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Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so.
Sycophant opens with a radio broadcast on the on-going Palesti…
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …
Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…
This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…
2019 release ** "The second Search Ensembles artifact sees the return of Cédric Peyronnet (Toy Bizarre, Kaon / Ingeos, Sechres Mound,), Cyril Herry (Ninth Desert, Sechres Mound), Phil Legard (Xenis Emputae Travelling Band, Hawthonn), Michael Northam, Alan Courtis (Anla Courtis, Reynols), Jani Hirvonen (Uton), Slavek Kwi (Artificial Memory Trace), Jon Tulchin and Dale Lloyd (and/OAR, Seattle Phonographers Union, Lucid), plus first time involvement from Eric Lanzillotta (Eye Music, Ri Be Xibalba,…
2010 release ** "Canadian sound artist Steve Bates works with hi- and lo-tech instrumentation and equipment to produce a restrained, delicately abstract electronica. ”Everywhere Little Explosions” encapsulates his methodology: a two-note piano motif is looped and fed through distorting baby monitors and computer software until it becomes a sort of psych-fuzz mantra. Bates favours sounds that confound the ear by occupying the exact midpoint between the synthetic and the natural, such as the digit…
2005 release ** Limited to 100 hand-numbered copies in tri-folded cardboard cover. "Intense drone from Portland, OR experimental musician Daniel Menche. A single piece of dissonant, rumbling drone whose sonic depth, volume, and intensity slowly ebb and flow over the course of 49-plus minutes."
2006 release ** Limited to 250 handnumbered copies with a booklet containing an article about EVP and is packed in a special cardboard sleeve. "Dedicated to the electronic voice phenomenon (EVP). Voices Of The Dead" is based on audio and video recordings made during Noises Of Russia concert on 17.05.2005 in "DOM" cultural center, Moscow. The short version of the film was shown as part of Masha Godovannaya's program "Tired Snow III" at the festivals "Autumn #2" (14.10.2005, Modern Art Center, St.…
2010 release ** Packaged in Experimedia’s custom signature six panel folding tall-slim pack. "Experimedia presents the fourth full length solo album by Kansas-based Aaron Martin. A former collaborator of artists as diverse as Machinefabriek and Dawn Smithson (Sunn O))), Martin originally devised 'Worried about the Fire' as the soundtrack to a short film and the record sees him deconstructing preexisting snippets, sketches and samples from various collaborations and solo performances. All prior r…
2015 release ** With oversize booklet. "Dante Tanzi has studied electroacoustic music and worked for the Musical Informatics Laboratory of the University of Milan from 1985 to 2009. He has written many articles and reviews for various sound art and electroacoustic papers and participated in numerous prestigious events such as the Festival Futura in Crest and the Festival Licences in Paris. As you would expect from such a curriculum vitae, the sound work on Double Miroir is of the highest caliber…
2014 release ** Limited edition of 100 hand-numbered copies copies in oversize card sleeve. "Observatoire, a Russian label known for its eclectic sound art and ambient music, is limited to 100 copies and available only on CD-R format. This split album features Emmanuel Mieville, a collector of environmental sounds from around the world; Dante Tanzi, a composer independently discovered by the label, a major achievement for the label; and the mysterious Japanese composer Hiroki Sakaguchi. This alb…
*2025 stock. 300 copies limited edition* Poly Dance Theatre speeds up the tempo (perhaps in search of lost time) and so here already the first announcement for the next release: POL008, called "Le Commerce" (The Business). It's a very special record. Beyond the deep bass line, the efficient ryhtmics and the ghostly apparitions of dubbed-out commercial romantic melodies, this 10" is above all an object-question, a small political gesture of sabotage. Be careful. Be careful. Rare! Very very very r…
2005 release ** A certain humor shapes the conceptual dialectics of the Chessmachine live experience. Their interplay suggests the historical confrontation of East and West; an austere and chilling tete-a-tete over the chessboard that reconstructs the somber milieu of a bygone Europe, even as it conveys a kind of absurdist levity through the rehearsed performance of these roles. The use of MAC and PC computer operating systems by Chartier and Pavlov, respectively, becomes the late-20th century m…
2010 release ** "Recorded at 21 Grand in Oakland, California, this disc features a truly monster lineup of musicians adding to the Sissy Spacek core duo of John Wiese and Corydon Ronnau. We’ve got guitarists, woodwind, percussion, drum and double bass – hell, even a koto player makes an appearance, and each musician is a shining light of the Californian experimental musical landscape. Guided by a graphic score the musicians play in a semi-improvised manner, eschewing the traditional punk hyperac…
Voices Of The Cosmos project combines efficiently the achievements of astronomy with electroacoustic music. The creators use the original extraterrestrial signals and sounds received by radio telescopes (e.g. pulsars, magnetospheres of planets, Sun, aurora borealis, masers) and other radio devices, sometimes they use sonifications and archive recordings from space missions. Instrumental tracks integrated into the processed rhythms and tones of the “space sounds” are created with electronic instr…
Moriuo Agata's “Submarine” and ‘Airplane’ from the 1980 landmark masterpiece and globally significant work “Illustrated Guide to Vehicles” are released as a single! Side A features the Joy Division-esque classic “Submarine,” while Side B is “Airplane,” which uses a collage of Inagaki Ashihō's actual voice as its intro. Released as a single for the first time in its 42nd year.
fft_Materialism is a new series curated by Riforma. The projects and subjects involved are invited to reflect on their use of the Fourier Transform algorithms. Can a mathematical formula be considered a living being? What are the relationships between non-human and human entities? Is it possible to expand human narratives understanding the intra-actions within the digital realm? These and other questions are part of an investigation which dresses the shapes of experimental music, in a playful hy…