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Musics for the Savage Planet' is the new album from Bloodcog, part of a year-long project to record a new soundtrack to the 1973 animated movie 'Planete Sauvage' (also titled 'Fantastic Planet'). As well as the full 70-minute OST, 'Musics for the Savage Planet' is compiled from two takes to form 13 discreet tracks. Bloodcog is a band from the North-West of England featuring five of the region's top improvisers, with a sound part rock, part free jazz, part musique concrete, part electronica (and …
Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…
*300 copies limited edition* In 2021, at the invitation of Chant du Moineau, Le Un experimented in collective spontaneous creating on a section of the Dordogne River. In an aquatic and poetic logic of space, Le Un continued its research along the Gironde estuary. Three working sessions with three different teams, ultimately bringing together the entire orchestra and our guests: Claire Steimer, historian, Olivier Chadoin, sociologist, Eric Chauvier, anthropologist, Guillaume Bonnel, photographer …
Over the last couple of decades Magda Mayas has developed a rigorous and distinctive prepared piano practice, working inside the piano with great musicality. The music on Chant captures a dramatic expansion of the pianist’s vision. Reflecting her devotion to social and musical communities through recent stretches of political upheaval and the disruption of the pandemic, she’s found solace in harmony and repetition, and after a period of exploring such sounds with clavinet and Fender-Rhodes, she …
Stifled wailing distortion, suspended chords, glistening bundles of gentle mallet strikes, streams of notes produced by handheld fans. A nearly hour long session of free improvisation - played and recorded without pretense in a basement - by two of St. Louis's most dedicated improvisers and organizers of the city's warped and faded experimental music scene.
Félicia Atkinson first saw Les yeux sans visage (Eyes Without a Face), the 1960 horror film by Georges Franju, when she was a teenager, around the turn of the century. At the time she was frequenting arthouse movie theaters, immersing herself in cinema, and she was encouraged to go by her father. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision…
*2026 stock* Ellen Arkbro and Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln. Graden is one of Sweden’s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in …
The group originally began as a duo formed by Paweł Doskocz and Vasco Trilla, who gave their first concert together in 2017. Since then their collaboration has continued to evolve. In 2018 they toured together and recorded tracks for an album released in 2019 on the Antena No Grata label. In 2023, Zofia Ilnicka joined the group, bringing her own musical language, which perfectly complemented the project's concept.
The group relies on an in-depth knowledge of their instruments, which allows them …
*2026 stock* Diffraction is the amplified reflection, across a wider sonic territory, of what takes place within the making of DDK’s music. A composition written for the GGRIL, in which the three musician-composers weave their texture by juxtaposition, by overlay, in parallel, always within the musical material itself. But Diffraction truly comes to life only through close collaboration with the GGRIL performers, where each person’s character becomes raw material. A compositional process intimat…
1985 composition with the perfect fusion of turn of the Century Romantic music with Minimalism, released by Nonesuch on the "Meet The Composer Orchestra Residency Series" contemporary music series in the same year.
1982 LP on Opus One with two experimental compositions date 1981, an unusual sound exploration for "52 original instruments" and a dissonant concerto for piano and ensemble.
Two superb electro-acoustic pieces for voice, instruments and 4 synthesizers (from 1970) and for soprano and synthesizers (from 1968), plus a 1961 composition for solo clarinet, released by CRI in 1972.
First UK edition on Caroline with textured sleeve of the first recording of the first two parts of the landmark early 1970's monumental Minimalist composition, released in 1976.
1984 re-issue on CBS of the 4LP box set with the first full recording of the momumental and ground-breaking 1976 Minimalist opera in collaboration with Robert Wilson. Essential. With booklet.
2012 4CD re-issue on Sony of the 1978 4LP box set with the first full recording of the momumental and ground-breaking 1976 Minimalist opera in collaboration with Robert Wilson. Essential. With booklet.
Original European edition on CBS of the 1982 chamber music composition with a more accessible approach to Minimalsm by one of its main composers, resulting in absolutely lovely music.
Original European edition on CBS of the 1982 chamber music composition with a more accessible approach to Minimalsm by one of its main composers, resulting in absolutely lovely music.
Original European edition on FM/CBS of the 1986 album of songs co-written with Paul Simon, Suzanne Vega, David Byrne and Laurie Anderson and performed by Linda Ronstadt, Bernard Fowler, the Roches and Kronos Quartet among others.