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*300 copies limited edition* Salford Electronics abandon all art. Nine lo-fi electronic urban nightmares spiralling through Industrial decay, rain-drenched dark ambient, abrasive loops, brooding noise, and shards of scintillating electronics. The desire to communicate the disintegration of nocturnal sound. Evoking that moment in time when you have been up all night and the dawn ambience is about to break. A series of bad dreams.
These works were created over the last decade and originally self-r…
More from the inexhaustible archive of Berlin's electronic anarchist. Schnitzler stacks pulsing sequences and caustic tone-colours into restless, self-contained machines of sound: uncompromising, hypnotic and utterly his own.
*2026 stock. 180 copies limited edition* Crematorius returns with Efterbörd, a dense and uncompromising work of death industrial, power electronics, and dark ambient released by Minneapolis-based label Phage Tapes. Originally connected to material recorded under the Crematorius name in 1987, the album marks the project’s first substantial new statement in nearly four decades.
Across nine suffocating tracks, Efterbörd drags the listener through a landscape of saturated drones, corroded electroni…
Lussuria returns with Fresco, the latest full-length from the New York project of Jim Mroz, issued on LP by Hospital Productions. A quieter and more painterly record than much of what has come before it, but no less haunted.
Active since 2007, Lussuria has quietly assembled one of the most distinctive bodies of work within the Hospital Productions orbit. Mroz came to wider attention with the American Babylon series in 2012, then a run of releases that moved between dark ambient, muted industrial…
High temperature B2B wreckordings live death machine in remembrance of the 15th anniversary of vatican shadow at hospital fest nyc. featuring new, old and kollaborative tracks from VS/AM/SE past and disparate catalogs with dueling vocal angriff. never forget war is a force that gives us meaning.
You are red tail lights, you are small and simple, you entertained me, i want to destroy this you, i imagine you between two columns, you are small and simple, i want to destroy this you, you are a passion, i must deal with lucifer.
Last year, the long-awaited self-titled debut finally appeared on vinyl. Now the series continues with Enter Now The World, the second album by Jouni Havukainen's project. Originally released by Cold Meat Industry in 1992, it remains, for many listeners, the project's masterpiece.
The elements that defined In Slaughter Natives were already present on the debut. On Enter Now The World, everything became larger, heavier and more detailed. Thunderous percussion, heavy electronics, brass and string …
A meteorite and a lost EP from an experimental electronic talent escape their grim fate: remain unknown to human civilization forever. Around 2015, Gareth Smyth (aka Lumigraph) produced two tracks before uploading them on his Soundcloud page under the name “Canyon Diablo”, a tribute to a meteorite that crashed in Arizona 49,000 years ago. Amazed, the future co-founder of M+M Disques barely had time to download them onto his hard drive before they were deleted... until today.
Behind the extraterr…
The "Gold Is The Metal With The Broadest Shoulders" LP by Coil is released on Mute. Originally issued in 1987, the album is not a conventional studio album but a collection of outtakes, demos, and interim versions from the sessions for "Scatology," "Horse Rotorvator," and the Hellraiser contributions, functioning as a documentary in-between space within the band’s body of work.
Musically, the record operates in the tension between experimental electronics, dark ambient aesthetics, and industrial…
The first thing that should strike any attentive listener of Gary Mundy’s work as Kleistwahr is that this new collection of nine songs features drums on the opening two tracks. Combining a manic rhythm with searing white noise, a post-punk guitar chopping angular sounds like it belongs to the debut Banshees’ album, and despairing vocals, ‘Cold Blood Cold Night’ sets the tone for most of the album. While not every song is bound to this same pulverising beat at its core, there’s a lot of untamed n…
For almost four decades, MZ.412 have forged some of the most uncompromising ritual industrial and dark ambient soundscapes the world has ever known. "The Nar Mattaru Curses" gathers obscure recordings from their whole career including previously unreleased or buried tracks, recorded between 1989 and 2017 in the legendary Nar Mattaru studio. Raw hymns of apocalyptic industrialism, occult malevolence, and crushing sonic sorcery that never made the original albums. An essential transmission for dev…
*80 copies limited edition* Milena Zink of Willis, Grain, Pulsing Nerve Garden, Deux Plex on samplers, synthesizers, electronics, springs. All CDs include Birth Card insert for listeners to fill out
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here with a new tape in a deluxe metal box. Also contains a poster. Play loud!
On Draconic Synthesis, Old Tower fuses past, present and speculative futures of its own sound into a single, coiled entity. Forest drones, star‑castles and serpentine motifs blur into seductively destructive dark music, lifting the first veil on the “horned serpent” whose scaly, symbol‑inked body is both dungeon and firmament.
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis and regression, where man slides toward beast and the mysterious old world quietly devours the new.
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out at a self‑satisfied “underground” that mistake style exercises for substance.