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An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).
Robin Hayward plays microtonal tuba in Catherine Christer Hennix's ensemble and Stop Time is his first composition to be released on Important Records. Stop Time was commissioned for a festival of the same name taking place in Leuven in 2013. It is the first piece to use a subset of the three-dimensional physical version of the Hayward Tuning Vine, invented in 2012, as a musical score. The harmonic space implied within the four cubes contained within the subset, based on prime numbers two (octav…
The music of Christian Wolff has long occupied the fertile borderland between composition and improvisation, as both are usually understood. More a set of suggestions than a writ of prescriptions, his scores can take the form of graphic symbols floating freely against a white background—as in 1968’s Edges—or of pitches notated and other parameters left unspecified, as in the Exercises. He is on record as having said that a score is only a means to an end, the latter consisting of the performance…
Lindsay Cooper was a rare and extraordinary woman; at home in rock bands (Henry Cow, National Health), Jazz ensembles (Mike Westbrook Orchestra, Maarten Altena Octet) Concert Halls (Concerto for Sopranino Saxophone and Orchestra, Songs for bassoon and Orchestra); she also founded the Feminist Improvising Group, scored feature films and wrote for television, dance, radio, theatre, contemporary ensembles and orchestras - as well as being highly respected as a virtuoso performer on several instrume…
Performed and recorded by Enrico Malatesta, August 2013. Skin instruments and metal objects. Mastered by Giuseppe Ielasi. Enrico Malatesta (1985) is a percussionist active in the field of contemporary music and his personal research is aimed to extend the sonic and multi material possibilities of percussion instruments through simple gestural techniques, able to realize complex polyrhythmic thicknesses and multiple information that exist between performer, space and instrument. Regularly works a…
* Five hours of electroacoustical compositions, recorded during the first thirty years of the Berlin festival “Inventionen”. Box set with two audio CDs and a multichannel (surroundsound) DVD * Mindblowing two re-releases of Edition RZ LPs that are now available in this double CD box with additional tracks, as well as a mainly acousmatic DVD that features electronic tracks by a variety of electroacoustic composers. The present DVD contains mainly acousmatic music. This is when a pure "tape piece"…
This CD presents compositions for piano using the instrument in an unorthodox way. The strings are bowed with nylon strings, stimulated by E-Bows, rubbed with metal, the keys' sound is examined as a corrugated surface and staccato rhythms are repeated in a narrow register. On the one hand, the pieces introduced here explore new ways of playing the piano. In this sense they are enlarged playing techniques, as they have been developed for most instruments in the second half of the twentieth …
Continuing the definitive Fred Frith edition, this is the CD based on Fred’s music for the second film he made with Humbert and Penzel – following nomads – that features, along with Fred’s compositions and re-workings, a restless and gripping unfolding of atmospheric locations, tuareg and other musics, ethongraphic material and times captured. A collage or a soundwork rather than a straightforwardly musical composition, this is a serious and unfairly marginalised piece (because it falls between …
After almost forty years of creative activity, the name Enore Zaffiri still sounds "new", as his extraordinary artistic output has remained to a great extent unreleased. Pioneer of multimedia, electronic and ambient music (he founded the Turin Studio of Electronic Music in 1964) Zaffiri used the electronic instrument to find a new musical perspective based on a structuralist principle derived from Euclidean geometrics. In this works, dated between 1973 and 1988 he approche the combination of the…
Matchless Recordings presents a live concert by Eddie Prévost and Alan Wilkinson recorded at Barefoot Studios, London, England on 10th January 2006. The album includes five tracks performed by Eddie Prévost - Percussion, Alan Wilkinson - alto & baritone saxophones.
His work in AMM has labeled him a percussionist, and rightly so, but listen to “Supa, Supa;” with its shuffling high-hat and dancing brushes – this is idiomatically aware jazz drumming of a very high order. Some of the best music occu…
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on 16th of July, 2001. The album includes four tracks performed by Eddie Prévost - Percussion.
"Alone in the studio, it is just me trying to breathe life into the materials I have chosen at hand. I am looking, hoping, that something unexpected will crop up. The gongs, chimes, bells, skins, strings and resonating boxes are a rich environment. You never know for sure what you will dig up. I …
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on September 10th, 1996. The album includes six tracks performed by Eddie Prévost - Percussion.
"After a life-long study of percussion, Eddie Prévost has discovered ways of making the instruments reveal hidden aspects of thei voices. These, his first solo recordings, comprise and anthology of this long study but at the same time there is a freshness here that suggests the research is far f…
2005 release ** "Cistern was made in a two million gallon underground reservoir at Fort Worden, a de-commissioned military base overlooking the entrance to the Puget Sound. The space's resonance extended the instruments in a way similar to electronic processing. The acoustic properties of the cistern created new sonic relationships to which the group applied their musical concept. Cistern captures Doublends Vert's first experiences in the sound-world of the cistern. Doublends Vert formed in 2003…
Matchless Recordings presents a collection of early works by Brown, written 1952-64.
The album includes eight tracks performed by Dal Niente projects: Simon Allen - vibraphone, marimba, percussion harmonicas, various sound-producing media; Peter Bevan - trombone; Bridget Carey - viola; Tania Chen - piano; Robert Coleridge - piano; Francesca Hanley - flute; Nicolas Hodges - piano; Mieko Kanno - violin; Lore Lixenburg - voice; Zoe Martlew - cello; Mannon Morris - harp; Fiona Ritchie - vibraphonem…
Matchless Recordings presents a live concert by Christian Wolff and Robin Schulkowsky recorded at Poggiolo fram, Pozzuolo, Umbria, Italy on April 22-24 2003.
The album includes fifteen tracks performed by Christian Wolff - composition, melodica, Robin Schulkowsky - percussion.
"Rooms talk to me. I send out a sound, the space answers. The first message I picked up from the old barn in Umbria was 'yes'.Christian Wolff and I had been thinking, speaking about, even planning a CD with his solo percus…