Deep Komis
2010 release ** ""«Deep Komis» by Vazhes, the project of Russian anthropologist and documentary director Sergey Gabbasov, is dedicated to authentic ethnic music of the Permian Komis. This album was made with Rapoon, Northaunt and Fanum. It dips into the hidden and secret world of ancient and primordial nature, of secret and mysterious rituals. On the fanciful turnings of the forest path we will meet authentic ethno music of the Permian Komis, Nordic ambient, ethno-industrial, dub. Interweaving l…
Emiszyn
2005 release ** "Emiter Arszyn is a duo of musicians searching for new sounds. The musicians improvise electroacoustic, spatial sound structures, they do not shy away from trance post noise improvisation or post rock moodiness. The dialogues of drums and guitar are embellished with electronic and electroacoustic explorations. The upcoming album will contain, next to electroacoustic improvisation or electronic preparations, a dynamic improvised groove, computer noise next to guitar melodies, ever…
Music From Hi-Fi Sessions
2005 release ** Improvised music sessions, made using 4 custom turntables, edit scratched vinyls played in forced locked grooves, hand made phonograph, microphone, delay pedal, environmental feedback, mixer. Recording and mastering on PC. All Tracks sounds exactly as it was recorded.
Frogs
2005 release ** "“The Frogs” is our most recent project. It is the second installment in the “Fauna” series coming step after “…for electronics and birds” (to be released in May 2003 by Stateart records). As it says in the title this album is dedicated to the frogs and represent our collaboration with singer Victoria Hanna. We met Victoria, amazing vocal artist from Jerusalem, a couple of years ago and from the very first time it was obvious for us that we'll do something together. We played sev…
Lime
2010 release ** "Mugstar's third album (and second on Important Records) maintains the power and heaviness of the sonic assaults laid out in their previous releases while extending musical maneuvers and textures into new territories. Sunburnt Impedance Machine moves through driving riff passages with soaring guitars and a voice recalling touches of early Pink Floyd before locking into a repetitive keyboard and drum driven outro. Serra is an extended voyage through a shimmering Krautrock landscap…
Batimarxo (CDr)
2001 release ** Limited edition of 100 copies. "Solo project of Devis Granziera. Batimarxo ("Beat-march") is a Venetian folklore festival. At the eve of March people gather together with drums, rattles and whatever else for making noise in order to awake the sprigtime. Track 1 is an unprocessed field-recording of the 2010 Batimarxo-feast celebrated in Zugliano. Other tracks have been created using that field-recording as sole and exclusive sound source."
Onid + Isil
2003 release ** "The eleven short pieces are called ‘Jam 0’, ‘Jam 1’ up to ‘Jam 10’. Madness strikes here at full force. Distorted rhythms and casio synths, filled up with some distorted singing. I was reminded by some of the stuff by XBXRX or their many off-shoots. Quite raw and punk, but quite nice. Short and sweetly raw. Quite nice."
Lust (1)
Farming, often associated with toil and drudgery, can also be a surprisingly sensual and playful activity. The rhythm of the seasons, the tactile experience of working the land, and the shared sense of accomplishment can all contribute to a heightened sense of intimacy and pleasure. Consider the act of planting seeds. The gentle touch of fingers on delicate seedlings, the anticipation of growth, and the nurturing care required can create a deeply satisfying and sensual experience.
Harvesting, to…
Everything Depends On Us: Zebulon L.A. Live Recording Vol. 1
Imagined by Zebulon and made possible by the artists who answered our call for support during the extended period when our doors were shut due to Covid, this compilation captures just a handful of the many magic moments that have occurred on our stage over the years.
All of the tracks featured on this album were recorded live at Zebulon LA between 2018 and 2020 – with the exception of the title track by Jonas Mekas, which was recorded at Zebulon Brooklyn in 2009. Jonas is posthumously with us in…
Matta
2007 release ** "In April 2007, Ramuntcho Matta went to Tokyo to play with Mama Milk, a Japanese duo, and came back with hours of live recording done by Romain de Gueltzl. From this meeting of three different instruments, accordion, double-bass and guitar, above which Ramuntcho sometimes sings, a unique music was born, mixing jazz, tango and the new music in a movement which is both Zen and sincerely contemporary. SometimeStudio decided to publish these recordings in order to share these moments…
My Right Of Frost
2012 release ** My Right of Frost draws sound signs from electronic circuits rewired and made unstable up to the feedback’s critical point. The sequences proposed are totally improvised from the point of view of the musical value of the sounds, and tonally unrepeatable. Across and beyond the concept of circuit bending, My Right of Frost operates constantly on the verge of oscillators and filter’s collapse, extemporizing electronic paths that diverge to form a macro-sign, i.e. the artwork.
Million Ways To Spend Your Time
2006 release ** "This compilation is dedicated to the 5th birthday of Ukrainian indie-label Quasi Pop. CD feautures absolutely new & exclusive tracks from the main label-mates (Andreas Brandal, Biblioteka Prospero, Peel Off The Bass, Jørgen Knudsen) and a lot of "special birthday stuff" from labels's old & new friends from different countries. Enjoy our surrealistic blend of weird pop, organic noise, neo-psychedelic, electro-acoustic, garage folk & processed field recordings!" (label info) Great…
Euterpe Sequence
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
Komu Mam To Powiedzieć?
2006 release ** "The Krakow band Bordo, celebrating their tenth anniversary, has given us the album 'Komu mam to pomaga?'. Post-rock, psychedelic, sometimes dark - this is the music of the Bordo group. The term space-rock fits it perfectly. When recording the album 'Komu mam to pomaga?', the artists chose twelve songs from the fifty prepared ones, which gave an hour of material. The crazy music is accompanied by equally psychedelic lyrics, or rather phrases repeated over and over again, such as …
The Haunting Triptych
2010 release ** "Truly intriguing is the fusion of intent between Pietro Riparbelli (K11, Radical Matters) and Philippe Petit (Bip_HOp, Strings of Consciousness) who develop three pieces of menacing and dense dark ambient that bring to mind the best releases by Lustmord and Nurse With Wound. As mentioned, "The Haunting Triptych" is divided into three parts and each of them appears as a work plan interlocked with the others but arranged on a different angle. "Residual Spookiness" has the merit of…
Chroma
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
Music For Stanford
2004 release ** "Dexter George Morrill (1938-2019) was a composer, trumpet player, and professor of music best known for his collaboration with jazz saxophonist, Stan Getz during the premiere of 'Getz Variations for tenor saxophone and tape' (1984); a Morrill composition which merged jazz improvisation with computer-generated sounds. In his early years, he studied trumpet with Dizzy Gillespie at the Lenox School of Jazz, and later composition with Leonard Ratner and orchestration with Leland Smi…
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
Linea D'Ombra
1993 release ** "Linea d'ombra is the CD from more than twenty years ago with which the author inaugurated his personal journey as an interpreter-composer on the border between the languages of jazz, classical music and rock. At the time, Roberto Verti wrote about it in the presentation of the CD: “A musician with a cult background who moves between the moods of the new age and the high craftsmanship of the academy, between the La Scala scene and minimal, jazz; plays with flutes and combines t…