Folk /
Christmas Soli
CD. Remastered edition: John Fahey has made a habit of recording a new album of Christmas music every five or six years, but The New Possibility, which was originally released in 1968, is still his best. One of the best and most influential acoustic guitarists of his generation, John Fahey's music fused past and present, borrowing from the traditions of blues and folk music and filtering them through a modern musical viewpoint. Some of Fahey's most striking (and most popular) work appeared on a …
Bonn Ist Supreme
2023 restock. Subtitled: Live at the Kulturforum, Bonn, Germany, November 24, 1980. Another in the Wooden Weavil series, this time an unreleased live Robbie Basho recording from Germany in 1980. Robbie Basho was one of the great pioneers of the acoustic steel string guitar in the U.S., along with Leo Kottke and John Fahey in the 1960s. This program appears to have been recorded in one go. Robbie scatters his Americana numbers throughout, beginning with "Redwood Ramble," and ending with "Californ…
Requia & Other Compositions
*2023 Stock. 180gr LP deluxe heavy paste-on cover * In his liner notes to this release, John Fahey mentions his desire to have an entire world orchestra in his guitar, Western to Eastern, bagpipes to gamelan. Perhaps it's this mental approach that sets his music so deliciously far apart from other so-called folk guitarists. Requia is essentially in two sections. One is a series of blues-based pieces in line with music he had previously recorded. These include the lovely "Requiem for John Hurt" a…
There Is No Hunger in Your Shame
Tip! Builenradar is the new moniker under which Belgian visual artist and musician Wouter Vanhaelemeesch performs his damaged post-apocalyptic bikerfolk. Previously known as Urpf Lanze, he’s been producing trance-like guitar boogie that takes inspiration from disparate influences since the early 2010s. Builenradar plays in a self-developed unorthodox style with a resophonic guitar on his lap and a voice ranging from messy grunts to eerie whistling and absent murmurs. Once, after Vanhaelemeesch o…
Všechno Dobré
Stoned To Death delivers what might just be one of the most unexpected and beautiful records of the year, Šimanský Niesner's "Všechno Dobré". Created by the Czech Republic based acoustic guitar duo of Jakub Šimanský and Tomáše Niesner, within cascades of tonality emerges a profound meditation on place and time, binding elements traditional folk and drone, with American primitive guitar playing and thrilling attitudes toward experimentalism. It's a stunning thing to behold.
Distances
*Limited edition of 400 copies.* "Brilliant new instrumental fork-bending from the always amazing Elkhorn, presented here in a quartet setting I had not heard before. The basic band remains Drew Gardner on electric guitar and Jesse Sheppard on acoustic, but as often seems to happen with these guys, there are a couple more faces in the studio. This time it's two drummers. One is Ian McColm, a Virginia tub monster who has played in many excellent situations, including a 2012 Feeding Tube duo casse…
What The Truth Leaves Out
*In process of stocking. Limited edition of 100 copies.* "Rootless (or, more properly, rootless) is a solo project that's been going for better than five years now, helmed by Brooklyn's Jeremy Hurewitz. Two types of sounds are created under this banner -- low key electronics is one, and fingerpicked acoustic guitar is the other. What The Truth Leaves Out focuses on the latter. The shared thread between these styles is a highly personal and intimate feel. When listening to rootless, you often get…
Compulsions
*200 copies limited edition* 'The isolation of lockdown was challenging for guitarist J.R. Bohannon. In refreshingly vulnerable linear notes, he describes how his struggles with obsessive-compulsive disorder (OCD) were made worse by the pandemic. But he accommodated by creating Compulsions, a set of solo acoustic guitar improvisations in an American folk style, each recorded during a panic attack.
These slow and melancholy pieces have compelling melodies, which Bohannon used to calm himself. He …
Dayspring
Released in 1983 on a miniscule run of 300-self-financed LP’s, Dennis Taylor’s ‘Dayspring’ remains a lost masterwork of transcendental instrumental guitar. An important missing link between the 60’s folkloric experimentalism of John Fahey and Robbie Basho, and the new age atmospherics mined by William Ackerman and Michael Hedges in the early 80’s. Though Taylor’s guitar playing remains crisply unadorned on these 10 tracks, his technique and his compositions stretch beyond the folk roots of the g…
Bizzarrophytes
Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a ge…
A Stone's Throw (LP)
A then obsessed teenaged devotee of John Fahey, Robbie Basho, and Leo Kottke at a time when Punk and New Wave were ascendant, Russell Potter harnessed a similar DIY ethos to his own ends by starting his own label & self-publishing his first record, 'A Stone’s Throw’, while a freshman enrolled at Goddard College in Vermont in 1979. Assembled at the legendary Boddie Records in Potter’s hometown of Cleveland, Ohio, and sprinkled liberally with references to his heroes, from the initial record label…
Spine River : The Guitar Music of Wall Matthews, 1967-1981
Guitarist Wall Matthews is surviving member of experimental 70's collective, Entourage. Sampled by Four Tet, their name whispered in reverence through the decades, Entourage forged bold musical ideas on their two rare ’70s Folkways LPs. Tompkins Square released Ceremony of Dreams : Studio Sessions and Outtakes, 1972-1977, in 2018 to wide acclaim. Spine River : The Guitar Music of Wall Matthews, 1967-1981 is a collection of unreleased or obscure music by the master guitarist. This volume will be …
The Widow's Joy - Eastern European Immigrant Dances In America
Sound American and Canary Records collaborate for The Widow's Joy: Eastern European Immigrant Dances in America 1925-1930, the first release of Sound American Records. Canary Records curator Ian Nagoski has crafted the ultimate Lemko party record as a labor of love for the forgotten music of the Austro-Hungarian diaspora in the midwest region of the United States. The Widow's Joy with a cover by Mississippi Records' E. Isaacson features the music that helped immigrant coal workers and laborers f…
Days Have Gone By
Every decade John Fahey's work creates a wave of followers all trying to fuse acoustic blues with the Indian and Western classical traditions. What most of them miss when studying their hero's albums is his knack for crafting wonderfully infectious tunes. Sure, Fahey is totally avant garde, as he descends into esoteric tunings and maze-like picking. But that never prevents an album like 1967's Days Have Gone By from making listeners hum, clap and whistle along. This is folk music, after all.