Experimental / Minimalism

Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Festival was located to a very busy street, Marco asked me for a sound installation that could work as some sort of a defensive barrier for the street noise. I suggested that my work, rather than hiding the noise, should aim to harmonize the disturbances com…

*In process of stocking* Second Sleep presents Port Tedio by Disso.

Louie Rice and Luciano Maggiore work together as NO PA ON, performing score based works - both acoustic (without a PA system) and amplified (with a PA system). The duo was originally conceived to perform works by other artists as part of an event series at Cafe OTO in London. This series acted as a research period that went on to inform the action-based pieces that Rice and Maggiore are now writing themselves. These pieces explore physical actions and vocalisations in response to pre defined pro…

Akousis Records is pride to announce the out of the new solo realise by French musician Pascal Battus: Cymbale Ouverte. Pascal Battus plays an self-invented instrument : the rotating surfaces inspired by the hurdy- gurdy principle are driven by an electric motor. By this way, Pascal Battus uses many material to rub, to hit, to play with the pitches, timbres and produced sounds. With Cymbale Ouverte, the musician has decided this time to use only cymbals to drive different kind of resonances. Fou…

Chicago Research presents the latest release on tape by History of Leather.

Venerable composer and pianist Charlemagne Palestine revisits his seminal 1976 work ‘The Golden Mean’ in duo with enigmatic artist Rrose, reprising a dialogue started 10 years ago when Rrose was studying at Mills College and looking for a score to Charlemagne’s amazing ‘Strumming Music’…“In 2018 the Festival Variations in Nantes commissions Palestine to perform The Golden Mean, reworking the piece for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, th…

Recorded in Lisbon over two months in 1999, for violin, double bass, bass drum, harmonium, Hammond organ and guitar. The Wire called the timbre steel wool: pieces that set a texture going and leave it running, with a screech that politer minimalists leave alone.

LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume. "VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…