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1993 release ** "Linea d'ombra is the CD from more than twenty years ago with which the author inaugurated his personal journey as an interpreter-composer on the border between the languages of jazz, classical music and rock. At the time, Roberto Verti wrote about it in the presentation of the CD: “A musician with a cult background who moves between the moods of the new age and the high craftsmanship of the academy, between the La Scala scene and minimal, jazz; plays with flutes and combines t…
* 2025 edition, Cd in 6 panel digisleeve. With Obi strip * Ideologic Organ is proud to announce a rejuvinated version of Kali Malone's 2019 landmark album, The Sacrificial Code, featuring a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum.
Kali Malone’s landmark album The Sacrificial Code emerged from a momentous confluence of dedication and inspiration. In 2019, Malone was finishing a master's thesis in electroacoustic compositi…
Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country…
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
Here is the second volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. Like the first volume, it was committed to tape and pressed to vinyl in 1979. Never having seen a copy of this record, and having pressed it before we discovered a master cassette exists, this is as good a transfer as can be had for the nonce. Loren's chair creaks like rusty crow and the amount of random tapping and thumping during the original session just about d…
Tip! Sofa is thrilled to present the beautiful music of the Dutch snare drum player Etienne Nillesen with his new album “en.” With a snare drum only, Etienne explores simplicity of setup, movements, and material, developing music that is full of complexity and depth.
Etienne’s technique is highly original, involving the use of a thin drum stick against the surface of a granular drum skin, which produces sustained pitches and harmonic layers. The product of his own groundbreaking research into th…
We are living through the same time. The worst day ever for someone might be a happy day for someone else. "The Days" are solo saxophone pieces of drama from someone's life.
Promise of Faithfulness was created during a winter in Brussels, between the search for new sounds and the interest of what we might call spirits in music. This debut solo album is a tribute to the last words of Albert Camus's speech for the Nobel Prize : "It remains for me to thank you from the bottom of my heart and to make before you publicly, as a personal sign of my gratitude, the same and ancient promise of faithfulness which every true artist repeats to him/herself in silence every day."
Tip! Dan Blacksberg’s Psychic/Body Sound System takes a gutsy leap into a set of otherworldly sub-bass drones, fiery free jazz declamations, and melancholic sonic stories. This fully improvised album, recorded live with no effects or overdubs shows Blacksberg wielding his trombone like a seer across varied sonic environments, real and imagined. Woven together by poetic fictionalizations by Alex Smith and stunning artwork by James Dillenbeck, Psychic/Body Sound System is a trombone-driven reverie…
*Limited to 100 copies* "On the solo bagpipe release "Air Drain" Henry Birdsey (Half of Tongue Depressor) creates deep, haunting pieces that entrance the listener. Simple forms that evolve with breath and time."
*119 copies limited edition* Bury the bag full of nostalgic complaints on "how things used to be better" at Schoonselhof, and get blown away by the fresh Air Force that is Adia Vanheerentals! We are damn proud to present Adia’s first solo release! Seemingly from out of nowhere, Vanheerentals has been blowing minds in many different shapes the past years: as band leader in Bodem, in various free improv set ups, as a guest with The Groovecats, in a trio with Elisabeth Klinck and Maya Dhondt and as…
Tip! *300 copies limited edition* Isak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over. A polymath of undeniable m…
Ubagabi is a baroque solo violin album recorded in 2019 reinterpreting the myth of Ubagabi, a chicken turning into a fire ball. This album is now finally released on a silk-screened CD, fully equipped with a flammable booklet, an insert, and all fits in a hand stamped rotisserie bag. Mastering by Guillaume Lespinasse.
There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.
The first solo release of baritone saxophonist Sofia Salvo, “Rotarota” consists of a series of improvised pieces. They evoke emotional memories aspiring to set them free and mutate them into blaring music.
"Tenor saxophonist Ada Rave, born and raised in Argentina, decided to move to Amsterdam, the Netherlands in 2013. She had heard ‘the call’, followed her musical intuition and became part of the colorful community of Dutch creative improvised music. Educated in the jazz tradition she started to look for a more personal language. A deep search. Not an easy path to go. The destination is always changing. Each step made will call for a next step. A slow process of collecting material, sounds, techni…
*2024 stock* This series of reel-to-reel tape recordings, to be jointly released by Old Heaven Books and Liu Ying Studio, aims to offer to our listeners the best quality of sound we can achieve so far. Whilst a small part of these releases come from historical archives, the majority are freshly made by musicians we invite to our studio. We record these studio sessions − some of which free-improvised, others more composition-based − on reel-to-reel tapes. With high-quality studio equipment, we ma…
*2024 stock* "This is one of the many solo albums that Mamer completed in 2013. At that time Mamer's desire to create erupted like a volcano. I remember that bookstores had just released his solo albums "Stars" and "Cycles", as well as IZ's "Echoes"; many fans were slowly accepting music like IZ's "Shadows", and some people started to talk about the expansion and "revolutionization" of folk instrumentation on "Stars", while Mamer was already immersed in another world.
One day he handed me a bun…
Zurich bass guitarist and composer Martina Berther is known for her delicious basslines in experimental rock outfits Ester Poly and AUL. On this solo debut, she conjures something utterly unique from her instrument. 'Bass Works' showcases Berther's talent and ingenuity across 12 startlingly varied one-take compositions. Taking root in improvisation, the collection unfolds like a playbook of strange and beautiful techniques. Voided melodies, harmonics and surfaces that prickle and collapse in sol…
A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…