South Africa recordings
Raw field recordings. Immersion. Listening beyond sound. Nature speaks languages. we can “hear” them, but do we listen, do we try to understand? floods, tornados, land erosion, global warming, et cetera - these are but the most obvious examples of nature speaking. These discs contain nature’s sounds with this particular intention/communication in mind. The field recordist in the role of a mediator. Aesthetic choices are but departing points. The quality of attention defines the quality of experi…
New Kiribati
Discrepant presents the first ever vinyl release of Kiribati, the very first instalment in the acclaimed Ambient Exotica Soundscapes by veteran English experimentalist Mike Cooper. ''This was the first release on my Hipshot c.d.r label in 1999. I wanted to create an album of imaginary soundscapes from imagined exotic places based on my travels in the Pacific Islands and South East Asia. Kiribati was the first in a series of three CDs of Ambient Exotica Soundscapes – played on lap steel, el…
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Field Recordings in Philippines [1953-1972]
Much needed archival recordings from this seminal figure. Jose Maceda [1917-2004] was an ethnomusicologist and composer from Philippines. Maceda dedicated to the understanding of traditional music of Philippines. Since 1953, he has conducted field research throughout the Philippines and in eastern and western Africa, Brazil, China, Indonesia, Malaysia, Myanmar, Thailand and Vietnam and has written extensively about the research for the publications. As a composer, Maceda contributed his in…
Komplex
The project was created over two years in Seyðisfjörður, Iceland and in Berlin, Germany, and is an evolving conversation between Döring’s improvisation on acoustic instruments such as clarinet and saxophones, and Korabiewski’s electronic live treatment and composition with Döring’s sounds. A third compositional element is contributed by the particular ambiences of the spaces in which the recordings took place, as Korabiewski and Döring came together to record at sites with personal and acoustic …
Tahta Tarla
*2022 stock* Original copy of the long out of print LP album. First pressing from back in 1993, Tahta Tarla is a collaborative recording based apparantly upon long wires strung through the woods with the wind activating some of these wires with each artist seeming to be in charge of the production of one of two sides. For Toniutti's half, the scrabbling textures and aeolian drones are mostly left unprocessed with bellowing rumbles, eeries echoing, and peculiar hisses that seem to come from nowhe…
Burmese Days
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
Fire And Frost Pattern
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
Vivmmi
LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume.
"VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…
Supersedure
Field recordings 1995-2007 by Seijiro Murayama : snare drum + objects and Éric La Casa: microphones + field recordings (1995-2007). Drawing by Tomoya Izumi. 'What makes one a musician, a composer? It happens only when one succeeds in giving life to music, a certain presence. I don't hesitate, even though I am not a writer, a painter etc., to say the same thing about them. For this composition, 'Supersedure', I met Eric. It seems to me that we share an artistic, but maybe also a general attitud…
Flak
**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…
The Sound Of Nature ~ The Nature Of Sound
Compilation CD with Francisco Lopez, Giancarlo Toniutti, Jeph Jerman, Seth Nehil & toy.bizarre, Kiyoshi Mizutani, MNortham, Eric La Casa. A confrontation of different ideas, views, about nature … and sound… From the electroacoustic deep soundscape of Eric La Casa to the droney stones of Giancarlo Toniutti, from the rough fresh stream field recordings of Kiyoshi Mizutani to the heavy processed insects, wood and grass sounds of Seth Nehil & toy.bizarre… from the silent nature of Francisco Lopez to…
Open
Mark Wastell and Matt Davis met and first played together in a workshop led by Eddie Prévost in London during the spring of 1996. Soon after, Wastell was invited to join Chris Burn's Ensemble, in which he played with Phil Durrant for the first time. Subsequently, Phil and Mark worked together in the quartets Assumed Possibilities and Quatuor Accorde, documented on Rossbin and Emanem CDs, respectively.
The debut trio concert by Davis/Durrant/Wastell took longer to organise than any of the partici…
Belvédère Dans L'étendue
in the memory of René Quinon thanks to Fred Galiay & "Samedi 14" We all are in a house: "Villa Adriana", (René Quinon's house - little village - low mountain - high valley - Ardèche). A bunch of all kind of microphones are deviced in the house and amojng the landscape around the place. Each of them is plugged into a mixing desk that Eric La Casa is using during the recordings. The duration of the mix is more or less pre-decided by the 4 of us. During this amount of time, the 3 instrumentalists a…
Field recordings
This is a co-release with Tochnit aleph. Recorded by Dave Phillips, january-march 2001 and january-february 2004. These recordings have been equalized, other than they have been left es arecorded. No mixing, no layering, non normalization or compression, no effetcs nor any other additions or manipulations. All cuts are indexed. Play loud. Alternate playback through earphones is highly recommended. Seriously.