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Tip! Dan Blacksberg’s Psychic/Body Sound System takes a gutsy leap into a set of otherworldly sub-bass drones, fiery free jazz declamations, and melancholic sonic stories. This fully improvised album, recorded live with no effects or overdubs shows Blacksberg wielding his trombone like a seer across varied sonic environments, real and imagined. Woven together by poetic fictionalizations by Alex Smith and stunning artwork by James Dillenbeck, Psychic/Body Sound System is a trombone-driven reverie…
In ‘Punti d'Incontro’ the sound is fragmented and broken up, just like splinters or bits of broken glass, into infinite pieces. Through the stages of duets and trios, Eugenio Sanna, Lucio Bonaldo and Michele Scariot give life to buzzings, high-pitched sounds, like pinheads looking at and observing each other with caution, forming strange, gelatinous agglomerates; bewildered melodies that are swallowed up through a visionary plot and enter, swallowed up, into the gaps of an infinite space, in a r…
Tip! *300 copies limited edition* Collaboration has always been at the core of Beins’s artistic practice. Reducing the line-up for the project at Morphine Raum to the duo format had pragmatic as well as creative reasons, allowing Beins more flexibility. ‘On a conceptual level, the idea was that I would play with different instruments or with a different set-up each time in order to present the breadth of my current work’, he explains. This notion also informed the selection of his partners, who …
*75 copies limited edition* Operating since the late 2010s, Vienna-based sound artist the concept horse has quietly amassed a distinctive and diverse discography, drawing inspiration from the rich traditions of musique concrète, noise, plunderphonics, microsound, and free improvisation. “Public Detail” follows releases on labels such as Falt and czaszka [rec.], as well as the artist’s own eë editions, and neatly encapsulates the polyglottic breadth of the project. Patinaed piano loops and wistfu…
The trio of Neil Metcalfe, Philipp Wachsmann and Emil Karlsen has been working together as Spaces Unfolding since 2021. Created initially as a vehicle for acoustic exploration, the trio’s debut album ‘The Way We Speak’ was recorded in the acoustics of London’s St Mary’s Old Church. This time the trio is joined by Pierre Alexandre Tremblay (electronics), a practitioner offering multiple dialogues between instruments and electronics. Expanding on the initial idea of acoustic influence, the trio is…
In celebration of the 10th anniversary of Tomaga's debut album, 'Futura Grotesk', Hands in the Dark are re-releasing the long sold out record in a limited edition of 500 copies. The reissue is accompanied by the first-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and 300 units available. Both records have been remastered by Marta Salogni for the occasion.
Always in search of exploration, with an obvious obsession for deconstruction their norm…
*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …
*50 copies limited edition* Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to th…
Falter Bramnk, Philippe Lenglet (members of the Muzzix collective), and Samuel Bodart (Numero h.) have known each other for a long time, often crossing paths in various and diverse ensembles (always working with improvisation), but until now, never as a trio! A few years ago, they came together, and after a few concerts, they felt the desire to further develop their work and record it.
For this project, they decided to blend plucked/struck strings (acoustic guitar surrounded and enhanced with a …
Tip! Picot is pleased to present the debut solo album by french percussionist Charles Dubois, inaugurating the label’s very first production. Charles Dubois has developed an all-terrain, rudimentary approach to percussion, blending wood, skins, bells, scrap metal, and other found objects. Entirely acoustic, this solo performance on augmented drums explores paradoxical spaces balanced between organic textures, improvised technoid patterns, mechanical movements, and raw sound materials.
In this n…
The meeting of AMM guitarist Keith Rowe with Burkhard Beins on percussion, two studio sessions and one live recording, sparse and subtle improv of the highest standard.
Graveyard Processions is the first joint recording by Kai Fagaschinski and Yan Jun. The Berlin-based clarinettist and the sound artist and vocalist from Beijing blur the lines between improvisation on the one hand and record production as well as composition-after-the-fact on the other. The four pieces on »Graveyard Processions« work primarily with Jun’s voice and Fagaschinski’s playing and also add a plethora of other sounds to dizzying effect. This is the sound of two prolific artists—the form…
*80 copies limited edition* Recorded in autumn 2022 in the Baraque district, Louvain-La-Neuve (BE) edited and mixed at Atoma by Célia Jankowski & Valentin Noiret. Text side A taken from the children's catalogue of the first exhibition of Jean-Marie Massou's work at the Musée Arts et Marges in Brussels.
*75 copies limited edition* The unearthing of a song as a communal ritual, speaks of an intention that no longer sees itself but simply sees. “el rostro descubierto” embraces this way of seeing. Through streams of autonomy, impulse, and idiosyncratic sensibilities, the quartet coalesces around a commitment to the rigor of exploration and inquiry. The result is a collection of songs that reflect vulnerability, patience and care while exuding a binding trust in the process of collective creation. …
*Limited to 100 copies* "On the solo bagpipe release "Air Drain" Henry Birdsey (Half of Tongue Depressor) creates deep, haunting pieces that entrance the listener. Simple forms that evolve with breath and time."
*Limited to 70 copies* "Electric Shahi Baaja and Gaz recordings from southern France. Pushing out towards the reaches of stringed-instrument technique. Playing with structure and typical/a-typical sound. Based in tradition processed to confuse." - Sound Holes
*Limited to 100 copies* "Al Jones and Zach Rowden played a series of gigs down the west coast of Canada & the US last year. Here are a couple of those tape mangled sets." - Sound Holes
*Limited to 60 hand-numbered copies* "Ali Robertson used to be an improviser but he's not anymore. Ask him for the score for this tape so that you can play along at home." - Sound Holes
*Limited to 100 hand-numbered copies* "This is the first recording in 10 years after a hiatus of activities asBurried Machine, and also be the first release under my real name, Shin Chida. This is a collaboration release with Tom Karlsson who is a Swedish artist and also experimental musician, for the second time since my last release as Burried Machine in 2013, Stoned Mirror." - Shin Chida