Pàthei Màthos
*200 copies limited edition* Experimental sound architects Tam Quam Tabula Rasa and Illusion Of Safety join forces for Pàthei Màthos, a boundary-shattering collaborative album that transforms raw noise into profound revelation. Drawing from the ancient Greek maxim "learning through suffering," this release confronts the listener with immersive soundscapes of tension, release, and hard-won insight.
Tam Quam Tabula Rasa, known for their tabula rasa-inspired deconstructions of ambient and industria…
Never Say When
Following the success of the CD reissue in early 2025, a limited edition LP of this classic compilation album originally released by Gary Mundy's renowned Broken Flag imprint in 1987 follows in March/April 2026. Remastered by Puppy38, this also features two bonus tracks not included on the original (and long o/p) LP but only previously found on the even rarer cassette and now included here as a bonus 7". A timely reminder of this fantastic archive document full of boundary-pushing artists mostly…
Live At The Melkweg 25.9.87
100 copies. C60 cassette with improved master and fullcolor print on the cassette but original printwork. Los Angeles, September 1987. Savage Republic are in the middle of their first European tour when they land at Amsterdam's legendary Melkweg. What gets captured on eight-track tape that night is pure alchemy: tribal post-punk, cosmic surf, oil drum industrial and guitars droning like desert prayers.
Founded in 1981 by Bruce Licher and Mark Erskine in the underground parking garages of UCLA - …
Mechanics & Music (2CD)
"The Italian post-industrial scene has certainly been very rich: bands like Officine Schwartz, Rosemary's Baby, Ain Soph, Sigillum S, Atrax Morgue, T.A.C., and many others are testament to how this genre unexpectedly took root in Italy. F:A.R. came from a quiet city like Savona, yet their claustrophobic, frenzied, and obsessive music seems to originate in some hellish place dominated by disused factories with machinery that occasionally turns on itself. F:A.R. formed in the early 1980s and made …
Entités
2010 release ** Limited numbered edition of 142 copies. Special cardboard sleeve. Entities is the spectral realization of a process of transformation, or even a mutation, of a sound material stemming from recordings of tracks originally created to be played in concert. These works for voice, bass and double bass, processed with computer, were organically modified to insure their concrescence, their future, and confront them with the game of difference. After all, these entities come from everywh…
Botul À La Campagne
2014 release ** "There’s an incredible amount being offered up on Botul à la campagne, which takes ideas and brings out so much that the average musician wouldn’t think to do. Côté and Kese both manage to brilliantly bring forth so many different ideas and techniques, and string them all together into one coherent album package that just works. Botul à la campagne sees jazz music turn into dark ambient music turn into classical music without any notion or effort whatsoever. There’s some wonderfu…
Running on autokinetic
2007 release (RARE) ** Edition of 100 hand numbered copies in a green spray-painted C-shell case. Classic Ashtray Navigations, two hallucino-kinetic tracks.
Post-Asiatic: Lost War Dream Music
2007 release ** "After my recent trip to Asia, my interest in oriental music has definitely greatly increased and then this release fell into my lap... Serendipity or coincidence, I eagerly went through this double bill, listening to all the nuances and influences I could trace back to my trip or recognize the origin of... There is definitely a lot going on but sadly the recording quality didn't seem to have always been determining factor in the choice of material. The release is dubbed as a CD …
Hums
2009 release ** "... We faced each other around a large table in Gandolfo's luminous flat. It felt like a group of scientists at a conference. Until we started playing. The sessions were hard and long. Sometimes with saturated and wrenching sound. Then we walked to restaurants along streets of collapsing buildings with strange transient sculptures of torn cloth. The result is for me I hear: being able to move around inside the music... the components without clean finalised surfaces. But aureole…
Hidden
The inimitable Richard Youngs returns to Black Truffle with this third full-length for the label, »Hidden«. Like »CXXI« and »Modern Sorrow«, »Hidden« unfolds across two side-long pieces at once eminently listenable and possessed of the ›bloody-minded‹ dedication to having an idea and sticking with it’ that Youngs himself has identified as one of the key qualities of his work.
At the core of both pieces are rapid, randomised arpeggios generated with a Moog Grandmother, hypnotic patterns that woul…
25 Years Of Kapotte Muziek
2010 release ** Cardboard sleeve. “2009-2010 sees the celebration of twenty years of Kapotte Muziek, the first musical project of Frans de Waard. Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings. Before 1993 Kapotte Muziek was largely known as a player in the field of industrial music and musique concrete. To celebrate their 25th…
Pulses on the Horizon - Modular Music of Taiwan
Curated by Taiwan-based modular artist Ryan J Raffa, this compilation offers a vivid introduction to Taiwan’s thriving modular music scene.
Engravings
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
S’enfouir
2012 release ** An excellent CD, I thought, full of sparkling pieces, strange moves and with an exciting brief character per track. Certainly moving around various musical circles. It's the 20th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ailleurs
2012 release ** The achievement of Ailleurs is that by mutating its intonation and freeing the bass from its limitations as a purely rhythmic instrument a new interface appears. The reverberating result is of an expansive formula that evocatively builds on expected bull fiddle timbres the way a realistic photograph could be the basis for a surrealistic art. It's the 19th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ctenophora
2011 release ** This release occupies a very rarefied and odd aesthetic, evocatively pitting flurries of remote-sounding electronics against thin sinews of violin. The disc oscillates between a type of ironed-out fiddle music (all ornamentation and melodic contours pressed neatly into fibrous drones) and crackling electrostatic emissions, synthetic hacks and bleats ― a renovated version of sounds from the bygone era of analog abstraction and punch-card operated computing. Said oscillation happen…
Ave <W>
2010 release ** Taking the form of a sumptuous and exquisite musical nightmare, Ave <w> is Tiari Kese’s first album. Recorded and produced by Michel F Côté, these enigmatic electronic compositions feature as well an array of conventional instruments such as piano, organ, strings, percussion, trumpet and vocals. A sonic treat for insomniacs, Ave <w> can also be experienced along with illicit substances or divine drinks, or both. It's the 10th publication - out of 24, one for each hour of a day - …
À L'inattendu Les Dieux Livrent Passage
2010 release ** Nine pieces of some great orchestral music. Moving slowly, like gentle minimal music, which slowly, over the course of these pieces built up. It combines improvisation (although sparsely here), with minimal glissandi and small melodies, which rise up from those gentle waves of heavily and heavenly layered small orchestral sounds. Think Olivia Block, but perhaps with a bit more improvisation in some parts. Great chamber music, relaxed atmosphere, jolly fine music. It's the 9th pub…
Sainct Laurens
2009 release ** The nine pieces are relatively short and in a strange sort of way quite noisy. Strange because the bigger part the music is acoustically made, but with that bit of amplification that makes all the scraping sounds wandering off every now and then in the realms of feedback like sustained sounds, this is certainly not an easy work to access. Its however one, I think, that is quite beautiful. The sustaining sounds produced by what seem to be the main instruments (saxophone and viola …
La Notte Fa
2008 release ** Drums & laptop. Then add a third ingredient to the first two: multiple samples. In La notte fa, Côté and A_dontigny have laid down sculptural music on a groove. Contribution by Bernard Falaise, Alexander MacSween, Jean René and Alexandre St-Onge. It's the 6th publication - out of 24, one for each hour of a day - produced by &records (Michel f Côté & Fabrizio Gilardino).