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*150 copies limited edition* Separated by an ocean and a generation apart, German reedsman, Werner Durand and American stringsman, John Krausbauer, have both been devotees of the cosmic ur-drone for many decades. Their new recording on Moving Furniture Records, “Black Seraphim”, brings together for the first time their singular vision and approach in a half hour droning dirge. The setup finds Krausbauer on his oft-employed violin, while Durand continues to explore the possibilities of his self-i…
*50 copies limited edition* "Tony Conrad has always been a constant inspiration for both Glen and myself and one of the main reasons we started making drone music in the first place. When Paul Williams contacted me last year about the relaunch of Table Of The Elements, I proposed a screening of the Tony Conrad documentary followed by a performance of our duo Mertens & Steenkiste. As a filmmaker myself, I wondered if it would be possible for us to score one of Tony’s films, more specifically his …
*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberates for twelve seconds before decaying into silence. Warpeha was greeted only by dim lights when she entered, and it wasn’t until she had spent several minutes listening that she was able to make out the frescoes that covered every inch of the room: g…
Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.
At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…
Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontes…
*In process of stocking* Since his Beat Diary debut (a 12xLP box set comprising 365 beats recorded daily over the course of a year), Julian Sartorius has immersed himself in unique and ambitious projects - trekking the path not travelled to arrive at rhythmic life forms through found objects and prepared instruments. Equally as mighty are his two other escapades, the most recent being Locked Grooves - 112 beats cut as endless loops on vinyl spanning 56 dense 1.8 second compositions per side. Pre…
Tommaso and Jean have been a duo for several years, touring extensively throughout Italy, France, and Quebec. Their second release was recorded in a new and inspiring environment: a cabin nestled in the hills surrounding the Genova Prà neighborhood. Perched atop the hill, the cabin offers breathtaking views of the seaside and the bustling commercial port of Genoa. This space, typically used as a storage room, captured the sounds and noises generated during a two-day residency hosted by Davide Ce…
“Orassion,” halfway between improvisation and composition, is born from the timbral and contemplative union of percussion and positive organ. Recorded in September 2023, the album is the result of a shared prayer created from silence and sounds deeply amplified by the precious acoustics of the Church of St. Martin in Bondo, a small village in Switzerland. The white walls of the church, the precious embroidery of the paintings, the immaculate colors, and the golden atmosphere surrounding the soun…
"Silence. Presence. Breath. It was 1999 when I first met Michel Doneda, with Tetsu Saitoh, leading a free improvisation workshop in Genoa, my hometown. Looking back, it's remarkable how much that workshop influenced my life and led to many subsequent encounters with Michel, thanks to Cepi and Barre Phillips. When Michele Anelli asked me if I was interested in releasing this album, there was no doubt that the answer would have been positive. I find Michel's breath and gasps still uncompromised an…
"This was a unique experience recording for me in a studio that I have had several fantastic experiences in over 20yrs. We have not performed, had not rehearsed and were formulating a sonic world in real time as the takes proceeded. Copious light came into the room and never left! I believe we have more than a book within each of us. Sometimes a day provides a sentence. An hour provides a paragraph. A week provides a comma, and a minute provides a whole page. As Wayne Shorter says ‘Our instrumen…
*100 copies limited edition* Confront Recordings proudly unveils Metalurgia, a riveting new duet recording from Irish drummer Francis Comyn and pianist Adam Fairhall. Captured several improvisation, this album forges a sonic metallurgy where acoustic strings clash and meld with the elastic breath of bellows, yielding a dense alloy of texture, tension, and unforeseen resonance.
Comyn's percussive work interlocks with Fairhall's piano expanses and interventions. The result is a living forge: metal…
Violinist Mike Khoury came together with Sharif Sehnaoui (guitar, percussion, bouzouki) and Raed Yassin (bass) to create some very natural and organic improvised music during the Irtijal Festival in 2018. Khoury said, “the three of us had an instant connection with a common understood language that predated all of us.” The music was not a part of a festival performance but a sparate effort by the three musicians. Khoury is best known for his work as a soloist, in duet with percussionist Ben Hall…
Any sense of where we were gone is music obsessed with the infinite within the minute, with the mercurial, breakable, with shifting, sifting, cohering, and digressing. It is an improvisational framework in five parts for chamber ensembles, prepared piano, and electronics, written for and played here by my good friends. It steals inspiration from postmodern fiction, obscure geometry textbooks, and poems about time. This is a live recording of the first performance
“To do. To do something, to do g…
For a few days at the end of July 2023, I curated a series of concerts and recordings in a few spaces in the historic, now-defunct Kreenholm Textile Factory in Narva, Estonia, a stone's throw from the Russian border. In Kreenholm's reverberant rooms, these sessions reflected on the layers of history, labor, conflict, and lives past and present that have shaped the factory and the constantly re-evolv- ing border city. A large and unexpected part of this project involved the restoration of an anti…
Seijiro Murayama is a Paris-based drummer, percussionist, improviser and composer. It was in 2009 that he first released CDs on the Ftarri labels Hitorri, Ftarri and Meena. He has since released over ten CDs of performances in solo, duo, trio and quartet formations.
"Uchidome," Murayama’s fifth solo album from the Hitorri label, consists of three tracks recorded in France in January 2025. All his drum solo albums are outstanding, and this CD, with its unique and inimitable performances, is no ex…
*200 copies limited edition* Born in 1954, Katsura Yamauchi is a saxophone player based in Oita, Japan. Since he began performing in earnest in the early 2000s, he has been touring and expanding his distinctive musical activities in Japan, Europe, North America and Asia. Koto player Kohsetsu Imanishi has an active career inside and outside Japan, performing music of various genres including classical Japanese music, improvisation and contemporary classical music. In addition to performing as a s…
The concept is therefore to propose an immersive type of listening, in which the rather extended durations of sustained and seemingly static sounds create a certain tension generated by the anticipation of variation.
The live performance involves the use of samples, as the composed balances require multiple timbral layers to be active simultaneously. The closeness in pitch and the mimicry between instruments highlight the psychoacoustic phenomenon of beating: in fact, our auditory sy…