Flamenco Party
** Original Single Sided, Numbered ** Vanilla Records presents Flamenco Party by Suigin-Lamp. Recorded at Shinjuku Ongakukan April ‘91. Bass, Sampler – Kumiko Yamamoto. Guitar, Vocals, Sampler – Kazuhide Kawata. Violin, Guitar – Kosei Yatani. Tracklist: TV, Peep Points, Amentia, Gate, My Side, Happy.
Shocks! Shocks! Shocks!
** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. ** Violent Onsen Geisha's 91 debut for Vanilla. This is the mega tape wich kicked open the gates of fame for Violent Onsen Geisha. Thanks to Keiji Yamabe, Naohiro Ukawa (Mon'N'Dad), Atsushi Sasaki, Vanessa and Lenny. Dedicated to Chuck Connors (1924-1991)
Flowers Bloom, Butterflies Come
** Fine Art Book, Ltd. to 750 copies ** Hardcover book printed on Munken Print Cream 115g/m2 // 96 pages, 24cm x 22cm, 93 photos // Logo, slot and circle embossed // Matt laminate + selective varnish // Hand-numbered, hand-stamped ** "Flowers Bloom, Butterflies Come" is the result of a dialog between the stunning Japanese photographer and artist Miho Kajioka and the wonderful UK musicians and composers Ian Hawgood and Craig Tattersall (The Humble Bee), initiated by IIKKI, between August 2019 an…
Telquan
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.
"Usually the sparring partners of Tim Olive, magnetic …
Brother of Divinity
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…
Faune
** 2021 Stock ** Fellow Canadians, Montreal's Ambiances Magnetiques collective member, turntablist and electronics artist Martin Tetrault meets Japan-based electronic explorer Tim Olive performing on magnetic pickups, in their first album despite having performed sporadically across three decades: 4 rich improvisations minimally edited, shaping sound in compelling ways.
"[... Tim] Olive did a recording on "a lovely afternoon in Montreal, minimally edited", with the well-known turntablist Martin …
Boro
** 2021 Stock ** Recording in Saskatoon in the Canadian province of Saskatchewan the day before their performance at the Sounds Like Festival, audio explorer Tim Olive brings his magnetic pickups in a first meeting with Doreen Girard performing on a prepared tsymbaly, a Ukranian hammer dulcimer, for a single, unusually evolving, and wonderfully rich improvisation.
Boro, a 2018 first-time meeting with Winnipeg-based sound artist Doreen Girard, develops a more abstracted quality, with recordings o…
Nice You!
** 2021 Stock. Glass-master CD with recycled chipboard cover, hand-stamped ** After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces usi…
naar/voor
Recording in Kobe, Japan in 2014, the duo of Jin Sangtae, organizer of Seoul's long-running dotolim concert series and who gainfully employs cast-off computer hard drives as sound sources, and Tim Olive, who uses electro-magnetic pickups to give voice to consumer/post-consumer objects, for three tracks of recycled and unorthodox sound.
"Here we have three lengthy pieces, fifty-four minutes in total, of some great music. They cover the entire dynamic spectrum, with lengthy passages being all loud…
63-66
** 2021 Stock. Glass-mastered CD with letterpress cover by Ben Owen/Middle Press ** Recording in Brooklyn in 2014, this collaboration between Tim Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation. "The inconspicuous titles of Tim Olive and Ben Owen's first collaboration make it look like an album of discrete parts, just four im…
Lowering
** 2021 Stock. Edition of 100. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Like mad scientists of sound, sonic explorers Tim Olive and Cal Lyall met in a Tokyo studio in 2012 armed with hydrophones, magnetic pickups and electronics to record this richly detailed and slowly unfolding work, blending organic and mechanical elements of indeterminate origin, finding absorbing dialog without clamor or tumult; intriguing and engrossing.I think I'd only heard Lyall a tiny bit on one o…
Kaze No Shisha
Studio Mule present a reissue of Eitetsu Hayashi's Kaze No Shisha, originally released in 1983. Spiritual leaning rhythms come from none other than Eitetsu Hayashi, one of Japan's most renown taiko drummers, a percussive instrument that is deeply rooted in the mythology of Japanese folklore. Kaze No Shisha is a crucial album in his long-spanning career, that started in 1971 when Hayashi joined the famed Ondekoza Group. The so-called "demon drum group" established the taiko drumming to a global a…
Tenno
For over four decades, Reiko Omura and Tori Kudo have endlessly woven themselves throughout the avant-garde and underground scene of Japan. While internationally appreciated in countless incarnations and contexts (Maher Shalal Hash Baz, Guys & Dolls), if one were to seek out an early moment in which the two artists created something truly awe inspiring, 1980’s Tenno (天皇) would be it. As Noise, the duo experimented with the juxtaposition of Kudo’s extended organ based dirges (be they eerie and/o…
Backfire of Joy
Black Truffle is thrilled to announce Backfire of Joy, a previously unheard recording from Phew, John Duncan and Kondo Tatsuo, documenting a concert at Tokyo’s Hosei University in 1982. Though the fertile exchange of ‘zines, tapes and records between the Japanese underground and the Los Angeles Free Music Society meant the artists were familiar with each other’s work, this performance (occurring on Duncan’s first visit to Japan) was their first meeting and only performance as a trio.
Duncan is h…
Car and Freezer
* 2021 Stock * Drag City presents Car and Freezer by Eiko Ishibashi. J-Pop, if the J stands for Jazz. Eiko loosens the instrumental reins and cracks her songwriter's code, writing in two languages to achieve the proper remove from her subjects. You can only regain life when you accept death, and throw yourself into the sea!
Virgo Indigo
Studio Mule open the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. This time, the label welcomes Japanese artist Ya-Sukazu Sato, aka Yas-Kaz, a university-trained percussionist, that gained global success as a composer for the internationally known Butoh dance troupe Sankai Juku which has toured the world since 1975. His infrequent musical amalgamation of ancient Eastern genres, airy sou…
Jomon-sho 縄文頌
Peaceful, percussive and idyllic. Three words that describe perfectly ‘Jomon-sho’, the key New Age album from Japanese composer and expert of gamelan music, Yas-Kaz. This seminal composition is a cornerstone to understand the Japanese ambient and environmental movement, heavily influenced by this record and the whole New Age scene that developed in Japan throughout the 80s. The album features a wide range of entirely acoustic instruments and field recordings and was made for stage performance by…
Sound of Turning Earth
* 2020 Stock. Deluxe Edition. * After 11 albums and unknown quantities of cassettes, compilations and split releases, Sound of Turning Earth is the first release outside of Japan for one of the most original figures in Japanese music, Kumio Kurachi. Recorded by Jim O’Rourke at his home studio, Sound of Turning Earth is Kurachi solo on vocals and guitar, mixing surreal lyrics and theatrical vocal personas with unorthodox tunings inspired by Japan’s national instrument, the koto. Lyrically Kurachi…
Sasanami
"Sasanami" is the result of a dialog between the Japanese photographer Yamamoto Masao and the Japanese musician Uchida Akira (with
Miu Sakamoto at the voice) initiated by IIKKI, between October 2019 and August 2020.
After to have worked as a saxophonist for several years, Akira Uchida, in 2007 learned piano tuning under Mr. Satoshi Yoshida. Planning and holding "Sound workshop" which is to introduce how to interact with various sounds from the viewpoint of sound turning. In 2015 while he was le…
Hakata Shibuya - Live In Japan 2014
Collaboration between Richard Pinhas and Tatsuya Yoshida. Richard Pinhas, founder of '70s legends Heldon, is one of France's best known experimental musicians. He is a key figure in development of rock music processing with electronic music. Yoshida Tatsuya is one of the most important musicians of the Japanese experimental music scene, spearheading at least a half dozen of that country's most important groups, including Ruins, Sax Ruins, Koenji Hyakkei, and Korekyojinn.
Recorded live at several…