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Electronic /

Viral Shedding
Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music. Between pure noise and electronic beats, 'Viral Shedding' creates a twisted and percussive rhythmic urge, a funky disco sound permeated by digital industrial beats. Nigel Ayers and Caroline K take their inaccessible best and thrown it into the melting pot with a set of pumping rhythms. The result is the frustrated son of mutant disco, swimming i…
Songs of Love and Revolution
"Songs of Love and Revolution" was a big step forward for Nocturnal Emissions, having a full colour cover and turning their sound further towards electronic pop music. Classics such as "No Sacrifice" and "Never Give Up" have made this an essential album for every fan of electronic music. As Nigel Ayers reminds, they were buying lots of equipment at the time and seemed to have naturally acquired some skill over the years so they thought, ‘Let’s make some pop music.' He continues: "The Miners’ Str…
Isis and Thoth
Body Without Organs were a duo from New York City consisting of Richard Behrens (lyrics, vocals, guitar) and Carl Howard (electronics, effects) formed in 1982. The pair brought together skill and ideas from such diverse areas as writing, poetry, ceremonial magic, studio technology, and mass media sounds and images. The name Body Without Organs could mean several things: a body, being an organization, without organs, or hierarchy; a form of anarchy, certainly opposed to the capitalist system, and…
Selected Tracks 2. 1995-1998
**700 copies, 2020 stock** Selected Tracks 2. 1995-1998 is a double album with a new selection of tracks recorded by Esplendor Geométrico between 1995 and 1998. This is the second part of Selected Tracks, the first one was published in 2015 (GR 2136LP). Ten of the thirteen tracks appear for the first time on vinyl, and some rarities only released in very limited CDR editions during the '90s and without distribution, are also included. Esplendor Geométrico are pioneers and masters of rhythmic ind…
Some Experiences With Shock
With ‘Some Experiences with Shock’, originally issued in 1984, Die Form return to sadistic pleasures. The album is a rare example of medical music, horribly sordid moreover, adding a more extreme dimension to their work. The first side, “Survival & Determination”, contains 7 tracks recorded in studio with analog equipment are the direct realization of previous works. In contrast the second side, “Lacerations & Immolation”, contains 5 songs improvised in the fever of paramedical oppression, with …
The Cop Killers
A genuine holy grail of Italian post-industrial music, The Cop Killers’ sole, eponymous tape is remastered and issued on vinyl for the first time via Alessio Natalizia’s Ecstatic label. Fetching triple figures on the 2nd hand market (there’s a copy on scogs atm for £300) this is an indispensable slice of ‘80s Europe’s underground experimental rhizome. An important release for Ecstatic and one very close to their heart, ‘The Cop Killers’ was originally released in 1982 on the legendary Trax labe…
We will fight back!
2009 release ** The ultimate version of the ultimate Blackhouse album. Brian Ladd presents you WWFB as it was recorded and meant to be heard. Due to the time restrictions on vinyl, several tracks had to be taken off the album. Now, this classic record comes to you full-length, with the original intended running order and a booklet explaining more about the recording and some rarely seen band photographs. Tracks include "We will fight back", "Rock Rock", "Granite Grind" and "Totally Gone". An Ind…
Interferencias Vol. 2: Spanish Synth Wave 1980-1989
Double LP version. In the early '80s, futuristic music existed that triumphantly anticipated another musical era for a number of groups that worked on alternative circuits in Spain. Tradition, trajectory and future: these three words sum up a movement that was castrated at birth and sought to bring plurality and nuance to a monolithic cultural scene that was too predictable, commercial and stale. The musical texture of synth pop, experimental electronic music, and the incipient primitivist indus…
Performance
Posh Isolation’s elusive Age Coin duo impress with the cranky post-techno deviation of Performance; a lean, nervy and dread bass-fuelled follow-up to their Perceptions 12” - reissued by Luke Younger’s Alter in 2013 - and interim excursions in their other projects, inc. Vår, Marching Church, and the excellent Yen Towers. Shifting gear from the Perceptions 12”s tunnelling dynamics to more fractured and unsteady structures, the sound of Performance is perhaps best described as a more mutant, buckle…
Distress Signals II
Gatefold sleeve. Artoffact Records is proud to announce the reissue of a significant portion of the Controlled Bleeding catalogue. Released on Gary Mundy's Broken Flag label in 1984, the first Controlled Bleeding album was Distress Signals, an almost impossible to find cassette-only album of brutal powernoise and experimentally distorted and tortured vocals. The near hour-long performance is immediate and harsh, and the tape has a kind of holy-grail quality amongst collectors, not least because …
Clifford Darling, Please Don't Live In The Past
Severed Heads are one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was…
Glass Walking
Over the years the Menstruation Sisters have through a selective, but incredibly varied output of albums steadily built a reputation among music fans as a unique band. It was never a secret who the members of Menstruation Sisters were, yet the band's aura was shrouded in mystery and confusion, possibly because they would completely reinvent themselves with every new recorded statement. As a fan of the Menstruation Sisters you had to abandon everything you knew with each new piece of the puzzle.…
Fires Frame the Silhouette
Cremation Lily is the project of UK-based Z. Zsigo. For the past five years, Zsigo has been consistently working under most people's radars with his distinctly personal take on power electronics, developing a modest cult following and a respectable catalog of releases through his Strange Rules label. In 2012 the project was brought to the attention of Steve Underwood from Harbinger Sound who subsequently released the Fertility Servant 7" and the project began to gather a more visible live presen…
Re-Membering Dwayne
At the end of 1981, brothers Darrin and Stephen Huss and schoolmate Dwayne Goettel performed for the first time as Psyche in Edmonton, Alberta, Canada. Their live show was a combination of horror and electronics that was completely unprecedented in Western Canada. Although Goettel and the Huss brothers parted ways before Psyche was to release any material, the masters containing Dwayne Goettel's performances were preserved in the band's vaults. Now, 19 years after Goettel's untimely passing in 1…
Stupor Mundi
Part 14th in the ongoing re-release series of all early Asmus Tietchens Vinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor Geometrico EGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Aus Freude am Elend
11th part in the ongoing re-release series of all early Tietchens albums between 1980-1991. Aus Freude Am Elend is based on the human voice as a primary sound source and was originally released in edition of 500 copies on Dom America in 1988. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. The original front and back cover. First edition of 600 copies'. 'Following my research of piano and water sounds (DS102, DS88) …
Orientering I Denna Värld
2012 release ** "Back to basic industrial noise carnage from Matthias Andersson (more known as one half of the chaotic harsh noise duo Heinz Hopf). Recorded in Gothenburg between September 2011 and January 2012 in the aftermath of the Utmarken years, Orientering I Denna Värld is a final closure to the concept initiated on the Öppna Vattendrag (Posh Isolation) and Förändringens Frö (Järtecknet) releases. Gritty, failing electronics, repetitive loops and processed fieldrecordings from the construc…
Slaughter In A Tiny Place
2CD version, including two CD bonus tracks. Pseudocode was a Belgian electronic improvised music band, active from 1980 to 1982, featuring Xavier S (Thrills), Guy-Marc Hinant (Sub Rosa co-founder) and Alain Neffe (Insane Music, Bene Geserit). While Xavier S contributed most of the lyrics and vocals, it was Guy-Marc Hinant who often played the core melody on his Pianet electric piano. Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic clo…
Xerxes
New album by Brume (Christian Renou), who is a prolific French musique concrete composer/sound organizer who has been releasing CDs and cassettes worldwide. Renou is remarkable because he engages in elaborate concrete compositions without the academic pretension that surrounds much of the work in this style. More info later. Xerxes was the King of Persia in 500 B.C. and could be considered today as a symbol of « blitzkrieg ». His aggressive instincts allowed him to defeat the Greek army in a qui…
Ludium
2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…