Utopia Americana
1992 release ** "A wonderful view of what is "American" in contemporary American music from an Italian producer's perspective, with a nice cover photo of Joey's Navajo Cafe and Dining Room framed by several pickup trucks parked outside. Including rhythmic-based music and sound-text rhythms from ordinary speech (Allen Ginsberg's works), some dreamy electronic music by Pauline Oliveros, and solo jazz by Steve Lacy, this is an interesting collection of new recordings and reissues of tracks from out…
4 x 4
*300 copies limited edition* FEN (Far East Network) is an improvised music ensemble made up of Otomo Yoshihide, who lives in Tokyo; Seoul-based Ryu Hankil; Yuen Chee Wai, who lives in Singapore; and Beijing-based Yan Jun. Since FEN's formation in 2008, the four members have gathered and performed in various countries on an intermittent basis. In 2018 FEN exhibited an eight-channel sound installation at the Gwangju Biennale 2018—an international contemporary art exhibition held in Gwangju, Korea—…
Mechanical Sound Orchestra
1995 release ** "Matt Heckert has been working as a performance and sound artist since 1978. In the 80"s he worked as one of the directors of Survival Research Laboratories building robots and designing soundtracks for the performances and for film. In 1989 he began working on the Mechanical Sound Orchestra, a group of computer controlled mechanical sound instruments. He has presented this in the USA and in Europe since that time, working solo and in collaboration with others."
辐射较弱 = Faintish Radiation
2025 stock After his self imposed exile from the global world music niche, Mamer found his stage at Shenzhen’s two annual music festivals – Tomorrow Festival and OCT-LOFT Jazz Festival – curated by his loyal friend and supporter Tu Fei, who would always reserve at least one set for Mamer’s newest sonic experimentations. Mamer’s most recent album Faintish Radiation documents his full performances of solo improvisation at the seventh (2017) and eighth (2018) OCT-LOFT Jazz Festivals, in which he pe…
旷野密码 = Wild Air Waves
2025 stock Deng Boyu is a drummer originally from Inner Mongolia whose work covers a wide range of different styles including rock, jazz, noise and free improvisation. Since the late-1990s, Deng Boyu has been active in the Chinese music underground, participating in numerous bands and projects, notably Dawanggang, Wu Tiao Ren, Yerboli, and Hai Qing. One of China’s most prominent improvisers on the drums, Deng Boyu has performed with musicians both in and out of China, including Xiao He, Wu Na, M…
Presents Over The Edge Vol. 5: Crosley Bendix - The Radio Reviews
1993 release ** "The most straightforward -- and partially, as a result, the more curious -- of the various Over the Edge releases over the years, Over the Edge, Vol. 5: Crosley Bendix Radio Reviews is in many ways a solo effort by Don Joyce in the character of Bendix himself. A regular feature of the Over the Edge shows is an offering by Bendix -- described as director of stylistic premonitions for the Universal Media Netweb, the putative overarching organization Negativland is merely a part of…
路过旧天堂书店 = Drop By Old Heaven Books = Old Heaven Ketap Dukeninde
Tip! 300 copies Step into the intimate, experimental world of IZ, the visionary Chinese-Kazakh ensemble led by Mamer, with this sprawling 2LP collector’s set. Captured live at Shenzhen’s iconic Old Heaven Books in January 2021, this release immortalizes three distinct facets of the band’s artistry—folk tradition, electric improvisation, and solo virtuosity—bridging Central Asian roots with avant-garde exploration.
Seven Hats For John Cage
2012 release ** Featuring Bernard Clarke, Stella Luncke & Josef Maria Schäfers, Chris Mann, Goran Vejvoda, Armeno Alberts, Laurent Estoppey & Anne Gillot, Peter Graham.
Ashmadai
*2025 stock* "Two adepts of the sonic arts return with a morality play in four sides. Gone are the appeals to the winged serpent, the tree of life, or other past luminaries; these days they can be seen in consort with only one: Ashmadai. It is said that Ashmadai is not to be feared. When you say to it: 'In truth thou art Ashmadai,' it will give you a wonderful ring. It will teach you geometry, arithmetic, astronomy and mechanics. When questioned, it answers truthfully. Released on two twelve inc…
To Step Outside And Keep Walking
1994 release ** Packaged in oversize cardboard sleeve. A four-artist compilation of electronica experimentation, this album includes pieces by Randy Grief, Art Simon, Contact with a Curve and Jocelyn Robert.
La Vostra Ansia Di Orizzonte
2017 release ** "Salvo Lazzara and Stefano Giannotti, two artists at opposite ends of the spectrum, but with strong musical and literary interests in common, meet between writing and improvisation, electronic landscapes and acoustic creations. A series of out-of-form and unreassuring stories is born, poetic and sound experiments, almost micro-radio-dramas, between ambient and free jazz, singer-songwriter and cultured avant-garde."
untilted mini-CDr
2010 release ** “A very short album, only eight minutes, with a contained, almost contracted minimalism, this TNZR001 will pass like a comet in your CD player. Visible and audible from a distance only with the help of a telescope, suffused, slightly dissonant, rarefied between pauses, silences and microscopic buzzes, this work could satisfy fans of Bernhard Günter but also lovers of certain contemporary music for its leaps between synthetic dissonant chords and more relaxed concrete textures. It…
Space And Place
2000 release ** Limited edition of 500 hand numbered copies. Packaged in mini-LP sleeve. "In all six tracks of this CD, Murayama uses a cymbal, a snare drum and small objects (as well as his voice on track 6). Four of the pieces (2-5), recorded in Tokyo, were composed by Murayama based on collaborations with Soundworm (Shoji). Several clusters of two or three mikes were deployed in different areas of the studio, with one of the mikes of one cluster placed outdoors. (In addition, there were two c…
Prequel Oct. 1998 - Mar. 1999 + 1
2008 release ** "This is the first album by Mitsuru Nasuno (Altered States, Fushitsusha, Ground Zero, Korekyojinn, etc.), the top bassist in Tokyo's most cutting-edge scene, also known as the groove master. As the title suggests, the recording took place between 1998 and 1999. Two of the tracks (the third and fourth) were already included in the 10-disc box set "Improvised Music from Japan." This work is the complete version, so to speak. This complete version, which has finally seen the light o…
ADASTRA001 (7")
*Edition of 300 handnumbered copies* Milanese avant-pop label Ad Astra Dischi debuts with a 7" EP offering some experimental pieces bridging tradition and innovation. Exploring the intersections of avant-garde and pop, “ADASTRA001” features three distinct tracks from Italian artists Dduma, Tadde, and Prima Alba, offering a concise yet rich introduction to the label’s vision.On Side A, Salentine artist Dduma channels the raw intensity of Mediterranean folk into “Fimmine de Guerra”, sung entirely…
Music From A Room Full Of Synths
We are very happy to present the second installment in our collaboration with SMEM. Dorian Concept spent 10 days at the Swiss Museum for Electronic Music Instruments to record Music From A Room Full of Synths. Even though he doesn't consider himself a "gear-guy," his unique approach led to a record defined by its playful curiosity and free-form arrangements. The entire album was recorded live, with no sequencing or programming involved. Thus, capturing the rawness of the moment, while celebratin…
Solid Layers, Deafening Shapes
2016 release ** "A solo percussion album from Francesco Gregoretti, employing traditional instruments and unusual object to create unique audio environment that use predictable rhythmic elements against capricious approaches, giving his playing a personal style fueled by resonance and natural feedback; an album that balances chaotic and structured environments in riveting ways."
Chronopée (2)
2006 release ** "Composing in three phases: First step: the recording of concrete sounds is relentless and the pleasure of caption is incredible and constantly renewed. The stronger the enthusiasm of the initial recording is, more interesting the sounds are once treated. The stronger the echo of that instant is, upon listening, the more musical the variations are. Second step: Transforming this raw sound matter through audio-digital processing and noting the time during which it becomes somethin…