multitudes I and II
This is a re-issue of Delphine Dora’s Multitudes I and II. these releases were originally made available in 2009 and 2013 respectively. Both releases are based on lyrics from Walt Whitman’s book Leaves Of Grass. I absolutely love these releases and I’m very happy and honored to be able to make them available on cassette. Eternal thanks to Delphine.
8. oktober 2026
Last year I invited my friend Frederik, who sings in Bending Backwards, plays piano in some different jazz projects and reads 100 books a year to come by my apartment and record a tape for Afvikling. This is what came out of it. A half hour of truly virtuous yet very weird piano and organ Music, with sounds of construction work echoing through the open windows. For me a prime example of why you sometimes just shall let the tape run and let the magic happen by itself.
Ciprés
Buenos Aires composer Ignacio Sandoval, aka YOTO, returns to London's Kit Records with a new album of dismantled Argentinian folk music. Taking root at the border between Latin American folk tradition and the kiln of Buenos Aires' distinctly bustling experimental arts scene, Ciprés is a loose-limbed collection of elegiac storytelling.
Guitar remains at the heart of YOTO's practice; each piece on Ciprés began life as a miniature improvisation, recorded in real time then gently adorned with splint…
Canvas on Which It Is Impossible to Paint
On Canvas on Which It Is Impossible to Paint, Tungu and Hui-Chun Lin stretch improvisation to the brink of impossibility. Lin’s fiercely physical cello dialogues with Senchuk’s cut‑tape, bass and environmental ghosts, while Makigami Koichi’s voice skews the frame further, turning the duo’s third chapter into a volatile, detail‑rich sonic palimpsest.
Rare
*2026 stock* “The interaction between the two musicians was quicksilver incisive, with not a false step.” Chamberlain, Mike. « All About Jazz », May 27, 2024
“[...] performance by veterans Sophie Agnel and John Butcher set a high bar for attention to detail and interplay while continually discovering new shapes.” Hill, Eric. « Indie Dependence », May 30, 2024
“These two musicians work together very well, exchanging ideas, creating a fascinating ongoing dialogue.” Gallanter, Bruce. « Downtown Mus…
Felix
The great master, improvisational pianist, and musical polymath Steve Beresford; John Edwards, one of the most important double bassists on the global free improv scene; and Mandhira de Saram, an exquisite violinist and former member of the renowned Ligetti Quartet, come together. “Felix” is the recording debut of this trio, which, since its formation a few years ago, has become a regularly performing ensemble. Recorded at London’s Vortex club in January of last year, the album demonstrates how …
Oblic
"Among all the paradoxes of communication, which improvisational musicians explore continuously as connoisseurs to create magic, there is the fact that they speak at the same time (something we are generally discouraged from doing). Not only that, but they have the quartering ability to listen and hear each other while speaking at the same time. Reversal of the situation for better sharing: to hear each other better, to hear everything better, it would really be better if we all got into the hab…
Almost This
"There is a familiar species of experience. I believe it is nearly universal. Here’s the brief: we have not seen a person in a long time, someone with whom we were once close. For no good reason – no falling out, no unpleasantries at all – our paths have not crossed. Then, in an instant, we are together, thrown or brought or drawn. Circumstance has landed us proximate and here we are, face to face. Within seconds, we recognize the person. I mean really recognize them. Not just their external app…
Synàntisi
"Autumn has always brought me bright thoughts and fruitful encounters. Barry and I, although we had known each other for many years — and although I had grown “into adulthood” musically through the influence of masters like him — had never had the chance to play and record together. Finally, October 2025 gave me this wonderful gift: an extraordinary meeting. Coming face to face with a champion of free improvisation placed me in a position where I had to draw upon all the creativity available — a…
foam & mesh
Recorded by Karl Winand and Markus Massinger at artacts – Festival for Jazz and Improvised Music, Alte Gerberei, St. Johann in Tirol, Austria. Mixed and mastered by John Butcher
Sophie Agnel - pianoJohn Butcher - saxophonesPascal Niggenkemper - double bassStåle Liavik Solberg - drums
Rhizoming
Chinese tradition tells the story of how one day, the Emperor decided to decorate the walls of his new palace. He summoned two of the most famous painters of the time and gave them two months to complete the paintings on the walls. One of the painters immediately got to work and spent two months diligently and meticulously sketching, applying colors, correcting, and perfecting his painting. The second painter arrived a day before the deadline and painted his painting in a single gesture, without…
Six or Seven Ways Towards Becoming Undone
The duo of Camila Nebbia and Chris Corsano brings together two fiercely creative voices from the international improvised music scene. Nebbia’s searching tenor saxophone lines meet Corsano’s explosive, highly textural percussion in a set of spontaneous exchanges of raw expression. Their music moves fluidly between delicate detail and surging intensity, driven by deep listening and fearless experimentation. The result is a striking dialogue where every gesture reshapes the sonic landscape in real…
Studio Recording
The new release by Ochibonoame captures the trio’s raw and searching approach. With Makoto Kawashima on alto saxophone, Louis Inage on bass, and Naoto Yamagishi on drums and percussion, the group navigates the volatile terrain of silence and eruptive energy. Their music unfolds as an intuitive dialogue, where fragility and abrasive sonic bursts collide in real time. The result is a deeply visceral document of spontaneous creation, rooted in the underground spirit of Japan’s improvised music scen…
Distractions for Trumpet & Ajaeng
On Distractions for Trumpet & Ajaeng two radically distinct instrumental traditions converge in a study of texture, fragility, and focus. Kelley’s whisper-quiet trumpet tones and microscopic bursts of air intertwine with Kim’s bowed ajaeng, its coarse, resonant grain stretching and splintering in real time. The result is a taut, immersive dialogue that transforms subtle gestures into seismic events and invites listeners into a heightened space of deep listening and unpredictable detail.
Lummernikt
Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…
Después De Llover
On Después De Llover, Eli Wewentxu and Indrė Jurgelevičiūtė turn a first encounter into a shared dreamscape, letting kanklės, txompe and violin wander in post‑rain light where plants, pudus and herons quietly rewrite the rules of folk dialogue.
An Afternoon With Victor Dimisich
Big Tip! This is one for the faithful. An Afternoon With Victor Dimisich gathers a set of recordings that until now existed only as rumour - an unearthed afternoon from the legendary pre-Flying Nun underground of Christchurch, New Zealand, surfacing more than four decades after it was first committed to tape, and never issued in any form before now.
The Victor Dimisich Band took shape in 1980, when Stephen Cogle and Peter Stapleton broke away from Bill Direen's Vacuum to follow their own songwr…
All Thoughts Fly
Sacro Bosco (“Sacred Grove”) is the starting point for Anna von Hausswolff’s All Thoughts Fly. Here in solo instrumental mode, the entire record consists of just one instrument, the organ, and represents absolute liberation of the imagination. All Thoughts Fly radiates a melancholic beauty, and is distinguished by fluid transitions of contrasting elements; calmness and drama, harmony and dissonance, much like the place that inspires the music. Sacro Bosco is a garden, based in the centre of Ital…
États des lieux
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
Dans-sons as we are
With Dans-sons as we are, Audrey Lauro, Christian Pruvost and Peter Orins deliver an album shaped by subtle shifts, restrained tensions and slow transformations of sound matter. A music of listening as much as gesture, where each intervention seems to open a new space rather than occupy the previous one. Brought together through a shared practice of free improvisation, the three musicians develop a collective language that is both dense and constantly in motion. The trio never seeks spectacular …