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Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…
Ex Agent’s debut EP New Assumptions… is a collision of no-wave beauty, improv-adjacent disorder, and spoken-word poetics that teeter on the edge of collapse. Within this exquisitely precise disarray lie carefully constructed moments of fragility, repeatedly unsettled by bursts of sudden, free-jazz chaos. Across five tracks, the Bristol-based five-piece explore queer and neurodivergent identity through sonic themes of refuge, instability, and resistance.
Formed in late 2021 in Bristol, the group …
"Difficult as it may be to imagine, there was a time when Sun City Girls did not exist. Prior to the Bishop brothers teaming up with drummer/shaman Charlie Gocher to form SCG's classic trio lineup, there were various ad-hoc assemblages of local Phoenix-area freaks and weirdos – groups which existed only long enough to play a single gig, open mic or house party before disbanding without a trace. Hatched from this milieu was Paris 1942, a short-lived band formed by guitarist Jesse Srogoncik that i…
*2025 stock* Normil Hawaiians had a transformative 1982. With two 7” singles and a 12” EP under their belts they suddenly found themselves disillusioned with the increasingly generic sounds surrounding them, so they forced the hand of change and began reaching out with that very hand. The band’s true constant in Guy Smith soon found himself with a new crew of musicians, Simon Marchant, Noel Blanden and Mark Tyler. Normil Hawaiians’ communal take on post punk quickly sprouted leaves from its mout…
2025 stock "Live at The Library Theatre '83" captures the legendary Nico, former member of The Velvet Underground, in a raw and intimate live performance at Manchester’s Library Theatre in 1983. This release, issued by Culture Factory and Cherry Red Records, marks the first time this concert has been available on vinyl, presented as a limited edition for Record Store Day.
2025 stock Limited to 2000 copies. Having appeared in La Dolca Vita before joining The Velvet Underground in New York in the mid-‘60s, Nico seemed to be at the epicentre of all that was cool in the ‘60s. And she continued that trend by relocating to Manchester in the ‘80s for a career renaissance before her death in 1988. This record immortalises her performance at The Hacienda, Manchester, in 1983. This deluxe package includes an OBI strip, single album jacket, printed inner sleeve, record labe…
*2025 stock* 1983. A distinct malaise afflicted the nation. The UK was about to re-elect Margaret Thatcher by a landslide, cruise missiles arrived at Greenham Common in Berkshire, six people were killed by the IRA outside Harrods, nuclear reactors suffered system failure in the USA, Russia, Argentina and Germany. The Face magazine showed an exhausted youth that everything was OK as long as you looked ‘right’. A curious revisionism had become prevalent. The Jam had become the Style Council and st…
Spittle Records is proud to announce the reissue of Chance Operation’s seminal sophomore release, Spare Beauty. Originally issued in 1982 as a double 7” on Jeep Records, this sought-after EP makes its long-awaited debut on 12” vinyl, reintroducing four tracks of pure Japanese post-punk brilliance to a new generation of listeners. Spare Beauty is a masterclass in hypnotic, infectious sonic grooves. Each track weaves together raw energy and avant-garde flair, showcasing the band’s innovative appro…
Originally released in 1981 on Jeep Records and reissued here for the first time, Chance Operation’s debut 12” EP stands as a bold statement from Japan’s avant-garde underground. This seminal recording, now available on Spittle Records, captures the raw energy and visionary spirit of a group that defied genre boundaries and predicted the sonic upheavals of the decade to come.
Chance Operation emerged from Tokyo’s fertile experimental scene, channeling the restless creativity of the late 70s and …
Spittle Records reissues Chance Operation’s 1985 debut “Place Kick,” a genre-defying mix of post-punk, funk, and jazz, now on vinyl for the first time—restoring a vital underground classic for new audiences.
1993 release ** Unreleased recordings from Vandoeuvre's Musique Action Festival, produced between 1998 and 1992 for the festival’s 10th anniversary. The blossoming style of the music of the 80s can be heard throughout the album. Featuring: François Raulin et Louis Sclavis, A.M.I.S. Quartet, Floros Florodis,Paul Lovens,Jean-Marc Montera, Daniel Koskowitz, Elliott Sharp & Carbon, Dominique Regef, David Moss, Pierre Stéphane Meuge, Daunik Lazro & Joe Mc Phee, David Garland & Worlds of love, Krackho…
In attempting to write this dispatch on the second Voice Imitator album my instinct is to pitch them as somewhat of an antidote to the current ills of what could be described as the post-Noise Rock landscape. I’m trying not to tread too far down the path of negativity and slander, so let's just say that while on paper they share basic characteristics with popular groups in the pigfuck to frat rock pipeline, Voice Imitator possess a tact and vision scantly seen in Repetition Orientated Rock. On ‘…
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Written, produced, engineered and mixed by Marco GiambroneRecorded and mixed at Casa 53 - Cammarata (Italy)Additional Recordings: b.a.d Instruments Studio - Alessandria, Nocino's Studio - AlessandriaMastered by Giovanni Versari at La Maestà - Tredozio
Marco Giambrone: Vocals, guitars, percussions, balalaika, vibes, noises, samples, synth, violinCaterina Fede: Vocals, organ, harmonium, synth, autoharp, cymbals, percussions, noisesAlfonso De Marco: Bass guitar, percussions, backing vo…
When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn Rowe. It sounds like nothing we’ve released so far—and that very otherness opened up a whole new world of possibilities for us. Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based…
For decades Devo have been working non-stop at Recombo DNA Laboratories on a new kind of research to keep up with the mutating world around us. That extensive research is now ready for public consumption once again. Futurismo were the first to bring you this on vinyl and now they present unhindered access into Devo’s labs, documenting the scientific analysis and demonstrations as conducted by the band between the years 1977-2008. This tireless research has manifested itself in Recombo DNA...an u…
Futurismo present standard LP and CD versions of DEVO’s highly celebrated and sold-out box set release - ART DEVO 1973-1977. The release all hardcore Devo fans have been waiting for, ART DEVO is a vital collection housing unheard and obscure mind blowers sourced directly from the vaults of The De-Evolution Band. This anthology takes you from the bands initial conception in Akron, Ohio to the moment before the world woke up, in a collection of sonic and visual art that captures Devo at the dawn o…
1992 release ** "The 3rd and final album by Les Granules. The pieces on this album are recorded in real time and without overlays. Each of the composed or improvised pieces was subsequently the subject of serious alterations by collage. Slight differences in pulsation, tuning, and subtle shifts from one beat to another, from one type of sound recording to another, were highlighted rather than hidden, producing the effect of a mosaic or quilt. "
Jean Derome: flutes, alto sax, calls, drum machine…
CD Edition. Sonic Youth on Superior Viaduct!!! In October 1987, four months after the release of their critically acclaimed Sister LP, Sonic Youth showcased their latest work in a blistering set at Cabaret Metro, Chicago. The concert was introduced by Big Black's Steve Albini (who at the time was banned from the venue) and subsequently released as a semi-official bootleg under the title Hold That Tiger on writer/provocateur Byron Coley's impishly Geffen-baiting label Goofin' (years later the ban…