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1999 release - cardboard box ** "Hard to explain the birth of a band like A Short Apnea, ahead in the conception and in the sound, if you don’t browse the curriculum of the musicians, devoted to experimentation with other genres of music since the 80′s. Always in search of a music in which barriers between progressive, post-rock, free jazz, avantgarde, A Short Apnea became soon a cult and a reference for who attends from years to find in a band ahead as well as deeply italian."
1999 release ** "An outstanding record that demands a place in any comprehensive collection... some of the most vivid and creative improvisation/composition fusions in recent times... wholly individual mixtures of realtime improvisation and writing that cheerfully filches from all post-bop and compositional areas, yet which depends as much on the colour and intensity of the individual improvisations"
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
1991 release ** "Based in Munich. Originally formed as an experimental music group in 1968 by Michael Kopfermann, its activities became morefold later on, most notably through the formation of the "PHREN-Theatergruppe" (PHREN theatre group). The name PHREN appeared in the mid-1970s, the earlier name was "Gruppe für Experimentelle Musik Michael Kopfermann" (Group for Experimental Music Michael Kopfermann)."
2009 release ** "Hacking away on a homemade system and twisted electronic tools, eRikm and Noetinger gleefully activate levers, tactile screens and joysticks with the utmost concentration. Doneda makes the air shake with acoustic vibrations. Together, they give free rein to their audio tricks, buzzing, interference, constructive feedback, electro-shocks, concrete slipping, hazed quotes, white noise, saturations and incisive scratches."
Petr Vrba and Joke Lanz met each other many years ago while standing in the cue for the Hermitage museum in Saint Petersburg Russia. They never made it into the museum, instead they went to eat Solyanka soup and drunk red wine from Georgia. That’s when they decided to join forces and create a power duo w/ electrified trumpet, turntables, electronics and voice. They have toured Czech Republic twice and performed several times in Vienna and Berlin. Mutants In Siberia is their debut album recorded …
Launching into the new year with some serious heat, Shame File Music returns to their longstanding explorations of experimental music from Australia and beyond, with “Vestigial Gamelan”, the third in Ian Andrews’ Astasie-abasie project’s “Gamelan” series, and “Blue Plum Bloom”, the debut full-length from the all-star trio David Brown, Tony Buck, and Magda Mayas. Each plumbing the radical possibilities of small and discreet sounds in remarkably singular ways, each of these startling creative stat…
*2025 stock* "Bong Watt is the sound for Oscar Reutersvärd’s drawings. Impossible shapes bent within the conscious as sonic earwigs burrow holes in the frontal lobe. Trying to think about “If It Works, It’s Obsolete” is beyond true abilities. There is no beginning, no destination to get to, only a micro-dose of sound chaos that becomes more familiar with each listen. With many listens in the tank, Walter Wright and Al Margolis (Elka Bong) with Mike Watt create the most subtly gentle entropy.
The…
*2025 stock* "Ricardo Arias & Violeta Garcia Anagazas, Estatagemas, Jugarreta Y Tretas eh? MC Amazing duo set, recorded in Bogota, Colombia, in March 2020. Garcia plays cello and Arias plays bass balloon. Garcia’s cello playing has plenty of freak register exploration going on, and it’s almost shocking how much sound Arias is able to get from his inflated bladder. You’d think it could be a sort of gimmicky thing to do, but there’s some real majesty going on here. Sounds totally great and it’s a …
"Pressure relief..... these are the sounds to listen with caution. dustsceawung is a well used pot on the stove with a locking lid. The broken gauge configured with a crack that looks suspiciously like a smile. A worn rubber gasket creating a seal far past it's expected life by the manufacturer. Still this is not enough. There is no measure to how much force lies within. A hiss escapes, a rattle or knocking comes and goes. The process continues with thoughts of the contents within. In this case …
"Water ripples in outward patterns with the slightest disturbance. Peaceful space is found within the live performance of Stephen Flinn & Bryan Eubanks, and like glassy surfaced bodies of water, their sonic energy sends waves through the conscious. The balance rests on patience and understanding. Their instruments easily have the ability to crash the tranquil spirit, but their wisdom of how these sounds are unleashed is true testament to their alluring symphony. Stephen Flinn is the force behind…
"Public Eyesore has been releasing improvised and experimental music for over two decades and it never ceases to amaze me how interesting line ups Bryan who leads the label is coming up with. White Wuff is by any means no exception. When I read the liner notes I knew it is going to be a great musical adventure. Beautifully designed and released as a cd with 12 tracks that comprise different moods, travelling through genres. It's a pretty eclectic hybrid of various bits put into one mammoth of an…
"[...]Since each of the 19 pieces is a duo, Tungu gives his guests a chance to stretch out, often quietly, the combination often restrained yet mysterious. Starting out with experimental vocalist Sainko Namchylak, we hear her whispered voice surrounded by eerie electronics, subtle yet effective. It sounds like Tungu had each musician send him a short solo piece which he added to with acoustic bass, samples, field recordings or voice. Tungu obviously listened closely to add sounds which enhance w…
*2025 stock*
Lunchroom PetDavid Samas with Peter WhiteheadGamelan Encinal: Stephen Parris, Daniel Schmidt, Derek Drudge, Kim Nucci, Sophia Shen, Patrick Liddell, Joel Nelson, Maria Siino, Lucas DeLeon
Elegy and BardoDavid Samas: invented instruments, voiceTom Nunn: invented instrumentsBart Hopkin: invented instrumentsPeter Whitehead: invented instruments, voice
PahoehoeDavid Samas: invented instruments, voiceTom Nunn: invented instrumentsBryan Day: invented instrumentsSusan Rawcliffe: original …
*Hand-numbered edition of 300. Digipak in resealable poly-bag*
Jacob Felix Heule - DrumsTeté Leguía - BassDanishta Rivero - Voice And ElectronicsMartín Escalante - Saxophone
Recorded, Mixed, And Mastered By Jacob Felix HeuleSeptember 18, 2021 In Oakland, CaliforniaArtwork By Teté LeguíaLayout By Gerrit Hatcher
In the space of a couple of years, Stephen Grew has recorded three absolutely sparkling solo piano releases for Discus Music. All three are spontaneous improvisations arising from years of practice and refinement. Grew is a massively undervalued artist - follow the story he tells across this release and its two predecessors and I'm sure you'll agree.
Stephen Grew writes: "Recorded in the Great Hall, Lancaster University, on the 22nd November 2024. This music was recorded on a Steinway D and what…
"We use the same method of what we did on Responses (Zappak, 2022): being in a place for a whole afternoon, but not playing together. We took turns on recording solo piece, and each session was a responses to the former one. Even the length was same with the former album (each one 7 minute).
Only one difference: on this time we played outside but last time we played in room. There were lots of limitations from the lack of alternation electric power (and also the hot temperature and mosquito). Bu…
Formed 29 years ago (1996) by Nate Young, Wolf Eyes is currently a duo generally characterized as "noise," though they have called themselves "psycho jazz" (among other things). Extremely prolific, they have literally hundreds of releases and are a towering presence in underground music. Saxophonist Anthony Braxton was an early member of the AACM (Association for the Advancement of Creative Musicians) and has won a MacArthur and been named an NEA Jazz Master, though his work is hardly confined t…