en concert
*2025 stock* This CD is the re-edition of an LP made by Music Gallery Editions in 1978. It is (still) dedicated to the composer Mario Bertoncini who was the band main inspiration at the start for Sonde, a Quebec band active from 1976 to 1986. For most of the tracks in this recording the band was Andrew Culver, Keith Daniel, Charles de Mestral, Pierre Dostie, Chris Howard and Linda Pavelka. The notes on the back of the original cover mentioned: 'Live concert improvisations. Some of the pieces are…
Quelques idées d'un vert incolore dorment furieusement
For more than fifteen years, Toc – the Lille-based trio of Jérémie Ternoy (Fender Rhodes, Piano Bass), Ivann Cruz (guitar) and Peter Orins (drums) – has been pursuing a singular sonic quest where the energies of experimental rock, the unpredictability of improvised music, and a constant drive toward excess converge. On stage as on record, Toc invents a telluric and ever-shifting music, built from flows, ruptures, and accumulations, where hypnosis and chaos feed off one another.
For this new albu…
Learning
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
One Another
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
Conversation No. 1 / Collecting Rocks From The Places We've Been
Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in creating systems of music that she can exist in together, for herself and others, music that collapses and expands on itself, where we are free to choose the phrases, iterations, and lean into the occurrences of overlapping tones, vibrations, multi-…
Echo of Being / Grace in Rot
Echo of Being / Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.
Dokument. Program Strefa
1994 release ** Cardboard sleeve. The album features fragments of concerts organised in 1999-2004 as part of the Ujazdowski Castle Centre for Contemporary Art's "Strefa" Program. The recordings come from collections of Dominik "Wolfram" Kowalczyk, Jarosław Żwirblis, Jarek Guła, Marcin Witkowski, and from the artists' archives - thanks to them for making them available. Featuring: Andrzej Załęski, Pavel Fajt, Anna Zaradny, Polwechsel, Bartek Qźniak, Robert Piotrowicz, Burkhard Stangl, Ruins, Ceza…
Macrodose
*2025 stock* "Macrodose" marks Bill Harris's third solo record, following "Blinking Glue" (2022) and "Onomat" (2021). Harris's unique approach to solo drumming combines acoustic and electronic elements, utilizing feedback and timbral manipulation to create a distinctive auditory experience. Where Blinking Glue was a single-take, live performance which represented a snapshot of his live solo set, Macrodose returns to a similar format of Onomat, encapsulating shorter sonic spaces in a number of di…
Monastero
*75 copies limited edition* Emerging from the resonant stillness of a centuries-old monastery, Monastero unfolds as a series of improvised modern compositions — each track a spontaneous dialogue between space and sound. The instrumentation drifts fluidly between structure and abstraction, allowing reverb-soaked tones and percussive textures to breathe and bloom within the natural acoustics of stone walls and vaulted ceilings, giving the music a haunting, sacred dimension.
Omni
First time meeting of Sam Wenc (US/pedal steel + objects) and Stefano Grasso (Milan/percussion + recorder). The record is one take, broken into 10 tracks, exploring the boundaries of the rhythmic grid, never quite landing inside it, but hovering on its perimeter, through extended technique, melody, and disharmony.
Garden Variety
"Garden Variety" explores interdependence and intimacy through the emergent behavior of percussion instruments. Inspired by Anne Carson’s concept of Eros, the series blurs sonic identities, creating a composite instrument from motion. Amplification invites listeners into a tactile, resonant sound world.
Now It Can Be Told
Fierce, complex and multi-layered progressive sounds from this significant drummer / composer.
Meshes Of The Evening
"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …
Thank You, Guitar
In the ongoing battle between technical virtuosity and authentic expression, most guitar "shredders" have chosen the wrong side - trafficking in overwrought drama while remaining devoid of soul, viewing music as competitive sport rather than spiritual exploration. Enter Cyrus Pireh, whose latest Palilalia release Thank You, Guitar represents nothing less than a revolutionary approach to "transcendental shred electric guitar music" that upcycles the despised 32nd-note neck sprint into something g…
Actual Earth Music - Volume 1 & 2
Earth Ball’s ‘Actual Earth Music Vol. 1 & 2’ captures raw live energy and experimental collaboration, from Vancouver chaos with Wolf Eyes to a transformative, improvised London summit with Beresford and Corsano.
Ella
With solid training as a classical musician, Sophie Agnel took a close interest in modern jazz before committing in the early Nineties to the shifting, deliciously uncertain ground of free improvisation, thanks to her fascination for the powers of expression displayed by a few great keyboard-heretics such as Keith Tippett, Fred Van Hove or Christine Wodrascka. She began reworking the prepared piano techniques imagined by John Cage and transformed her instrument into a sort of extended piano. Com…
Ethereal Chant
The Lava Quartet—Berlin to Portugal—unites for free improvisation, blending creativity and extended techniques. Their debut album, "Ethereal Chant," showcases boundary-breaking, unpredictable soundscapes.
s/t
Aurora Central presents a cassette by Concepción Huerta & Jiyoung Wi, merging visionary soundscapes and avant-garde experimental sounds.
La Cantata Rossa per Tall el Zaatar
A devastating cry for Palestine, nearly five decades later, this radical 1977 masterpiece returns to vinyl via Black Sweat Records. Demetrio Stratos, Gaetano Liguori, and Giulio Stocchi created a powerful sonic testament to the 1976 Tall el Zaatar massacre - a devastating blend of free jazz, experimental vocals, and Mediterranean traditions. More than music, it's unflinching historical testimony that remains painfully relevant today.