Filth
2023 stock* “This is all slabs of sound, rhythm and screaming/testifying. What more do you need? In a way, it was a reaction against Punk (and just about any other music you can think of), and the conservative notion that 3 chords were somehow necessary. I used to deny it vehemently at the time, but No Wave (I “hated” that scene too, for some reason I can’t remember now) played a big role as the germ from which this music grew, along with The Stooges and Throbbing Gristle, of course. I wanted Sw…
Leaving Meaning.
*2023 stock* "leaving meaning. is the first Swans album to be released since I dissolved the line up of musicians that constituted Swans from 2010 – 2017. Swans is now comprised of a revolving cast of musicians, selected for both their musical and personal character, chosen according to what I intuit best suits the atmosphere in which I’d like to see the songs I’ve written presented. In collaboration with me, the musicians, through their personality, skill and taste, contribute greatly to the ar…
The Other Side of Futurism
First time on vinyl. Originally released on cassette in the spring of 1984 together with the fifth issue of Tribal Cabaret fanzine -- included here in its original format. This is an invaluable document focusing on the obscure side of the '80s Italian post-punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approach…
Still Life
First time on vinyl. Originally released on cassette in the spring of 1985, together with the eigth issue of Komakino fanzine -- included here in its original format. Relatively well-known names coexist with bands that lasted only a season. Still Life was and remains a half hour of pure abstraction. An intense and precious post-punk overdose! Features Karnak, Limbo, Janitor Of Lunacy, Panoramics, and De Stijl.
Afterglow
Special discounted pricing. Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine—included here in its original format—Afterglow is more than a compilation: it’s a cultural time capsule, a tangible distillation of the hopes, noise, and fragile alliances of Italy’s burgeoning post-punk and new wave underground. Across 14 tracks from 8 groups, the album reveals the very spirit of the Afterglow operation. Some bands had already found their way into t…
I Really Want To Bomb You: 1972 - 1984
2CD Edition. The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real …
Charivari
One of the architects of No Wave with his band DNA, a pioneer of noise guitar, sublimely inventive producer, and slinkily seductive songwriter, Arto Lindsay has worn countless musical hats. Invited to make a solo record for the Black Cross Solo Sessions, Lindsay boiled it down to essential ingredients, waxing a collection of bristling new songs and works for solo guitar; on six of a baker's dozen tracks, his angelic voice offsets the bracing dissonance of his acidic electric. Recorded at studios…
Italia New Wave
2025 repress on yellow vinyl. What exactly happened in the Italian underground/post punk scene of the '80s, is not entirely clear. Therefore, this collection of 13 incredible tunes helps track down the feeling and focuses on the blurry images of a period that was mixing influences from the UK/USA scenes with a more "national" approach to new music developments. The damage began in 1977 when a series of urban/suburban musical agitators, whether skilled or complete amateurs, decided to embrace ins…
Terror Iridescence
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect notable creative twists to be pulled by the band with each release, and this one will not disappoint. This time around, our heroes have issued forth a boldly abstract haunted-house salvo of dizzying surrealism, loaded with exceptionally biz…
Rehearsal Tapes And Alt-Takes NYC 1976-1978
*Limited edition of 344 copies.* Before No wave there was China and after China there was Mars. For the first time on vinyl the complete 'Rehearsal Tapes and Alt-Takes NYC 1976-1978', an incredible document from this era. The rehearsal tapes are a chronological record of the 3 years of Mars' existence, the first year of which was spent forming their sound and musical identity, starting out with a lineup of upright piano, bass, acoustic guitar and percussion before going electric with guitars…
Up Your Sleeve (LP)
** Edition of 500 copies with a numbered 4-page insert ** Previously released in 1980 on David Toop’s Quartz label at a time when improvised music in London was settling into a long spell of excellence. The players here are Steve Beresford, Peter Cusack, Terry Day and David Toop. Terry had been a member of The People Band in the 60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second generation of improvisers…
Buy
Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved— getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wir…
It's Only Money
One-off pressing of 500 copies worldwide. Chantage are Eve Blouin and Vivien Goldman. This exclusive reissue features the artwork from the original 7", the extended version of "It's Only Money" from the Chantage 12" and the dub version by Adrian Sherwood which previously was only released on On-U Sound under the project name Playgroup in 1983.
Issue 85: Suicide - Steampunk Visionaries
Do you feel lucky? Well, do you, punk?
We're taking to the streets of 1970s New York with Suicide for this month's Electronic Sound cover story.
First Rehearsal Tapes
*2021 repress* "On Suicide's First Rehearsal Tapes, recorded in 1975, Alan Vega and Martin Rev create minimalist aural structures, traces of which would surface on their eponymous debut album, released on the Red Star label in late 1977."These songs are not a sketchpad of semi-formed ideas. The First Rehearsal Tapes comprise an audio diary of two men out in the ether, measuring themselves as evolving individual artists and as a unit who would rely on inseparability to realize their unique and of…
1988
Garbage Collector’s 1988 plays like a rescued time capsule: raw, tape‑blurred electronics, post‑punk edges and proto‑techno pulses sketching an alternate late‑80s where bedroom industrial, DIY wave and dancefloor futurism already share the same smoke‑filled basement.
Peter and the Wolves
Adele Bertei is a poet, writer, actor, performer, singer, songwriter, and filmmaker. She entered the downtown New York scene of the late 1970s as organist for musical insurrectionists, the Contortions. Bertei appeared in lead roles in several indie films, notably Lizzie Borden’s Born in Flames, and has toured with, written songs for, and recorded as a vocalist for artists as diverse as Tears for Fears, Sandra Bernhard, Culture Club, Scritti Politti, Whitney Houston, and Lydia Lunch. Bertei’s fir…
New York City 1980-1984
Stunning debut release from Confuso Editions, a new label operating out of NYC/Rio de Janeiro here venturing into the furthest realms of outsider pop with the first ever public airing of recordings by John Zieman, a student of electronic synthesis at Hampshire College and collaborator with Nam June Paik, John Sanborn, and Dara Birnbaum. Distilling 80s midtown sleaze (digi-saxophones, drum machines, listless ballads), we’re once again reminded of the sheer volume and wealth of outsider brilliance…
Cleveland Confidential
**Shipping the next week. Limited edition translucent orange vinyl**"When I say 1980 was a kind of dead zone in the Cleveland music scene, I can hear a collective, 'Isn't every year a dead zone in Cleveland?' Go ahead, take your Johnny Carson-era jokes and see what they buy you. Puff your chest about NYC in '75 or London in '76 or L.A. in '77 to some 27-something today. Allow me to save you face and remind you to add in late '70s Cleveland. Because when you revisit this comp of struggling, strag…
Night After Night
**Limited edition translucent red vinyl** New York no-wavers Ike Yard are perhaps best known for being the first American band signed to Factory Records, and it isn't difficult to hear why: the group's music has much in common with the existential frigidness of Joy Division and early New Order as well as the mutant noise-funk of Section 25 and A Certain Ratio. That said, the sound of Night After Night, the band's debut EP, is one that could only have emerged from the lawless dystopia of '70s New…