Lexachast
**clear vinyl edition with alternate cover** Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas, and Harm van den Dorpel. Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work -- known simply as Lexachast. Since then, it has expanded into a live show that has been performed at Transmediale, CT…
Jacopo Plays Benassi
**white vinyl, includes booklet** "Jacopo Plays Benassi is a performance where the photographer plays his body with radio-controlled microphones then samples them. At the same time, he takes photographs projected on a wall in real-time. The inner need to produce sounds not knowing how to play any instrument comes from the work realized in his former club, BTOMIC, where he met underground artists from all over the world. The album that comes from this work was created in collaboration with two gr…
Kneel Before Religious Icons
Remastered and slightly edited from the original 4 x tape boxset, Kneel Before Religious Icons reasserts its place in the pantheon of Vatican Shadow’s prized early releases. Originally recorded in 2010, the album’s eight tracks revolve around some of the first material recorded by Dominick Fernow in this mode, aside from his then better known work as Prurient. At the time, Fernow was still working under cover of anonymity and this release in particular only aided in heightening the intrigue and …
Deep Shit / The Drop
**200 copies, white vinyl** "A killer 45 of pure, blunt, steppers dub-noise force from Joachim Nordwall aka The Idealist, big recommendation if you are into Muslimgauze, Pan Sonic, Alva Noto...Faithfully brought to life with mastering by Jack Callahan ov Sunburned Hand of the Man and Bánh Mì Verlag esteem, The Idealist’s second 7" sees him knuckle out two minimalist, monotonic steppers that fall in the gulf between dub, noise and Pan Sonic-like techno purism. The trudging swang of Deep Shit is m…
My Life With M.
"My Life With M. is an organic contact with sound where theatre and music could be perceived as a tool for the creation of a distant dream. Oliver Doerell's sonorities transpose a nostalgia for something never met or somewhere never been, an osmosis of absence and memory interrupted by scattered fragments of abstraction.The album reveals Doerell's artistic collaboration with German-Iranian dancer and choreographer Modjgan Hashemian. All pieces are reworked compositions for theatre plays from 200…
One Instrument Volume 01
**2019 stock** "One Instrument Volume 01 is the physical fulfillment of eight sound experiments composed by different producers using the guidelines of the label. The choice of the Various Artists format aims at creating an harmonious journey across different sub-genres in the ambient, techno and experimental worlds, which can perfectly embrace each other. The LP opens with a composition by In Bloom, the new project of Martino Bertola, who drives us directly into a melodic ambience. To follow it…
The Clouds Know
Cryptic, twilight emissions from Ricardo Villalobos and Max Loderbauer; their synthetic compound of electronics and ouroboros jazz has walked from ECM and Perlon over to Mana.Developing a sound that tends to drift along as otherworldly atmospheres and strange fusion, Vilod evade easy categorisation, even compared to Villalobos’ already experimental and genre-twisting solo minimal offerings. He and Loderbauer pull away the backbone inherent to the structure of that dance music, and The Clouds Kno…
In a Landscape
Rain, spit, ice, neon, mercury, arcing electricity, plants, steam, soil, and dust; this is dream music from Sa Pa. Following up on his 2015 debut 風物詩 [Fuubutsushi], In a Landscape provides rich content for fantasy and the fertile imagination, establishing a rich terrain of visual, poetic, and abstract sound that draws on techno and dub ambient.Somewhere between pastoral impressionism and cyber-noir, its surface evokes the tensions of a fluctuating, fizzing atmosphere, pictures emerging and disso…
Sleepwalker
UK ambient pioneers O Yuki Conjugate release their first new album for over a decade. Sleepwalker documents the group's recent live shows, doubling as a soundtrack to a film of the same name by founder member Andrew Hulme. Comprising 10 new tracks taken from 24 live shows in nine countries across Europe, Sleepwalker captures OYC's current musical direction, a blend of plangent keyboards, abstract guitars and electronic rhythms, presented in OYC's inimical style.
Vientos Eléctricos
**300 copies** An ambient journey to the inner reaches of the sound modulation. Weird rhythms that remind to Craig Leon, blended with synth sequences close to the kosmische Berlin School and experimental guitars giving an organic touch. An LP of experimental minimal electronics with ambient traces. A cyclical cloud that renovates de orography of places already explored by artists such as Dieter Moebius, Steve Hauschild, Conrad Schnitzler, Cluster, Harmonia...Mecánica Clásica is a new project bou…
Particle / Matter-Wave / Energy
Kompakt welcomes veteran contemporary experimental producer Marcus Schmickler with the release of his spectacular noise / techno fused medallion entitled Particle / Matter-Wave / Energy.Marcus Schmickler’s fifty plus release discography is one of the most fascinating in his field. From his studies under Cologne based Stockhausen collaborator Johannes Fritsch to his releases through legendary imprints a-Musik, editionsMego and Mille Plateaux, over the years Schmickler has been behind innumerable …
Garden of Reality
**300 copies** Conceived in the cultural cellars of Bangkok, Thailand, and Geneva, Switzerland, this 9-track LP by Jerome, aka Yantra Mandir and The Dude of Stratosphear, casts a wide net over experimental meditative ambient music, progressive drone, Brahmanic accents, and ritual oscillations.Together, this work represents a 20 year journey in Geneva of musical production, artistic expression, and the melting pot of experiences fused with the rich legacy of Indian spiritual sounds.The LP is part…
Shadow Position
"There are 4 tracks, 4 different windows to look out from our studio in Düsseldorf into the street and their different layers of sound. 4 horizons, 4 spy holes in the door, 4 eyes and 4 shopping windows. 4 landscapes.Witness the electric city and the power house. Strafe F.R. is sitting inside the fuse box. The electric chirp of the night. The socket in which we sleep. The dog comes, in order to devour Strafe F.R. First he eats the rebellion and next he bites the Strafe.The house and the body, bo…
Ruído(s)
Sometimes you know it’s coming, sometimes it’s unexpected, but the time to hang your boots will always come. It’s better when you have total control, even better if you end up on a high (or on a low). After seven years of sonic interferences, calibrating the soundscape of field recordings and helping to recreate the old sounds of today, Gonzo is retiring from music. It’s a goodbye, yeah, and a well-crafted one.But Ruído(s) doesn’t sound like an intentional one. You won’t listen to it on any of …
Station
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
2007
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Dujang Prang
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
New Raceion
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Power On To Zero Hour
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Deuce Avenue
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…