Source: Music Of The Avant Garde - Source Records 1-6, 1968-1971
Astoundingly great collection of some of the classic pieces from the 60s avant-garde / live electronic music wave presented here as originally issued (in chronological order) by larry austin & stanley lunetta via their “source: music of the avant garde” magazine & 10” record series between 1967 and 1973 .... Source Records 1 and 2 with Robert Ashley: The Wolfman (1964). David Behrman: Wave Train (1966). Larry Austin: Accidents (1967). Allan Bryant: Pitch Out (1967). Source Records 3 and 4 with A…
diabolus in musica
Half-book, half-screen, this François Bayle's composite work is meant not only to be read, but also to be heard-seen as well as perused in order to navigate through it more easily. The reader’s ear is solicited through diverse modalities that will bring into play the rapprochement of two intertwined approaches, however very different and opposable with the goal of observing the listening”. Bilingual : French-English. 151 musical examples grouped in 53 themes
Sparks
2007 release** "«Sparks», like the marconimen who occupied radio stations on ships at the beginning of the twentieth century. And this extraordinary album was essentially born on the radio, in the well-deserving Rai studios of Audiobox in 1995. Brooded over for over ten years, contaminated by subsequent experiences, these sound materials now return on CD, in a sedimented and coherent object, where cultured experimentation goes hand in hand with Central European popular music and new ethnic cross…
Audioscope - New Electronic Music From Madrid
Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.
After Dinner Black Out
2007 release ** Limited edition of 106 hand-numbered copies. "'After Dinner Black Out' is the debut of Italian musician Donato Epiro, is a nearly 20 minute experiment in sound collage. A single track, the composition is made of several pieces of music and found sound, each cut to a reasonable length of no shorter than 30 seconds and up to five minutes. Like Luc Ferrari's compositional musique concrète, the sounds are intimately related, though not necessarily by timbre, tone, or anything else ap…
Vladimir Ussachevsky: Electronic and Acoustic Works 1957- 1972
16-page booklet including liner notes in English. This composer portrait is dedicated to Vladimir Ussachevsky (1911–1990), a pioneering figure in electronic and choral music. The album features six of his groundbreaking works in electronic music alongside two significant choral pieces, highlighting the breadth of his creative output. The final two works on the CD, Three Scenes from The Creation (1960; rev. 1973) and Missa Brevis (1972), showcase Ussachevsky’s innovative use of the human voice.Th…
Wind Shadows
The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …
Electronic Field. Obscure Tape Music of Japan vol. 8
*2022 stock* This is volume 8 in Omega Point's Obscure Tape Music of Japan series, featuring the recorded live performance of Japanese avant garde maestro Toshi Ichiyanagi. He has stood out from the other more moldy academic groups of composers due to his groundbreaking and mindblowing work during the '60s. Thus, he was invited to perform as part of the concert series "Japanese Experimental Music 1960s" at the Art Tower Mito in Ibaraki in 1997. The noisy and radical sound of this performance sho…
Ikon and other Early Works
This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and IKON) and the earlier works (Cortez, Weather Report, and The Emperor’s Birthday).
“Cortez, Weather Report, and The Emperor’s Birthday
form a kind of trilogy representing my work with “text-sound” in the
early seventies. The techniques used to gener…
Columbia- Princeton Electronic Music Center 1961- 1973
Works by Bülent Arel, Charles Dodge, Ingram Marshall, Ilhan Mimaroglu, Daria Semegen, Alice Shields. The Columbia-Princeton Electronic Music Center was the first electronic music center to be established in the United States. From 1959 to the late 1970s, it was one of the premiere sound facilities in the world. The vast majority of pieces composed at the Center - approximately three hundred - were composed during this period. Some have become classics of music history. This selection, draw…
Film Music
Ussachevsky was one of the most significant pioneers in the compositon of electronic music, and one of its most potent forces. He produced the first works of “tape music,” a uniquely American synthesis of the French musique-concrète and the German pure electronic schools. He co-founded the Columbia-Princeton Electronic Music Center in 1959 and directed its course for the next twenty years as the leading electronic music studio in the United States. This release couples two of his most powerful a…
Centre Bridge: Electroacoustic Works
Much of Frances White's music is inspired by her love of nature, and her electronic works frequently include natural sound recorded near her home in central New Jersey. This is the first complete disc of White's electroacoustic works, both with or without instruments. This disc is titled Centre Bridge because it has inspired two of the works contained on it. But beyond this, it is because the role that the bridge has played in White's work is so characteristic of her music. Her music is about li…
Adventures In Sound / Nachtstücke
First in a series of 18 CD's aiming to make available all early vinyl albums by Asmus Tietchens between 1980—1991 on CD. Each release features the original tracks (sometimes extended / original versions) + unreleased bonus tracks from the same recording period, original artwork + accompanying texts by Tietchens. This — the only 2CD in the series — feat. his very first album Nachtstücke from 1980 (incl. 4 bonus tracks) + a 2nd CD with archive material recorded with his long time friend Okko Bekke…
Tape Works of Kuniharu Akiyama. Obscure Tape Music of Japan vol. 006
Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Fluxus movement). This release consists of his three unknown tape music pieces. They are very strange. Excerpt from the liner notes: "'Environmental Mechanical Orchestra' (1966) was made for an exhibition called 'From Space to Environment,' carried out …
Headlock
Reissue of the classic new generation Musique Concrete LP, this is an historic document - with extra contemporary material pursuing the rich drone techniques for which Thomas Dimuzio has more recently become known. Extensively remastered for this release.
Archives Grm
For the 30th birthday of INA, the GRM has decided to present in this CD box some of his archives. INA - GRM (Institut National de l'Audiovisuel - Groupe de Recherches Musicales) in Paris, France, is the pioneering organisation of electroacoustics, acousmatics and musique concrète, with a history going back many decades, as active today as ever, recording and releasing a long string of historically important, but also new and innovative, electracoustic works, while also engaging in research into …
20 JAHRE INVENTIONEN VI
Electroacoustical music from the Inventionen Festivals 2005 and 2006. Composers/tracklist: Edgar Barroso 'ODD'; Mario Verandi 'Comme un jeu des images'; Paul Wilson 'Through the Rain'; Ricardo Climent 'Wallwoodpeckers'; Vladimir Djambazov 'The Secret Life of a Snare Drum'; Ludger Brümmer 'Glasharfe.'
Most composers work with field recordings or acoustc object phenomena and process these sounds with digital software means. The brilliant piece from E. Barroso uses only the "noise"-components of in…
Bijou
A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have be…
Sonopsys N° 2/3
Realized at and commissioned by Groupe de Recherches Musicales (GRM). Premiered April 25, 2004, salle Olivier Messiaen, Maison de la Radio (Paris, France). Comes within 108-page book with original texts in French translated in English including interview/discussion between Alexandre Yterce, Florence Gonot & Jacques Lejeune; also including is a full list of works by the composer.
The Cahiers Sonopsys will question some composers of this Musique Concrète / Acousmatique which, since 1948, the year…
Futaie / Tchernoziom
Régis Renouard Larivière was born on 3 December 1959 in Paris. He decided to devote himself to acousmatic composition following the Adac-GRM training course he attended at the end of 1984 with Jacques Lejeune and Philippe Mion. He has been teaching since 1990. He is currently professor of composition at the Conservatoire Royal de Mons (Arts2) in Belgium. He has written numerous articles on various electroacoustic composers (Parmegiani, Bayle, Schaeffer...), as well as on Schaefferian concepts. H…