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Rainbow Island is a quartet born in Rome in 2013. Since its foundation the band confirmed themselves as skilled explorers of virtual dub, deranged non-narrative storytelling and manipulations of digital riddim music in between fourth and fifth worlds. Audacious and dynamic polydimensional dwellers, Rainbow Island are the most up-to-date sonic guide to our complex contemporaneity and, after the LCD Jiāng swims in “Crystal Smerluvio Riddims” culminating in the Bobblers direct encounters of “Dances…
I:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track. During the time he spent recording it, which was in part inspired by the processes behind his ‘Cubo Live Sessions’ series, I:Cube had fun, experimented, …
Limited Edition Picture Disc We have repeatedly surprised you with unusual releases that sound uncharacteristic for wellknown artists. Remember Merzbow with guitars, synth (almost said synth-pop) and drum machine? Well, Muslimgauze's turn came up. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. …
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
Spittle Records present a compilation titled Tears In My Eyes (1983-1985) focusing on the Italian band The End. "The name was simple and maybe not so original, but very appropriate for a band active in provincial Italy of the early '80s. A band playing British post-punk inspired songs with English lyrics and a focus on man's existential crisis. Nothing to do with gothic or dark as we used to call it in Italy, in fact even if the boys (all under 20 at the time they got together in 1983) liked dre…
Music composed and produced by Burnt Friedman 2019 – 2022 Published by Freibank Cover photography – 1875, photographer unknown, group of Andamanese people, person in tropical suit presumably German ethnologist and explorer Fedor Jagor "The vocabulary of modern ‘Western’ music or of the so–called Global North has finally been spelled out. The ever more hasty striving to move forward led to a music that is ‘starving among this embarrassment of riches’. In those days, the music that was oscillati…
"A pivotal, early release of electronic new wave, this single oddly gained more notoriety for its B-side, "Warm Leatherette." Amidst jolting zaps, pops, and blipping skips, Daniel Miller robotically intones about the pleasures of car crash as foreplay: "A tear of petrol is in your eye/The hand brake penetrates your thigh/Quick -- let's make love/Before you die." The track sounds like a darkly cartoonish version of a malfunctioning dot matrix printer: clinically pristine, minimal, and sinister. A…
Tanzprocesz CEO Jo Tanz (Femme, Opéra Mort, Placenta Popeye, Reines D'Angleterre) unloads an electropsychedelic opus dripping with emotional intensity. Blurry synth slow-cookers, baroque abstractions, vibrating static spasms and Jo’s trademark lethargically possessed vocals ooze over 12 inches of vinyl divided into 5 self-contained movements via forward and reverse cut grooves and intercut double grooves. Translucent neon pink vinyl with hand screen printed inner sleeves featuring groove maps t…
*300 copies limited edition* Written, played, and recorded by Muslimgauze.Mastering by Yuriy Bulychev.Design by Zavoloka.Photography & production by Dmytro Fedorenko.
Shrapnel and destroyed machine-gun cartridge were kindly provided by Maryna Fedorenko and Georgiy Potopalsky.
Extremely intense Arabic dub noise music, designed to blow minds and loudspeakers. Remastered 2021 reissue with new artwork, originally released in 1997 on Soleilmoon. First time on vinyl!
Recorded at the height of the global pandemic, and at a time when remote communication was becoming increasingly prevalent, "Choreological Exchanges" is part of Hastings Of Malawi's continuing investigations into the medium of communication itself. Prior to telephony becoming digital, all phone calls were routed through mechanical telephone exchanges, and the majority of the sounds on side one are the sounds of these exchanges and some of the voices of the engineers who worked with them.
Hasting…
*300 copies limited edition. In process of stocking* A new mutation on Mecánica Clásica's sound, preserving the essence of previous works: ambient inspired by electronic pioneers such as Craig Leon, K. Leimer, Marc Barreca, Jon Hassell or Cluster. Continuing with their contemporary update of these sounds, this new delivery evolves to more rhythmic tracks, oriental influences and percussive sequences that bring it closer to leftfield vibes, with a wide range of textures and details that appear an…
Cascades was recorded over a three-day studio session in Turin during the winter months, which is reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture of hazy melancholy, uncanny dream-states and euphoria.Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic analogue synthesiser, which takes principles from living organisms to produce sounds resembling a conversation between nature and technology. T…
We've got the fabulously outspoken Sleaford Mods on the cover of this month's Electronic Sound, with an exclusive white vinyl seven-inch featuring a previously unreleased Mods track to accompany the magazine.
*2022 gold vinyl repress with insert. 100 copies limited edition* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedeli…
*300 copies limited edition. In process of stocking* "El Pasaje del Aumento" is a collection of syncopated rhythms for hypnotic slow dance. An accident of oppressive atmospheres with a humorous sense of rhythm and composition, which moves between downtempo, African rhythms and dub. With a certain oriental softness, it introduces you into a state of enchantment, spell... a hypnotic and mysterious restlessness, almost uncomfortable. Sentuhlà squeezes his Yamaha Rm1x on this second album, creating …
Philipp Matalla lives and works in the triangle of Halle, Leipzig and Berlin, in Germany. He has previously released music on labels such as Optimo Music, KANN and Kashual Plastik. His new album on Meakusma delves into some of the themes that have so far defined his work, this time increasing the tension between moments of musical harshness and flickers of introspection, ease and downright beauty. Matalla aims not for perfection, instead deploying the listener's sense of imagination. His work to…
*In process of stocking* We're starting 2023 with the magnificent Orbital on the cover of Electronic Sound and we have an exclusive green vinyl seven-inch featuring a special remix of the band's 'Belfast' to accompany the magazine.
The new Orbital album, 'Optical Delusion', comes out next month. Only their 10th album in 30 years, it's another great release from Phil and Paul Hartnoll, jam-packed with bangers, sparklers, cosmic dreamscapes and eccentric abstractions, alongside collaborations wit…
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.