We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Resonance Gathering is a double LP and book that documents a large-scale performance project on the music of composer Pauline Oliveros (1932-2016) that occurred in Canada between 2017-2019. The project gathered nineteen interdisciplinary performers (mostly non-musicians) to interpret Oliveros’s score To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation (1970)—a work for sound and light that was written in response to the anxiety and political unrest of 1968 in America. Organ…
This 12" is the sonic result of a psychogeographic action which took place in Zurich's underground water system at the beginning of winter 2020-2021. This is a purely acoustic recording. Recorded and mastered by Rafal Skoczek. Photography by Mark Siumin. Design by Maximage
*200 copies limited edition* Australia-based baroque violinist Lizzy Welsh has recorded three new compositions for solo baroque violin—the astounding result of a decade-long process of commissioning repertoire of such work during her doctoral research. Each of the works on « The Target Has Disappeared » initiates an intimate conversation between Welsh and her instrument, outlining the contours of memory and loss, weaving together fragments of old and new traditions in the sound of gut strings.
Tip! O Yama O return with their first full length LP since 2018’s self titled debut. Galo finds the duo of sculptor Rie Nakajima and vocalist Keiko Yamamoto firmly enmeshed alongside percussionist Marie Roux and violin player and visual artist Billy Steiger as a band, their project this time a proper four way entanglement - or five when you include the record’s powerhouse producer David Cunningham. Known perhaps already for their exploration of folkloric Japan and the ‘domestic and democratic qu…
This album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece. Apparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but t…
To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…
"After two and a half years of refining, calibrating, and reconceptualising their approach, pianist Darius Heid, cellist Emily Wittbrodt, and double bassist Jonas Gerigk are now releasing their debut CD. With great enthusiasm, the trio met frequently for playful and dedicated rehearsals, improvising freely then observing and discussing the resulting phenomena, delving further into the depths of their music. A long and involved process - creating trialogues that weave through constant re-examinat…
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
*60 copies limited edition* Live in concert at A New Wave Of Jazz festival, Hundred Years Gallery (London, UK) on February 8th, 2020.Graham Dunning : turntable, dubplates & spring reverbs, Benedict Taylor : viola, Daniel Thompson : acoustic guitar.
Black Tape, Clear Box With Pins, Sealed. Design By Rutger Zuydervelt
*350 copeis limited edition. Comes with 16-page booklet of program notes * In the 1960s, Robert Ashley pioneered the American avant garde with the ONCE Group and festivals, before irrefutably changing the face of American opera later in the 20th century. Buckner, in addition to running the fabulous 1750 Arch record label in the 1970s and 80s, is a noted baritone who has collaborated for decades with the likes of Roscoe Mitchell, Annea Lockwood, and the late Noah Creshevsky, amongst countless ot…
In 2015, Lemur started a collaboration with German pianist Reinhold Friedl. Friedl is the leader of the international ensemble Zeitkratzer, working at the intersection of improvisation and composition. In this respect, Friedl's experience and working method have much in common with the ideas and working methods Lemur uses. Not least through an interchange between work with large and small ensembles.In collaboration with Reinhold Friedl, we focus on the use of extended playing techniques, form ex…
Sofa Music is proud to add the powerhouse flutist Alessandra Rombolà to its ranks with Out of the Playground, documenting Rombolà’s latest commissions and collaborations for solo flute and electronics with composers Daniela Terranova, Jan Martin Smørdal, Ingar Zach, and Lasse Marhaug. The album’s five contributions, drawing on Rombolà’s polyvalent musical background, are united in their mission to venture “out of the playground” of scenes and genres, as Rombolà puts it. Across these incisive, ex…
Núria Andorrà is a percussionist, improviser and composer from a classical and contemporary music background but always drawing from other sources of inspiration. Núria proposes a universe where images, sound and the body come together to create and transmit from an interdisciplinary perspective. She has performed with Agustín Fernández, Fred Frith, Lê Quan Nihn, Joëlle Léandre, Mats Gustafsson, Nate Wooley, and Joe Morris, as well as collaborating with Carles Santos, Hector Parra, Matmos and ot…
Uruguayan guitarist Santiago Bogacz is a genre-bending virtuoso with a strong penchant for improvised music. Over the years he has released many solo and duo recordings, some under the stage name Matador. On the stimulating and poignant Retrato Años Despues he joins forces with his compatriot Emiliano Aires for nine spontaneously created pieces.Aires sticks to the infrequently heard soprano clarinet, the twittering tones of which, with their hints of vibrato, complement Bogacz's resonant strings…
Terje is a two-track EP by Swedish composer and improviser Alex Zethson. Featuring two movements from a score Zethson wrote for Victor Sjöström’s 1917 silent film, Terje Vigen, which was based on a poem by Henrik Ibsen, these beautifully poised compositions were premiered in Trondheim, Norway on November 20th, 2021, at Vår Frue Kirke (The Church of Our Lady). For this performance, which was recorded the day following the premiere, Zethson (on piano, synths and xylorimba) was joined by Ida Løvli …
Tip! *Comes with a 24 page booklet with texts and pictures* All in all, there are more than 50 pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments. Archivio Conz in Berlin provided access to their extensive Fluxus archives and Edizioni Conz provided coproduction. Ursula and René Block made possible the realisation of John Cage's historical composition Rozart Mix from the E…
Domotic − the alias used by musician Stéphane Laporte − composed and mixed this new album, Palazzo, at the invitation of Ina GRM, and it is a wonderful addition to a career full of projects and numerous releases. Recorded with his favorite analog synth, the SH01, his four-track MT4X and a Copicat tape echo unit, this electronic piece was subsequently mixed in binaural and stereo
*2023 stock* "In joy / In grief / I’ve been so fucking lonely / In the bars, on the streets / In detox / At treatment centers / In the hospital / In custody / In psychiatric wards. Also at the royal art academies. But now I am finally free." - Roosen
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…