botul À La Campagne
2014 release ** "There’s an incredible amount being offered up on Botul à la campagne, which takes ideas and brings out so much that the average musician wouldn’t think to do. Côté and Kese both manage to brilliantly bring forth so many different ideas and techniques, and string them all together into one coherent album package that just works. Botul à la campagne sees jazz music turn into dark ambient music turn into classical music without any notion or effort whatsoever. There’s some wonderfu…
S’enfouir
2012 release ** An excellent CD, I thought, full of sparkling pieces, strange moves and with an exciting brief character per track. Certainly moving around various musical circles. It's the 20th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ailleurs
2012 release ** The achievement of Ailleurs is that by mutating its intonation and freeing the bass from its limitations as a purely rhythmic instrument a new interface appears. The reverberating result is of an expansive formula that evocatively builds on expected bull fiddle timbres the way a realistic photograph could be the basis for a surrealistic art. It's the 19th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ctenophora
2011 release ** This release occupies a very rarefied and odd aesthetic, evocatively pitting flurries of remote-sounding electronics against thin sinews of violin. The disc oscillates between a type of ironed-out fiddle music (all ornamentation and melodic contours pressed neatly into fibrous drones) and crackling electrostatic emissions, synthetic hacks and bleats ― a renovated version of sounds from the bygone era of analog abstraction and punch-card operated computing. Said oscillation happen…
Ave <W>
2010 release ** Taking the form of a sumptuous and exquisite musical nightmare, Ave <w> is Tiari Kese’s first album. Recorded and produced by Michel F Côté, these enigmatic electronic compositions feature as well an array of conventional instruments such as piano, organ, strings, percussion, trumpet and vocals. A sonic treat for insomniacs, Ave <w> can also be experienced along with illicit substances or divine drinks, or both. It's the 10th publication - out of 24, one for each hour of a day - …
À L'inattendu Les Dieux Livrent Passage
2010 release ** Nine pieces of some great orchestral music. Moving slowly, like gentle minimal music, which slowly, over the course of these pieces built up. It combines improvisation (although sparsely here), with minimal glissandi and small melodies, which rise up from those gentle waves of heavily and heavenly layered small orchestral sounds. Think Olivia Block, but perhaps with a bit more improvisation in some parts. Great chamber music, relaxed atmosphere, jolly fine music. It's the 9th pub…
Sainct Laurens
2009 release ** The nine pieces are relatively short and in a strange sort of way quite noisy. Strange because the bigger part the music is acoustically made, but with that bit of amplification that makes all the scraping sounds wandering off every now and then in the realms of feedback like sustained sounds, this is certainly not an easy work to access. Its however one, I think, that is quite beautiful. The sustaining sounds produced by what seem to be the main instruments (saxophone and viola …
La Notte Fa
2008 release ** Drums & laptop. Then add a third ingredient to the first two: multiple samples. In La notte fa, Côté and A_dontigny have laid down sculptural music on a groove. Contribution by Bernard Falaise, Alexander MacSween, Jean René and Alexandre St-Onge. It's the 6th publication - out of 24, one for each hour of a day - produced by &records (Michel f Côté & Fabrizio Gilardino).
63 Apparitions
2004 release ** Everything sounds remarkably organic, blending the electronic and the acoustic into a fluid whole. As I walked around Yonkers, NY's Untermyer Park today, a space I've known intimately for the past fifteen years, I listened to the snatches of melody 63 Apparitions offered up through my headphones. Untermyer is filled with ruined and decaying buildings, overgrown vegetation and crumbling faux-Roman architecture. I couldn't help but thinking that Côté's music provided my stroll with…
Des Gestes Défaits
2004 release ** Circular remixing, deconstructed concerts. Here, Bernard Falaise is the recomposer, abandoning his guitar in the service of Martin Tétreault's material. Eleven pieces of three minutes each make up this body of music, reconstituted from a raw, dense, purely analogue sonic universe, that of MT. BF undid in order to redo. Result: an audacious remix, clear, precise and digital. It's the 2nd publication - out of 24, one for each hour of a day - produced by &records (Michel f Côté & Fa…
32 Years Of Rain
2018 release ** “Kiawaltz” is commissioned and compiled by Old Captain to commemorate the early musical rituals composed by Maurizio Pustianaz, a famous Italian experimental artist known since 1984, and his project Gerstein, whose first recordings featured on this compilation represent solo melancholic piano ballads, experimental harsh sounds, synth-guitar powerful extravaganza within post-industrial style. These rare materials were obtained from the original 1986/89 tape releases issued 30 year…
Torn Tongue
2002 release ** Edition of 160 in a 6.75" round three panel cardboard cover. Recorded 1997-1998 in Cambridge, MA and Nijmegen, NL. All sounds taken from the spoken voice of KS, recorded in Gainesville, Florida, in different acoustic environments.
Heart To Heart (A Collection And More)
2014 release ** Oversize silver card cover. A Maurizio Pustianaz (Gerstein) project. Collection of previous releases with four new bonus tracks.
Harakiri For Seven Strings
1994 release ** 3" CD in slipcase housed in A5 package. ""Harakiri For Seven Strings" is a real thunder, because it uses only terrific guitar noise as the base of heavily distorted collages of collapsing brainwaves."
Kiawaltz
2018 release ** “Kiawaltz” is commissioned and compiled by Old Captain to commemorate the early musical rituals composed by Maurizio Pustianaz, a famous Italian experimental artist known since 1984, and his project Gerstein, whose first recordings featured on this compilation represent solo melancholic piano ballads, experimental harsh sounds, synth-guitar powerful extravaganza within post-industrial style. These rare materials were obtained from the original 1986/89 tape releases issued 30 year…
The Death Ointment
Gerstein is the industrial / noise / classical alias of Italian artist Maurizio Pustianaz. “The Death Ointment” collects two early tapes previously released by Ramleh's Broken Flag and Atrax Morgue's Slaughter Production — “The Death Posture” (1987) and “La Pomata Delle Feminine” (1989).
A sad song for A.
Tip! *300 copies limited edition* «The project “a sad song for A.” was born from an insight Stefano Gentile had, driven by his moods and, in particular, a regret he had experienced in the past. It all began almost by chance, one evening, during an informal conversation. Stefano suggested that I narrate what I was experiencing most intensely at that moment: anxiety. After thoroughly analyzing this emotional state, he asked me to translate it into words, to write texts that could give voice to the…