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*200 copies limited edition with hand-stamped coffee stained sleeves and insert* 5 decided and minimal arrangements of raw organic waste, tired motors, and idling electronic signals. Sound sources that are unmistakably worldly, spun into Ochu’s signature malaise, making them impossible to place. A continuation of the trajectory established on his preceding albums Unproduktiw and Lähmung des Wartens, this time while a slightly noisier edge.
When "In Blue" was released in 1995, many fans thought that this was the most typical Klaus Schulze record for a long time. They were probably right because Klaus did the songs a little bit with the fans in mind for whom the sounds of the previous album were too modern. In this respect "In Blue" is a more traditional Schulze record and, also, because it featured Manuel Goettsching on "Return Of The Tempel". However, he didn't plan this. Somehow it came to his mind to ask Manuel if he won"t feel …
CD edition with extra track. ICR distribution present a new Nurse With Wound LP, a live recording from Stockholm 2016. This live set was recorded in Sweden in 2016 and features Stapleton, Liles, Waldron & Potter. The chilly ambience of the performance perfectly reflects the icy conditions at the time of the shows. Remastered by Colin Potter. A limited edition of 500 only, numbered.
Oval Angle is the moniker of Geran Knol, a Dutch multidisciplinary visual artist and musician based in Antwerp, Belgium. His instrumental electronic music blends mellow and playful tones, characterized by plucky, offbeat sound design and wavering, askew melodies. Geran’s composition process is akin to a sketch on paper, slowly evolving and mutating as elements are added, subtracted, and altered. His debut LP for Moon Glyph, “Figures of Speech”, utilizes circular, melodic repetition found in mini…
Nicolas Gaunin, the moniker of Italian experimental electronic musician Nicola Sanguin, returns with his latest full-length “Wormhole”. This record bridges the gap between naturalistic polyrhythms and more expansive, cosmic technologies. Contrasted to his previous rain-soaked “Hulahula Kāne” LP, “Wormhole” has even more emphasis on unusual rhythms; propulsive and abstracted yet immediate. The sonic palette is diversified as well, incorporating synthetic real-world timbres alongside crisp and mor…
Leaving is the left-of-centre, electronics project of Rupert Thomas (Erasers), based in Perth, Western Australia. With a focus on hardware electronics, Thomas conjures immersive worlds of mood-driven synthesizer compositions that range from deep, slow moving ambience, to dense rhythms and hypnotic melodies. Forming over a decade ago as a home recording project on Whadjuk boodja (Perth, Western Australia), Thomas documented his early sound through a steady flow of CD-R’s and tapes before releasin…
Tip! Gabriele Gasparotti’s second full length album, Tropismi, is a collection of mesmerizing compositions with masterful polyrhythmical textures and harmonies, strings, prepared piano, magnetic tape and field recordings. Gasparotti's unique style uses classical composition techniques such as counterpoint, canone inverso and serialism to create morphing expanding harmonies continuously. Tropismi features stunning cellotronics by Benedetta Dazzi, cellist and sound designer with which Gasparotti e…
What if Coil would have gone playing Black Metal music? Well, we cannot say it for sure, but probably the outcome could have been something very similar to some of these last Teatro Satanico tracks. Heavily influenced by explicit occult and esoteric topics, “Enochian Musick For Beginners" is an unforeseen psychedelic journey beyond the frontiers of the usual post-industrial noise. A true original mixture of electric and electronic frequencies. It got something new, something that inspires awe, s…
Just when you think it's all over, along comes something completely unpredictable - in this case, a modest but uncompromisingly original confection that mixes latin brass arrangements (sort of), great drumming, medium wave radio and the many characters of the accordion. Simplicity, complexity, surprise, familiarity -and all without undue fuss but adding up to something exotic and new. Radio Banana is a record that wears its heart plainly on its sleeve. It doesn't play by genre rules, or fashion …
Contemporary music for tuba and a revelation of an under-utilised musical voice. For stretched and traditional techniques. Includes works by Lutz Glandien (Tuba and Tape), Morton Feldman, Igor Stravinsky and Michael himself. Excellent collection; and unusual.
File under early Russian industrial rock/art; Harry Partch, incorporating primitive analogue electronics. A legend in art and industrial music circles, ZGA was formed under the old regime in Riga, Lavia, in 1984, by Nick Sudnik and Valery Dudkhin. Unable to rehearse acoustically because of the neighbours, they invented their own instruments from scrap and springs and shaped metal fitted with contact microphones; these were not just noise instruments, but ways of accessing complex pitches, strang…
A sound drama for tuba and electronics that constructs its own rich, twilit, rather alien, world. Only the sound of the tuba (sometimes), a few waves and a little thunder sound familiar, everything else is a mysterious presence; the electronics are not at all conventional and though much of the sound is clearly derived somehow from the tuba, it offers no foothold in a familiar place. If landscape were ever an appropriate metaphor for the product of a congeries of sounds, it would be applicable h…
1992 release ** A complete new work plus 'Death In The Blue Lake'. Combines playing and through-composition with manipulated and environmental sound in dramatic, narrative, psychological constructions. Quite unique. 'Death' based on a novel; texts in new works by Chris Cutler.
With string orchestras, percussion, a motivating red guard and the severed embalmed arm of the great helmsman himself (maybe), Jon Pits the ethos of Mao's China - and in particular the mass production of the violin and it's use in life against the 'reductive cultural practice of our globalised world'. Well, that's what it says here and by golly I agree. Apart from that, this a large scale work that features fine and extensive writing for string orchestras, juxtaposed with (more or less) controll…
Sound artist Lauren Weinger documents and reworks one of her large scale installation events in giant grain silos in America. The massive sounds of gargantuan hoppers pouring grain, documentary moments of dialogue, local, archive and composed musics, mysterious traces of a country, a culture, an event where 2 Americas meet. Beautiful packing. Plus extra Video track (& software, if required, to play it). A unique document and powerful listening.
Derek Gedalecia’s latest creation brings us mutated electronic music from the extreme far out. A seemingly endless stream of synthetic gurgles, gulping, and goop in chaotic bursts of unpredictability. Includes a live audience/soundboard recording that delivers in the masterful live HB style.
Julian Gulyas (Cylindrical Habitat Modules label boss) delivers a refreshing suite of synth and tape explorations. Holding Hands references the early days of electronic music, while still maintaining a forward-thinking and modern abstract underground sound.
Mika Vainio was recoording a new Ø-album since 2014. He almost got it ready before his too early passing in 2017. Mika's girlfriend Rikke Lundgreen from Oslo has been going through his notes, numerous versions and takes of the album treacks. Now the collection of the tracks is completed. There were two tracks that Mika thought should not be included the album. They make this release. The shoter track Kulmamomentti is edited slightly longer by Jimi Tenor and Timo Kaukolampi.