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Wewantsounds is delighted to announce the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshi Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto's first recording issued under his own nam…
Soufflements Cardinaux invites the listener into a cartography of breath: Ensemble In(dé)fini map the four directions through extended techniques, hushed noise and prismatic overtones. Winds, strings and electronics trace invisible weather systems, t…
Blue Abstraction compiles a selection of Jessica Williams’ lost prepared piano recordings. These recordings document the beginning of a vital, solitary phase in her career: a period of intense sonic experimentation that began with physically altering…
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specia…
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies li…
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, gui…
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and impro…
That Wolf At The Door is a collaborative 2 CD between Henry Kaiser (Califonia, USA; guitar) and P.ST (Prague, Czechia; electronics). The first CD That Wolf At The Door is a solo baritone guitar disc that pays a heartfelt tribute to the late science f…
Jonas Kocher returns to solo work with Archipelago, his third solo album, following Solo (2011) and Materials (2009). Across seven improvised pieces, Kocher explores the tension between control and unpredictability, between the organic and the mechan…
*300 coipies limited edition* This very special and wonderful solo performance by Oxford based Pat Thomas was recorded in Dublin during the first ever Reception Weekend event at the Complex. The piano Pat was playing had been very unique as it had co…
Composer, harpist, improviser, and educator Zeena Parkins has been a mainstay of the Downtown scene since 1984, performing with Fred Frith, John Zorn, Bjork, Ikue Mori, Yoko Ono, Pauline Oliveros, and countless others. Her newest project, years in th…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers fr…
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
See You When I Get There is Amy Cimini’s first solo viola album. While playing in noise bands and experimental projects for over 25 years, she has developed a sonic palette for the amplified viola that combines overtone-rich distortion with percussiv…
*97 copies limited edition* Free immersion is a practice that consists of freediving as low as possible and then climbing back up by gripping the rope that serves as a guide. No help, no artifice, everything happens with the strength of the arms. The…
Paula Sanchez is a musician working with sound in the intersection of experimental music, improvisation and performance art. Putting the body and materials to the limit, in the destruction, composition/decomposition of a mutable sound space. In the p…
Tip! Benjamin Bennett has worked as an improvising percussionist for 10 years, touring North America and Europe as a soloist, in various ensembles, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free…
First time meeting of Sam Wenc (US/pedal steel + objects) and Stefano Grasso (Milan/percussion + recorder). The record is one take, broken into 10 tracks, exploring the boundaries of the rhythmic grid, never quite landing inside it, but hovering on i…
Autoreverse brings together Arnaud Rivière (prepared turntable - we should say damaged or destroyed), a kingpin of the French noise underground as a programmer at Instants Chavirés and Sonic Protest, team player with Otomo Yoshihide, Erik M, and a hu…
*60 copies limited edition* Noising Sheng documents Zhang Meng’s attempt to reinvent the Chinese sheng into a noise instrument. Since ancient time, the sheng has been associated with the virtue of “he” central to Confucian ethics, denoting peace, har…