The Nar Mattaru Curses
For almost four decades, MZ.412 have forged some of the most uncompromising ritual industrial and dark ambient soundscapes the world has ever known. "The Nar Mattaru Curses" gathers obscure recordings from their whole career including previously unreleased or buried tracks, recorded between 1989 and 2017 in the legendary Nar Mattaru studio. Raw hymns of apocalyptic industrialism, occult malevolence, and crushing sonic sorcery that never made the original albums. An essential transmission for dev…
Cold Birth
*80 copies limited edition* Milena Zink of Willis, Grain, Pulsing Nerve Garden, Deux Plex on samplers, synthesizers, electronics, springs. All CDs include Birth Card insert for listeners to fill out
Un Sequestro Lungo 10.000 Anni
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…
Five Ritual 20240601 / Devil's Gate
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here with a new tape in a deluxe metal box. Also contains a poster. Play loud!
The Advantage of a Bad Memory
Released on 6 panel digipak CD in a limited edition of 200 copies
Draconic Synthesis
On Draconic Synthesis, Old Tower fuses past, present and speculative futures of its own sound into a single, coiled entity. Forest drones, star‑castles and serpentine motifs blur into seductively destructive dark music, lifting the first veil on the “horned serpent” whose scaly, symbol‑inked body is both dungeon and firmament.
The Old King of Witches
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis and regression, where man slides toward beast and the mysterious old world quietly devours the new.
The World Is Empty, the Heart Is Full
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out at a self‑satisfied “underground” that mistake style exercises for substance.
With Open Arms
On With Open Arms, Cult of Youth finally emerges from a seven‑year chrysalis with a sprawling “pagan post‑punk” epic. Born from off‑grid barn sessions, weaponized analog gear and years of cut‑and‑spliced reconstruction, the 62‑minute double album plays like a feverish exorcism turned into a hard‑won, defiant rebirth.
M.U.U.N.H. 31.04.1982 + A Journey Through Sound, Silence and Return
Bringing page and tape into the same charged zone, this bundle pairs A Journey Through Sound, Silence and Return with M.U.U.N.H. 31.04.1982, uniting Maurizio Bianchi’s most ascetic industrial vortex with Raffaele Pezzella’s definitive monograph. Together they form a single, immersive dossier on sound as extremity, withdrawal and unresolved return.
A Journey Through Sound, Silence and Return (Monograph) (Book)
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.
M.U.U.N.H. 31.04.1982
Recorded at a pivotal moment in his trajectory, M.U.U.N.H. 31.04.1982 captures Maurizio Bianchi refining sound into a stark environment rather than a composition. Static yet volatile, it strips electronics to bare impulses, anticipating isolationist ambient and dark drone while remaining rooted in the brutal materiality of early industrial experimentation.
Yura
*100 copies limited edition* Yūra (幽羅) describes a dystopian future where the last monks of humanity seek illumination through the remnants of obsolete technology. Broken circuits, residual memory, ancient intelligence and flesh are sacred instruments within a continuous rite.
Tomoko
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-ind…
Nomad Souls / Tribal Warning Shot / The Harvest (Live 1984)
Hunting Lodge are an American industrial/experimental band formed by Lon C. Diehl, Richard Skott and Carla Nordstrom (then known as Karl Nordstrom) in Port Huron, Michigan in 1982. Their first live appearance took place in September 1982 at the Harrington Ballroom inside the Harrington Hotel. The event was recorded on a portable cassette player and would become their first release on their own S/M Operations label. Nomad Souls LP was released in the fall of 1984 on S/M Operations in the U.S., an…
Cadavres Électroniques
Sewer Election is an act which at this point requires no introduction - a mainstay of the Swedish and International noise community for decades. "Cadavres Électroniques" is a new collaboration between Sewer Election and Aziza - a hidden gem in the Gothenburg underground that emerged out of the scene around Longest Night a few years back, creating pitch black, cold and slow moving ambient music reminiscent of Maurizio Bianchi at his bleakest (read: Endometrio and such). A surreal blend of rudimen…
Exile
"Drift was a relatively short-lived project created by Gabriele Giuliani. Better known through his notorious nom de plume, Dead Body Love. Within the course of only a few short years, Drift released a dozen sought after releases on such legendary imprints as Slaughter, Old Europa Cafe, SSSM, Harmonie, and his own Less Than Zero, before fading behind the curtains Exile was not only the debut release by Drift, but also the beginning to a trilogy of cassettes released on Slaughter Productions. It …
The Beyond
"Second in the trilogy of Drift albums released on SlaughterProductions, The Beyond takes on a minimal yet darker approach, sheding the dense cavernous aspect of the preceding album, Exile. Replaced, is a more introspective Autumnal Dark Ambient style, which will become Drift's trademark on following releases. However, Gabrielle Giuliani never abandons the isolationist atmosphere he previously established. The result is a masterwork in Ambient Industrial Noise.
Winds howl, rain soaked leaves ar…
Earthquake
"On Earthquake, the third and final cassette released on Slaughter Productions, Drift takes on a slightly different angle to the previous two cassettes. Where as The Beyond and Exile were firmly planted in pitch black ambient territory, the desolation on Earthquake is Saharan. Bright, Sirocco, and sun scorched. Afterall, who said Dark Ambient needs to be cold? In a sense, the listener is transported to an abandoned archaeogical dig while faint middle eastern tones waver in and out of the surfac…
Catatonic Daydreamer
After his trilogy, Iron Sight returns with Catatonic Daydreamer. Once again laying his heart bare, across a broadened and evolved emotional and sonic landscape - moving with genuine honesty between stark vulnerability and overwhelming force.
Clear state shifts run throughout the record. Going from stripped-down acoustic moments, reminiscent of a dark Johnny Cash-like intimacy - fragile and exposed, allowing silence and space to carry as much weight as sound and context itself - to moments where …