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2023 Reissue. Fripp & Eno's timeless electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight vinyl and presented in a re-worked version of the original gatefold sleeve, using variant photos from the original photo shoot by Willie Christie.On September 8th 1972, Robert Fripp brought his guitar and pedal board to Brian Eno's home studio. Using En…
Teopatia is a mystical suite for electronic instruments and synthetic voices by Papiro, merging sacred atmospheres and uncanny harmonies in a ritualistic journey reminiscent of Eliane Radigue and Mort Garson.
**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
1994 CD release, recorded Jan/Feb 1981 at Darlington College of the Arts, Totnes, Devon, UK. Fantastic recording of some very repetitive and zonked trombone-fueled electronics from this Phill Niblock affiliate, straddling the devide betwixt Stuart Dempster's cavernous echo patterns and terry riley's horn-tape meditations lyou can hear echoes of the same approach i used on ‘playthroughs’ very clearly on 'part iii'. which is pretty amazing as ive only just discovered this now ... another piece of …
LL (Another Timbre at70) chronicles the collaborative project Partial - namely, Chicago experimentalists Noe Cuellar and Joseph Clayton Mills. Commissioned as part of a site-specific installation at Pilsen Vintage and Thrift, the album uses only the sound materials found in the store’s crowded basement: toys, tools, clocks, broken dishes, odd bits of furniture, and personal relics - each object transformed into a sonic protagonist. Across “Marcel” (24:35), “Paul” (15:46), and the miniature “a si…
2013 release ** An electronic exploration of scrapes and whispers, silence and noise. Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
'Circle Wind' fields are recorded at Tokyo, Kanagawa, Niigata, Nagano, etc.. yet what's interesting is the time that recordings were made, each recording session was taking place between midnight and dawn, and the techniques that been used. "Feeble vibration and passage of air. It resembles Zen and meditation to capture the piece of these delicate sounds aurally." Hiroki Sasajima is the sound artist residents in Tokyo. He had started the activity of field recording around 2007. Since then, he go…
An improvised duo piece of Nikos Kyriazopoulos and Korhan Erel. Recorded live at Knot gallery, Athens, on March 18, 2011 this documentation consists of both artists' performing explorations on electronics and combines the ‘warmness’ of handmade analog oscillators and spring reverbs (by Nikos Kyriazopoulos) to the ‘sharpness’ of digitally synthesized and computer-software performed sounds (by Korhan Erel who played with his Omnibus instrument). Both traditional and contemporary electronic equipm…
Beautiful new work from Kevin Doria (Growing). If Eliane Radigue and Kevin Drumm made a record together it might sound something like Total Life. Kevin Doria creates a sound world with deep inner dynamics shrouded by distortion. Whether you stay on the surface or listen deeply, the energy in this work is vivid. Recorded and mixed at home in the winter of 2012, RADIATOR represents the first proper full length release by Total Life for Important Records. RADIATOR is inspired by standing on the ga…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
An amazing mix of spaced out electronics and improvisation, combined with analog/traditional instruments as usual but also taking it even further and into deeper realms! 400 only coloured vinyl, mastered by Giuseppe Ielasi. "This Italian group, with the great CD 'Like little garrisons besieged' (2009) and two intriguing 7's made in collaboration with Oren Ambarchi and Steve Roden under their belt, are back with a new release on Bocian Records with even greater momentum. Their music could be l…
Born of Six, featuring Amelia Cuni, Catherine Christer Hennix, and Werner Durand, create exemplary drone compositions rooted in the traditions of Dhrupad, early minimalism and just intonation. Composed by Durand, Cuni, Hennix, Svapiti is one long composition measuring 55 minutes in length. 'A solid foundation is the best basis for the fundamental.' Narada´s exposition of the seven notes begins as follows: because Sadja (the tonic) arises from the combination of nose, throat, chest, palate, tongu…
2012 release ** For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a com…
Split release between Kevin Doria's Total Life (Growing) and Deceh (Eleh/Srines), pressed in an edition of 500 copies and housed in deluxe 2 color screen printed, heavy duty jackets. Kevin Doria's work as Total Life precedes his work done as half of the group Growing, and is continuously evolving; this contributed track, Fader, is no exception. Deceh's contribution is an extended harmonic magnification of a shruti box, Hammond organ, upright double bass & modular synthesizer.
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
"South of the Border is the third installment of my Cassette Memories album series. All field recordings were taped in Mexico, a country I've had a special fondness for since I was a little child. My first memory was watching photographs and Super-8 films my father shot in Mexico City from his time there during the 1968 Summer Olympics, where he competed as a member of the Japanese national hockey team. It made me realize there is a place completely different from Japan, and I started dreaming a…
During the work for Voice Crack duo Norbert Möslang was one of the pioneers in the field of sound installation techniques usage in live improvised music. His instruments are cracked everyday-electronics, but sounds themselves are delivered from the mechanical properties of these devices. This kind of approach seems to be similar to Peter Fischli and David Weiss practices in the visual arts’ fields. The comparison of the film documentaries - "The Way Things Go" (1987) about Fischli/Weiss activiti…
Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.