Peter Beyls
Peter Beyls stands as a pioneer at the crossroads of computer science and the arts, shaping generative systems in music, visual, and hybrid formats. In early works, inspired by figures such as Michel Waisvisz, Karel Goeyvaerts, and Lucien Goethals, B…
A Rainbow In Curved Air
Esoteric Recordings are pleased to announce a new remastered edition of the wonderful ambient and experimental work by composer Terry Riley, "A Rainbow in Curved Air”. One of the great modern musical works, Riley composed this influential piece utili…
Deutsche Elektronische Musik 2 (Experimental German Rock And Electronic Musik 1971-83) (Record B)
Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German…
Infra (3CD Box)
One of the titanic cybernetic works Kayn issued on Colosseum, Infra (1978-79) returns across three CDs and an extensive booklet: Isotrope, Nastie, the two Formantes, the two Randoms and Apeiron. Mastered by Jim O'Rourke from the tapes held in the Lyd…
Scanning
Recorded in 1982-83 and heard in public barely once, Scanning is the largest of Kayn's cybernetic works: ten CDs, ten hours, twenty-four moments moving between shimmering harmonic ambience and raw droning distance. Remastered by Jim O'Rourke from the…
Tektra
Kayn's landmark of the early 1980s, out of print for decades, restored across five CDs. Jim O'Rourke mastered it from the original tapes in the Lydia and Roland Kayn Archive, following the composer's own directions on crossfades and edits and restori…
Reiger Records Reeks Bundle
Fifteen titles on twenty-nine discs: every CD Roland Kayn issued on his own Reiger Records Reeks between 1995 and 2006, from the three Kybernetische Musik volumes and the ten Electronic Symphonies to the late Multiplex Sound-Art sets and the orchestr…
Electronic Symphony I / III
The first instalment of the ten Electronic Symphonies: Symphony I (1966-96), II (1970-96) and III (1971-97), with Equivalence Sonore II and III from 1995. Pieces concreted in real time by a complex autonomous electronic system, a process Kayn documen…
Electronic Symphony IV
Electronic Symphony IV (1988-96) unfolds over four sections across two discs, joined by Frottage and Minimax, both from 1996. Sound generated in real time by an autonomous electronic system: since the process cannot be retraced, the recording itself …
Electronic Symphony V / Emissioni Trasformati I-II
Electronic Symphony V (1977-97) in two sections, one per disc, each paired with one of the Emissioni Trasformati of 1996. Twenty years of revision folded into music that a complex autonomous electronic system concreted in real time, beyond any tracea…
Electronic Symphony VI / VII
Electronic Symphony VI (1982-97) on the first disc, Symphony VII (1984-98) and Frottage II (1996) on the second. Two of the longest gestations in the cycle, worked over fifteen years and left to a self-regulating electronic system to concrete in real…
Electronic Symphony VIII / X
The close of the cycle: Electronic Symphony VIII (1978-98) and the single-year Symphony IX (1999) on the first disc, Symphony X (1982-99) in two sections on the second. Thirty years of Kayn's generative studio work arriving at its last and largest st…
Kybernetische Musik
The first volume of Kayn's cybernetic works: Ready-Made I and II (1982) on one disc, Collage and Decollage (1984) on the other. Four long pieces that arise, in the composer's words, from the interplay of merged control loops setting a process into mo…
Kybernetische Musik II
The second volume of Kayn's cybernetic works, a single CD holding two long pieces: Assemblage (1984) and Refractions (1995). Music not composed and practised but set going, arising from merged control loops and feedback in a system that can be entire…
Kybernetische Musik III
The third volume, six pieces from 1986 to 1996 across two discs: Cybernetic Serendipity, Transfluxion and Syntropie on the first, An Artificial Acoustic Environment, Syzygy Dynamical Units and Equivalence Sonor I on the second. A decade of self-regul…
Disappearing in a Mirror
LP version. Silk-screened sleeve. Italian sound artist Giulio Aldinucci drops his second album on KarlRecords, Disappearing In A Mirror, is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to …
Borders And Ruins
KarlRecords presents a repress of Borders And Ruins (2017), Giulio Aldinucci's ambient masterpiece of sublime beauty and sacral majesty which made it onto several best-of lists of 2017. Giulio Aldinucci is an Italian sound artist working in the field…
Ideas Of Beginnings
Mark McGuire reminds us why he is among the most beloved guitarists of our new age. McGuire returns to VDSQ with a beautiful album of fractal introspection, a succinct collection of deeply melodic and emotive themes. …
Fish Music
Single-sided "aquatic clear" 7". Includes a copy of the original press release as well as a press cutting from the time. Limited edition of 500 for Uk. As the first and only label dedicated to liberating the private, non-commercial artifacts from Suz…
L’Effaçage
Lucio Capece, bass clarinet. Radu Malfatti, trombone. 'Do light waves disrupt sound waves ?' Francis Brown. Recorded live 25 September 2011.