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First-ever reissue of Vivien Goldman’s legendary „Launderette“ 7“, produced with Adrian Sherwood and Public Image Limited’s John Lydon and Keith Levene in 1981. A strictly limited one-off pressing of 500 copies worldwide. The contrast between Vivien’s high, lilting tones and the deep rumble of the bass is a hallmark of all Goldman’s work, giving a haunting frisson of sex and alienation to songs like “Launderette,” which was produced with PiL’s John Lydon and Keith Levene. Vivien knew John as a f…
**2020 small repress** BGM was the very first project by Japanese living legend and electronic music producer Takayuki Shiraishi; the album was released on legendary experimental music label Vanity Records. Now, one of the most demanded alternative music album from Japan is finally reissued on vinyl, remastered from the original tapes by Kuniyuki Takahashi.Shiraishi created Back Ground Music when he was a 17 year old high school student. Wanting to realize his musical vision at the time, he invi…
The Third Ascension is a return to the 4-guitar, bass and drums format of his legendary 1981 release The Ascension as well as 2010's The Ascension: The Sequel. The recording is a live performance by The Glenn Branca Ensemble at NYC's The Kitchen in 2016. Emerging from the late 70's No Wave scene and moving into composition, Branca’s 45 years of work as a composer included music for experimental rock bands, large ensemble instrumentals for electric guitars, symphonies for both electric instrumen…
"The group later known as Mars came together in late 1975 through a chance meeting of those involved. Common obsessions led directly to the music. "We started out jamming on Velvet Underground songs in a loft with Sumner Crane on piano, China Burg on acoustic guitar, myself on bass and Nancy Arlen on paper bags. This rapidly led to abstract expression far from the source. China and Nancy started playing their instruments at the first rehearsal. Sumner and I were self-taught. We all were ready fo…
** 500 copies ** "Barring some miraculous discovery (never out of the question!), "Mars Archives Volume Three: N.N. End" is the final LP in our series of LPs documenting the music of New York's most amazing combo of the No Wave era, Mars. From their more-quotidian beginnings as China, whose sound was influenced by The Velvet Underground and Television, Mars mutated and grew in a variety of nearly unchartable directions. "N.N. End" documents the latter, immaculate stages of the band's destruction…
First-ever reissue of an important slab by DNA who were among NYC’s handful of influential No Wave iconoclasts documented in the Brian Eno-produced No New York compilation.
This is the first record by this violent and mythical industrial band Circle X (just before the death of Bruce Witsiepe). Precursor (From 1977) of all New York No Wave groups, they were also famous in the art of performance, pictural arts and teXts. On this mini-CD, they leave a little the industrial kind of music they played before to eXplore more classical roots and put the uneasy singer's voice forward. A less violent but deeper work.' Last copies.
An incredible long out of print 'cult' release either on musical and artistic profile: this project, the second release for the New International (N.I.R.) label, was a suitably absurd, logistically complex and expensive project: A limited edition of 1000 3 X 12″ Lp Box sets were divided up to form a series of 10 X 10 ‘canvas’ made of record covers. Ten painters were commissioned to paint a painting on each of the ten ‘canvasses’ which were photographed and made into ten postcards. the canvases w…
Over 15 years ago Daniël de Wereldvermaarde Botanicus (hat and cacti collector Cassis Cornuta) deejayed a ton of horrible la bamba versions for 2 hours in the now defunct situationist radioshow RTVS (Radio Centraal-Antwerp). The 'galdezen' of RTVS yelled-sung along, creating their own versions of la bamba while getting more and more hammered or naturally gone from a bamba trance! After telling me this short story Daniël mumbled 'I always wanted to dj all night long la bamba, I think it will driv…