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Tip! *50 copies limited edition*
Tirature Teatrino is proud to present: Fonometrie Audio-dittico for voices, electrophones and electronics, Fonometrie is the result of long-standing collaboration and recording sessions edited and composed by Jacopo Sabar Giacchino (UBE) and Luca Albrecht ‘Praux’ Praussello in Amsterdam's Oudek Studio between 2022 and 2023. Luca Albrecht Praussello: electric guitar, vocals, radio and electronics. Jacopo Sabar Giacchino: synthesisers, vocals, ud, ney flute, effect…
*75 copies limited edition* Operating since the late 2010s, Vienna-based sound artist the concept horse has quietly amassed a distinctive and diverse discography, drawing inspiration from the rich traditions of musique concrète, noise, plunderphonics, microsound, and free improvisation. “Public Detail” follows releases on labels such as Falt and czaszka [rec.], as well as the artist’s own eë editions, and neatly encapsulates the polyglottic breadth of the project. Patinaed piano loops and wistfu…
*Dubbed on reused ferro tapes* Reveries; an apartment and it's lonesome inhabitant. Field recordings and reamps through lousy computer speakers. The livelyhood and sounds of tape running around different objects, chatting radios and the fiddeling of a diverse array of small talkative machines. All recordings were made within the same weekend, being alone in my apartment. Edited, cut apart and put back together.
*Dubbed on new ferro tapes* A collaboration between accordionist K. Vidar, recorded and edited by J. Folke with onset from Vidar's solo accordion concert in a water tower in Brønshøj. Recordings are made the day prior to the concert, and subsequent on the staircases of the conservatory on Rosenørns Alle. Edited and processed throughout the summer 2024.
*200 copies limited edition* Sound artist, instrument builder and field recordist, Diane Barbé makes their return on forms of minutiae with “musiques tourbes”, a weaving of wetland soundscapes and biomimicking synthesis. Concerned with interspecies conjunctions while nurturing the planet as a finite verdant space, Diane Barbé plays with experimental music, listening practices and activism to bring attention to delicate environmental phenomena, that, despite their minute size, translate profoundl…
Following last year’s “the Inner Room” Freddy Ruppert continues to explore false cinematic world building within these five tracks that are exclusive to this split cassette. Focusing on heavily manipulated samples, this time he brings textures to the forefront, in a blend of creeping ambient noir, synthetic realms, and hazy atmosphere. Although very often simply filled with the most basic vocabulary of the harsh noise canon, the releases - sometimes criminally obscure and limited - of Josh Stewa…
*100 copies limited edition* Jorge Mantas, under his Druuna Jaguar moniker, returns with a new opus devoted to drone meditations and beyond. Entering the album as a neophyte, a deep descent awaits into a slowly evolving spectral composition for solo Hammond organ. Beneath its apparent simplicity, the attentive listening reveals a hypnotic state of austere beauty. Follows a poem for multi layered cello, prolonging the initial somber tone, but creating more dynamic edges through its acoustic conto…
The trio of Neil Metcalfe, Philipp Wachsmann and Emil Karlsen has been working together as Spaces Unfolding since 2021. Created initially as a vehicle for acoustic exploration, the trio’s debut album ‘The Way We Speak’ was recorded in the acoustics of London’s St Mary’s Old Church. This time the trio is joined by Pierre Alexandre Tremblay (electronics), a practitioner offering multiple dialogues between instruments and electronics. Expanding on the initial idea of acoustic influence, the trio is…
Written and produced by CS + Kreme.Cello on 'Master of Disguise' by Yuki Nakagawa (Kakuhan).Tarawangsa on 'COTU' by Teguh Permana (Tarawangsawelas).Mastered and cut by Rashad Becker.Photography and design by Will Bankhead.
"There’s two things I can tell you about Ueno Takashi, without reservation. The first is he knows the best coffee spots in Tokyo. I am the happy recipient of this knowledge. The second thing I can tell you is that he is someone for whom the guitar is a platform of exquisite promise. Ueno Takashi, who many of you would recognise as one half of the legendary unit Tenniscoats, is also responsible for an impressive series of solo guitar recordings which stake out a claim that tests the fringes of ex…
*200 copies limited edition* We’re delighted to announce the triumphant return of Steve Marreyt, aka Edgar Wappenhalter. Here he reverts to making gritty reverb-drenched folksongs. But the poetic and electronic elements from his previous album remain – they’re just incorporated in the songs this time. It makes ‘Ijsschots Veenlaag Mist’ probably Wappenhalter’s most balanced work thusfar. Songs like ‘Hallusineren’ or ‘Vogel rok diamant’ prove he’s one of the best intuitive songwriters around, wher…
The sharp staccato of a cicada, stuck in a tropical stairwell, throwing its body against a fluorescent light – it keeps trying to force a solution despite it clearly not working. The submerged melodies of an 84 year old acetate echo the reflection in the play-of-light which inspired its name. A Benedictine monastery’s pipe organ in Ireland’s west sounds with and against those of a Cathedral organ pipes’ contrasting intonation at St Fin Barre’s in Ireland’s south. Voices laugh in backstreets disc…
With rpm, we wanted to join some of the dots of Philip Jeck's life and involve many other collaborators, early and more recent. Fennesz was a friend and kindred spirit on the same label. Claire M Singer formed a new chemistry and partnership and although their plans must now take a different form, Mary found some sketches Philip had laid out using Claire's organ recordings, for further development. Faith Coloccia & Philip had already released Stardust on Touch in 2021. Their live performance tog…
*2024 stock. 250 copies limited edition* I recorded the album after a conversation with Caleb about doing an album for the label and talking through ideas of what it could look like - compared to my previous release, Heart Music (2022, Where to Now? Records), which was written and recorded over 1-1.5 yrs, Recall the Dream Breath was written and recorded within the span of 2 weeks in March 2021. Heart Music was written in quarantine more or less, so that album became very dense as I wasn't too co…
*75 copies limited edition* The unearthing of a song as a communal ritual, speaks of an intention that no longer sees itself but simply sees. “el rostro descubierto” embraces this way of seeing. Through streams of autonomy, impulse, and idiosyncratic sensibilities, the quartet coalesces around a commitment to the rigor of exploration and inquiry. The result is a collection of songs that reflect vulnerability, patience and care while exuding a binding trust in the process of collective creation. …
De L’Angle Mort Trio is Claire Bergerault, Patrick Charbonnier & Lionel Marchetti. The three musicians collaborate for the first time as a trio. Their music explores new aspects of electroacoustic music, combining improvisational musical techniques with live electronics and dance music forms.
“Aigue – Marine” consists of three compositions based on voice, electronics, accordion, and rhythmic elements. Claire Bergerault, Patrick Charbonnier & Lionel Marchetti improvise in a spontaneous way, creat…
Tip! Presenting the third thematic volume on the “Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compilation Aquapelago in 2022 (Discrepant ,CREP91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, KRXN027) as well as the direct collaboration LP Índico by Mike Cooper & Pierre Bastien we proudly introduce an the third volume in the series in the sh…
*300 copies limited edition* Inside Automatic Popular Music there are two people sitting in a room, their backs to each other. One plays a piano with no particular attention to detail and tuning of the instrument, and another, sitting behind him, claps his hands on his own legs. They do not see each other, they never look at each other, they can only listen to each other, look around. The room is large enough, it is daytime, there are four windows through which enough light enters to illuminate …