Experimental / Mixed Media

Lisl Ponger's photographic and cinematic work investigates the circumstances of places and their territorial occupation by the camera, the acquisation of images, the function of photographic and cinematic representation, and the presentation of cultural values. Her works are characterized by that which is no longer present, which refers to that which is already absent. This is a latent component of each of her images and at the same time the particular political stance of her works.

The subversive, ironic analysis of systems of social control; pseudo-scientific technical experiments, for example with objects of daily use; and the “manipulation” of our visual habits with the help of technical apparatus – these are central aspects of artistic work of Leo Schatzl.

With her characteristic consistency Gertrude Moser-Wagner has viewed her work as a sculptress in the conceptual tradition – even at a time when other approaches were more in the limelight. She uses very precise artistic stategies, such as the transferral from one context to another, the strategy of declaring something-to-be-art, of making the spectator aware of processes, changes over the time or the ambiguity of objects and shapes.