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*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…
*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…
*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…
Désinances is a collection of pieces taken from two contrasting recording sessions. The first was intended as a set of raw materials made specifically for a collaborative project with Franck Vigroux, and provided the impetus for the making of this album, with the second following on shortly afterwards. Both occasions yielded different musical results, yet possess a similar intention - owing something to the liminality of crepuscular daylight and the nighttime darkness during which they were both…
Simon Balestrazzi's new solo effort calls for the ear to linger on things shrouded in fog, sounds meandering between vision and reality. Highlighted by the mysterious shots by Adriano Zanni you can now enter an awkward soundworld where nothing can be traced anymore. "Scomparire", to disappear, Vanishing. Pretending to vanish in a thick fog, never to be found again. The detachment from one’s identity. Leaving behind the constant paranoia of what is real and what is not. Leaving behind everything:…
This is an unreleased and “lost” new album by Deison and Mingle conceived in 2014 /15 right after the recording and the release of their debut collaboration-album "Everything Collapse[d]". After the passing of Andrea Gastaldello (“Mingle”) in 2021 and founding these forgotten tracks led us to think that this work should have been listened to understand the essence of the original album. Published by a co-production of three label who have released various works by the duo in the past (Loud!, Fin…
Slow Dances and Still Memories is the convergence of two musicians from distinct generations, Andrea Bellucci & Giulio Aldinucci — a languid waltz of fragmented memories and fleeting emotions, tied to moments in life, whether they arise from a dancefloor or a remote rural setting, from the hum of the night or the stillness of silence. Electronics here functions much like time itself: they blurs, distorts, reshapes, and subtly deceives memory… A choreography of ancient voices that intertwine in t…
**Edition of 200** Vittore Baroni and Daniele Ciullini met in the early 1980s in the then flourishing circuit of fanzines and mail art, starting a series of collaborations in small self-produced artistic publications and in the sound field, as in the case of “The Cop Killers”, a tape part of the TRAX multimedia project. In 2018, at the time of the vinyl reissue of this audio cassette, the idea of giving a sequel to the dystopian-science fiction "industrial opera" was born, but without anything c…
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…
Includes digital download. Damn Brain seeks the absurd. But who is it and where is it located? Damn Brain is a melting unity which travels to the golden seasides of electroacoustic experimental music of the 1950s to acid-trip inspired oscillator sounds possibly heard while looking at György Ligeti’s face puzzle with missing pieces, dissolving on the ground during a storm in downtown Berlin in 1996. Damn Brain is the echo of a thought, a consciousness teetering between the rational and the surrea…
Yutaka Hirose’s new album "Voices" is a visionary ambient journey—field recordings, spatial layers, and abstract narratives create immersive, transformative sonic worlds.
*50 copies limited edition.* PIA: Flight 813/761 by Drekka .This cassette is a 30 minute sound journal recorded in the airspace of Pakistan on October 16, 1999. While traveling home from Nepal that day, my friends and I were delayed for a few hours in Karachi airport because there was a coup happening in Islamabad! We weren't in any danger, but it was still quite intense. Side A features an extended spontaneous harmonium piece entitled 'Ke Garne' (Nepalese for 'What to do')... layered harmonium …
Michaela Melián’s Music for a While is an immersive, genre-blurring debut that fuses ambient techno currents with classical elements and subtle pop inflections. Drawing on a palette of cellos, guitars, and synthetic textures, Melián crafts extended atmospheric meditations whose compositional wit never dilutes their approachable warmth, producing a record both refined and strangely inviting, nestled between art installation and intricate electronic composition.
*60 copies limited edition*
The edition is handmade.The package consists of a black envelope of embossed cardboard (thickness 250 grams) that has two printed stickers in the center of both sides.The envelope is closed with two double black satin ribbons (one is black and one is red) that hold two metallic pendants, the one on front It's the clock hands, the one on back It's the symbol of the female gender.Inside the package there are:-CDr professionally printed in a black paper envelope-cover pr…
In Dream finds Courtney Bailey navigating the blurred edge between introspection and liberation. Layering spectral synths over tactile percussion, her voice threads through emotional chiaroscuro - a sonic diary where desire, loss, and rebirth meet in hypnotic balance.
Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire
Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.
"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…
"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…