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The Slaying Of The Infants was the very first output from Stratvm Terror, originally released as a very limted edition demo cassette in 1994 (10-15 copies). Pulsing and beating, cold and doom power industrial electronics. Many of the tracks ended up in the first official release Germinal Chamber, released on cassette by OEC later the same year, but slightly different recordings/versions. Sleeve design mimic the design of the original demo cassette.
300 copies limited edition Second CD album (after the "Sutcliffe Jugend - Masks" / 2016) out on OEC by the UK masters! Very "old school Industrial" & a very "Sutcliffe Jugend" sounding album!Two wasps microphone feedback and Paul’s noise generator. Suitably fucked up!
OEC is proudly going for the re-release of this Industrial timless masterpiece on its 45th anniversary! And after 45 the relevance of that album is incredible, it feels like it was recoded yestarday. The lack of equipment & tools has sharpened creativity. Information Overload Unit by "System Planning Korporation / << SPK >>" is simply a M.U.S.T.
A reference and absolute highlight in Industrial culture and muzak!
A chronologically edited, audio document of the definitive recorded output of 'Les Sculptures Sonores', the instruments solely created by the French brothers Bernard and François Baschet, who from 1954 pioneered for over 45 years a completely new way of combining sculpture and sound. Some small, some over 20 feet high and incorporating glass rods, metal cones, wires, plastic inflatable resonators, and many other devices, these fascinating structures are not only cosmetically entrancing, but prod…
"Reflex" is Gábor Lázár's debut album on Raster. His new album is a collection of seven tracks, featuring an extended sound palette of percussions and synthesizers drawing our attention towards the essential soundscapes of techno while maintaining his distinct, uncompromising and meticulously detailed style. While the tracks do not follow traditional narratives, the album has an evolution: it gently builds up from challenging, unpredictable, and organically composed structures to linear yet play…
Through the course of time, DSR Lines (David Edren) never loses his intimate and profound connection to the universe of modular synths. These recordings made during 2014 in a residence at the Cem/Worm studio in Rotterdam, represent a further magical compendium of his Organic Electronic Music. In particular, here he draws from his expressive arsenal the cosmic and galactic potential of the Arp 2500, which happily floating throughout. A rigorous magician of vaporous, oscillating patterns, sidereal…
"Oxide Manifesto is intended as an audio sketchbook, which explores a particular method of creating music. It aims to link obsolete machines and experimental composition. In recording it, I embraced as many techniques of working with magnetic tape as possible. I gave myself the freedom to lean into the perceived flaws of tape as a recording format. Often we hear ‘it’s not about the equipment’. But on this album the equipment is in equal focus to the music. Wow, flutter, wonky pitch, abrupt edits…
On “Love2,” the second track on Zaumne’s 'Only Good Dreams For Me', Natalia Panzer’s voice emerges from a hazy smear of a pop-song chorus: “I am touching the cold window,” she intones. “I am touching the spinning walls. It’s a way to remember what’s mine is yours, and back again.” 'Only Good Dreams For Me', Zaumne’s first release with Warm Winters Ltd., embraces such direct contact as it cycles through states, from dread to hope. The heavy air that lingered on Zaumne’s previous releases, like hu…
Julianna Barwick's The Magic Place, is a nine-piece full-length album of magic and solace, bursting joy and healing tones. Julianna's mostly-a-capella music is built from her voice multi-tracked through a loop station. There's more backing instrumentation on this one than on previous albums but it's the vocals—soaring high in reverb-drenched, wordless harmonies—that matter most here. It's the layered fragments and pieces that become an intricate pattern through technology; it's the sound of a ri…
Twin heavyweights Kevin Richard Martin (The Bug) and Joseph Kamaru (KMRU) unite for Disconnect, a powerful study of dread, hope, and profound sonics that marries depth-trawling dub with Kamaru’s voice, ambient sensibilities, and negative space. Kevin Martin first became aware of Kenyan ambient musician KMRU “watching the short 2020 documentary Under The Bridge,” he tells us. “Which, aside from immediately finding Joseph's approach to sound and music so instantly impressive, I also found his spok…
2008 release ** 199 copies limited edition. Original 2007 CD copies repackaged in a new cover. The old A Silent Place warehouse was flooded by water, so a big amount of goods has been destroyed, in particular the original covers and all printed matters. Few original CD copies were saved and now found, so a new edition has been released. Packaged in a new redesigned cover. "We Could For Hours is instability. It represents the will to open the gates of unknown. It is the dark, whispered sounds and…
*150 copies limited edition* "One to Many, Brightness to Darkness, Memory to Oblivion.Pluton Helios or Apollo Helios? When Massimo Pupillo and ILIOS visited the ancient site of Eleusis, Greece in 2019, Ploutonion (the entrance to the underworld) was their final destination. Recordings of the Ploutonion project started right after and were heavily inspired from the juxtaposition of the ancient and current state of things. The entrance to the underworld does not produce any poisonous emissions any…
Originally released in 1990 and taken from the second and third DSIP recording sessions. Surreal industrial vignettes built upon blown-out loops and electronic delirium, dated by its technology to the late 1980s yet bearing a striking resemblance to present-day plunderphonics.
Two different editions of AOM were published simultaneously by IRRE Tapes (Germany) and Audiofile Tapes (US), which included separate / unique mixes of the final track on the cassette "Chorion-Biopsie". Both mixes of the t…
Following up on 2021’s Scuro Chiaro, Nati Infiniti is a 40-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sónar Lisboa festival in 2022 where it was presented across four floors of the Museu de Lisboa’s Moagem. Cortini later debuted the live performance at Berlin’s Atonal festival in 2023, reimagining the work as a unique, evolving dialogue. The record is mixed by Grammy nominated recording engineer, producer, and mixer Ma…
*100 copies limited edition* For his 4th solo album, Gilles Poizat continues his highly personal musical adventures, finding a fertile partner in interactive electronics. Twists, bounces, suspensions, random rhythms, multiple modulations. The sounds he plays come back transformed into a mutant orchestra, pulsing and chaotising his floating songs and stimulating his improvisations.
80 copies limited edition Recorded, cut, reassembled and mixed in 2023/2024 by Guilhem All. 3 tampered electrophones + sound effects, rhythms and layers recorded on vinyl. Software collages.
*80 copies limited edition* The Karaokult sect organises karaoke ceremonies where disciples speak into microphones in a new language, that of dreams, the cosmos and confusion.
*CD Version* Russell Burden (Being) is a sound and visual artist living on the south coast of the UK. His practice develops work that explores qualities of ambient perception, most often through the lens of hydrological, geological or biological processes. He has delivered gallery exhibits in various mediums including live cymatic feed, and dark space installation. Russell was also a member of The Humble Bee & Players and last year as artist in residence for a site specific project produced a se…