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Stephan Mathieu's FrequencyLib was originally released in 2001 on Mille Plateaux's Ritornell sublabel. A quintessential document of the late 1990s/early 2000s Pismo PowerBook era of digitally manipulated audio, FrequencyLib is an adept meditation on the entropic possibilities inherent in popular music. Included with this reissue is the complementary Sad Mac Studies EP - first issued in a run of 100 on Robert Meijer's boutique En/Of label. Exploring similar themes/processes as FrequencyLib, Sad M…
**70 copies limited edition. Riso-printed booklet accompanied by a multi-page conversation between Laure and Laurent. In process of stocking** It is with great pleasure that we release the fifth installment of our Echonomy split serie and present a special father and daughter collaboration. In 2021, Berlin-based French artist Laure Boer found by chance old tapereels of her father, French conductor Laurent Boer. In 1981, the latter participated in a GRM workshop in Paris, during which he created …
In process of stocking** Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mn…
*In process of stocking* Fake traditions, truthful arpeggios and assumed artifacts. Harp and electronics allied since forever. Five mental hikes for your walkman.
Tip! *In process of stocking* Vocal ghosts, blind bruitism and rhythmic obsessions. Epilepsy cocktail for living-room. Terabytes of data meticulously dusted for your pleasure.
*35 copies limited edition* beats made using korg's kaossilator app (which was free during covid 19 pandemic) on nd's break at work. they then mixed each beat the same night when they got home with random field recordings and loops culled from a dub of old 78 records played back at 33 rpms, and in one instance an angry misdirected voicemail. all mixing/mastering by nd dentico
*48 copies limited edition* Lurker Bias presents a split cassette between Obsequies and The Electric Nature. On transparent blue tapes with full-colour j-card.
*50 copies limited edition* Lurker Bias presents Many Calmly Ordered Rules Of Death by Abhilasha Chebolu and Ishmael Ali. Tri-colour glitter cassettes with full-colour j-card.
Anthology introducing the first of a series of albums based on the concept of Aquapelago. "Since the earliest days of the planet there has been a rhythm of tides that creates coastal interzones where humans have foraged and pursued various livelihoods. Developing boats to fish from and technologies that enabled them to immerse themselves deep underwater, the aquatic realm has been one explored, experienced and imagined in various ways. In an effort to express the vitality and richness of this en…
*In process of stocking. Limited edition of 150 copies. First time reissued on vinyl* Inspired by the journals, letters, and photographs of James Jenkins, 1942-1943 from Luzon, Philippines. Writing letters in the rain under the canvas, listening to records played from the center of the mosquito nets, or from the veranda overlooking the city lights. It may not have been in the same places.. Under the waterfall, ignoring their calls, receiving a Dear John Letter, or being iced on your anniversary.…
First time on vinyl, originally released in 2008, remastered by Stephan Mathieu. Celer is a husband (Will) and wife (Danielle) duo from California that use a variety of strings as the basis for their sound. Cello, viola, violin and the sounds are mixed in with field recordings, choir, live theremin and then tape spliced and re-assembled in varying lengths to create a loop base. Those sounds are then sampled, layered and processed. The result is a shimmering orchestra. Periods of silence between …
Composed and recorded at the edge of the Sahara, Jeff Burch searches here for an unfamiliar beauty in old timbres. As a child of migration, over the course of this new work he transfigures pre-mercantilist folk song of nomadic deserts, through to the deep meditations of our early cities. With the strength and shape of eternity, hushed voices and yawning flutes ascend to radiant vibrations of levantine string and tamazgha percussion; coalescing in a seductive din that traces great arcs across o…
*2022 stock. Limited edition of 100 copies.* Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may keep undisturbed. —Oscar Wilde, De Profundis Love is the voice under all silences, The hope which has no opposite in fear; The strength so strong mere force is feebleness: The truth more first than sun more last than star —…
*2022 stock. Limited edition of 100 copies.* “Having realised the errors in rational knowledge I found it easier to free myself from the temptation of futile theorizing” Leo Tolstoy (1880) I understand this phrase as an expression of Stikhiya, the word used by Russian poet Aleksandr Blok in early 20th century to describe the fundamental value of primitive immediacy. Contradictory to intellectualism and rationality, Stikhiya is emerging from organic holistic experiences, it is perceived as an unf…
*2022 stock. Limited edition of 100 copies.* Gintas K has been active as a composer, performer and interdisciplinary artist since the 1990s, focusing on experimental digital music aesthetics — overloaded massive structures, static and physically overwhelming frequencies, melodic ambiences, voice and field recordings. Gintas K has released several albums, four of which in "Crónica: Lengvai / 60 x one minute audio colours of 2kHz sound" (2006), "Lovely Banalities" (2009), "So On" (2010), and now "…