Experimental / Turntablism

As the title suggests, the second installment of Otomo Yoshihide Solo Works is a collection of works that pay homage to Christian Marclay, the turntablist who was one of his biggest influences. Merkley was a pioneer of turntable improvisation in the early 80's in a way that was completely different from the context of hip-hop DJing, and at the same time, he is one of the leading contemporary artists. It is no exaggeration to say that the impact of encountering his performances and works is one o…

With solid training as a classical musician, Sophie Agnel took a close interest in modern jazz before committing in the early Nineties to the shifting, deliciously uncertain ground of free improvisation, thanks to her fascination for the powers of expression displayed by a few great keyboard-heretics such as Keith Tippett, Fred Van Hove or Christine Wodrascka. She began reworking the prepared piano techniques imagined by John Cage and transformed her instrument into a sort of extended piano. Com…

This album is a collection of 20 solo guitar and turntable improvisations performed and recorded by Otomo Yoshihide in his home studio in March 2023. Otomo has released solo guitar and turntable works in various forms in the past, but this is the first time he has recorded an entirely improvised studio performance. This will also be the first time that Otomo himself has illustrated the jacket.

*100 copies limited edition. 2CD edition contains the entire album, LP contains only the Maria Chávez recordings* Big tip! Repeat Until True works to build a musical ontology. This is a collection of recordings made by Zach Cooper, Odeya Nini, and Maria Chávez. It’s an exercise in composition via rule-based improvisation using contrabass, the human voice, and turntables. Taken one step further, the contrabass and voice versions were committed to vinyl and used as score and material for Chávez’s …

Tip! Orb Tapes presents “All The Duos,” a brand new collection of collaborative pieces featuring Maria Chavez and Sandy Ewen. A colossal effort, this double CD release contains over 90 minutes of music and showcases the improvisational prowess of both artists. Taking their instruments past the point of recognizability, each has a knack for coaxing unpredictable yet beautiful sounds from her equipment – turntables and guitars treated in utterly novel ways. Now based in Brooklyn, Chavez and Ewen h…

It’s almost here!  Genius UK improviser Pat Thomas is about to debut his first-ever 577 Records solo album – and abstract hip hop has never sounded so good!  The much-anticipated ten-track This is Trick Step flawlessly showcases the artist’s distinguished approach to modern music.  It immerses us in an almost 3D listening experience that creatively melds texture, depth, and mental stimulation. “Imagine an Alternative Universe where JDilla and Morton Feldman collaborate: this is the result,” Pat …

Underpinning the foundation of “M21” are some incredible low frequency drones created by amplifying the hum from portable record players. Ugly contact sounds from touching the arms, noise and scratches: all kinds of sounds fly past, warped into a tough, tenacious sound world. "So this is how you push turntables into revolt! Divorcing them entirely from their original purpose, into a repeating infinite amplification of motors (rotation) and cartridges (contact). Essential!" - Otomo Yoshihide

Chulki Hong, turntables, guitar, electronics. Will Guthrie, drums, percussion, electronics. Recorded by Taku Unami, Mullae Arts Village, Seoul, South Korea, 20-22 October 2016. Mixed and edited by Taku Unami.Will Guthrie is an Australian drummer/percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics. Born in 1976, Hong Chulki …

**Limited and hand-numbered to 300 copies ** Four tracks on a 10”, one track each side at 33rpm and two others in a different groove at 45rpm. Bolzplatz – a green field, a place somewhere behind an old industrial building, beside an acher, in the backyard of an agglo. No-man’s-land for kids skipping school, to kick, move, run, play and foul. Near darkness for dealers, bored teenagers, village-youth with their mopeds. Everything is in its own rhythm – in the grass, the puddles, on broken asphalt,…

After more than ten years of making music with turntables, tapes and loops the swiss based musician, artist, performer and architect Christoph Hess started in 1998 the project Strotter Inst. to concentrate just on the manipulation of turntables not using any records or sounds made by someone or something else. Strotter Inst.rument's machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The aud…