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First of four volumes released by 1750 Arch Records between 1977 and 1984 of the experimental and groundbreaking compositions for piano beyond the ability of a human pianist spanning almost 50 years. With insert
1970's re-press with red labels of the 1967 CRI LP of the maverick composer's mid-1960's studies for his unique microtonal instruments performed by his own Gate 5 Ensemble, producing some of the strangest otherworldly avant-garde music ever.
1995 VHS presenting four historic films from the late 1950's / early 60's, the first installment of Innova's documentation of the seminal maverick avant-garde composer's work.
1997 VHS with the 1971 film version of Partch's major dramatic work Delusion of the Fury, the fourth installment of Innova's documentation of the seminal maverick avant-garde composer's work.
Essential 1959 electronic music / musique concrète album on Folkways documenting the soundtracks to a pioneering multimedia environment in San Francisco in 1957. With insert.
Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that sensibility becomes th…
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
*200 copies limited edition* Dana Ollestad is an American multimedia artist living in Tokyo. He regularly carries out concerts in which he structures performances while producing sounds from light through the use of light-emitting objects, from which he also releases intense light. This album documents two solo performances by Ollestad at Ftarri, Tokyo, on March 25, 2023, and November 9, 2025. Arranging light-emitting objects around a table bearing an array of performance equipment, he made skil…
'Underground Vein' is a mystifying and curious recording for two electric basses. Focusing on prepared techniques, modulation effects and the odd sighting of looped phrases, Masatake Abe and Ken Ikeda create an undulating sea of texture and atmosphere across the albums 12 pieces. A strange, alien landscape of sounds and moods, Masatake had the following to say about the albums creation and inspiration: "Ken Ikeda is active as an electronics player, but it may not be well known that he was origin…
Original 1982 LP on Cherry Red with the collaboration between Wire/Dome's Gilbert and Lewis and visual artist Russell Mills, a beautiful and evocative album of field recordings and sound art.
On Thresholds, Andrew Anderson assembles a disquieting tapestry of foley‑like detail, field recordings and dream logic, a vinyl debut where precise sound art slips into phantasmagoria, hovering at the edge of memory, image and pure atmosphere.
Ultra-rare 1965 illustrated book published by Verlag Die Junge Galerie including a 7"EP with the "audio-visual" electronic compositions and studies by the composer. Beautiful music and object.
Rare and beautiful catalogue published in occasion of the Sound<=>Sight exhibition held at Amsterdam's Stedelijk Museum in 1971, containing three flexi-discs with the three artists' electronic music produced for the installations.
Very rare introduction to Scrath Music edited by Cardew including "scores" by the composer himself, Lou Gare, David Jackman, Christopher Hobbs, Howard Skempton, Tom Phillips and many other British musicians and artists, published by Latimer in 1972.
Tip! *200 copies limited edition* At the end of 2024, Eric's purchase of an electric cooker with induction hobs was the catalyst. Between auscultations and improvisations, Eric offered Francisco his recordings of the object in his kitchen. In return, Francisco completely reinterpreted these recordings. From this dual level of listening, the elements created resonated in each artist's sound world.
Pieces created from shared original raw sound source materials.
On their self‑titled LP, Baudouin Oosterlynck & Bénédicte Davin slip two late‑’70s vocal compositions into the present tense, turning Glasgow’s Tectonics stage into a resonant laboratory where Oosterlynck’s ultra‑precise scores and Davin’s live voice re‑sculpt silence, timbre and breath.
*100 copies limited edition* This is a special work by acclaimed composer and musician Adriaan de Roover, who has released records on Dauw, Viernulvier, Pias, and Consouling Sounds. Chansons de trottoir / Stoepliedjes documents his relationship to sampling in the form of a radio play. Originally created as a radio piece for Resonance FM in Manchester, the album is a sonic portrait of a walk through Brussels. It is constructed from two field recordings: one made during a walk from Metro Midi towa…
*Limited edition of 50 copies signed by the artist* Casida de la tierra que nos dejan is a sound work by Marcelo Expósito composed of four pieces published on 7’ vinyl record. This work dialogues with the way in which the Italian musician Luigi Nono early adapted the poetry of Federico García Lorca, trying to dig into the layers of idealisation traditionally accumulated about the writer from Granada, in order to carry out a materialistic updating of procedures common to both the writer and the m…
On Paris Public Spaces 2, Éric La Casa and Seijiro Murayama stage brief, focused vocal interventions across Parisian sites, letting microphone placement and urban acoustics turn spoken sound into a moving portrait of how voice and city continuously re‑shape one another.