Folk /
World Behind Curtains
2012 release ** “While guitarist Yair Yona was first lured into the world of acoustic fingerpicking by a Bert Jansch CD that he found in a London shop, the Takoma school is his foundation. Like Steffen Basho-Junghans, he’s embraced this fundamentally American style on its own terms, learned its language inside out, and still made music that’s true to an upbringing on the far side of the Greenwich Meridian.” Recommended if you like: John Fahey, Robbie Basho, Leo Kottke, American Primitive Guitar,…
Snow Beneath the Belly of a White Swan: The Lost Live Recordings
"It has been said that Robbie Basho's art was strongest in concert. To what extent the experience can be reconstituted is uncertain. Whatever the case, Snow Beneath the Belly of a White Swan is the mother lode of Basho live recordings. On these five discs we are treated to some remarkable pieces that have never been published, as well as surprising renditions of old favourites. Compiled from Basho’s sprawling personal collection of master tapes (discovered during the production of Voice of the E…
European Primitive Guitar (1974-1987)
NTS presents European Primitive Guitar, a compilation of instrumental guitar compositions, mapping out European analogues of the American Primitive Guitar movement, spearheaded by John Fahey in the 1950s. European Primitive Guitar spans works directly influenced by and responding to Fahey’s approach to composition, alongside works by artists that arrived at similar conclusions independently.
The music is, at once, both starkly traditional and contemporary. This is no more evident than with the …
Anima
*100 copies limited edition* Raoul Eden is a french solo guitarist in the American primitive tradition. Leaving behind strumming, he began playing fingerstyle guitar. Coming from the old European continent, Raoul Eden has singular influences, which he puts down to the crossroad position of his roots – between the eastern and western world, north and south. Arabic music has always been present around him; he is fond of Gnawa music and plays guembri (a Gnawa bass lute also known as a sintir, gimbr…
Bonn Ist Supreme
2023 restock. Subtitled: Live at the Kulturforum, Bonn, Germany, November 24, 1980. Another in the Wooden Weavil series, this time an unreleased live Robbie Basho recording from Germany in 1980. Robbie Basho was one of the great pioneers of the acoustic steel string guitar in the U.S., along with Leo Kottke and John Fahey in the 1960s. This program appears to have been recorded in one go. Robbie scatters his Americana numbers throughout, beginning with "Redwood Ramble," and ending with "Californ…
Aurora
*150 copies limited edition. 2023 stock* Tomáš Niesner started his guitar player path long while ago when he co-formed noise rock band Unna. Loud noise quartet stir the waters of little czech avant rock pond with music written directly to the precomposed beat of drummer Jakub Šimanský. Loud shows played all around Czech Republic took its toll and and by 2017 they turned down the DB to death low. The band was over. Jakub Šimanský was living in their former practice room in Přerov, playing acousti…
There Is No Hunger in Your Shame
Tip! Builenradar is the new moniker under which Belgian visual artist and musician Wouter Vanhaelemeesch performs his damaged post-apocalyptic bikerfolk. Previously known as Urpf Lanze, he’s been producing trance-like guitar boogie that takes inspiration from disparate influences since the early 2010s. Builenradar plays in a self-developed unorthodox style with a resophonic guitar on his lap and a voice ranging from messy grunts to eerie whistling and absent murmurs. Once, after Vanhaelemeesch o…
What The Truth Leaves Out
*In process of stocking. Limited edition of 100 copies.* "Rootless (or, more properly, rootless) is a solo project that's been going for better than five years now, helmed by Brooklyn's Jeremy Hurewitz. Two types of sounds are created under this banner -- low key electronics is one, and fingerpicked acoustic guitar is the other. What The Truth Leaves Out focuses on the latter. The shared thread between these styles is a highly personal and intimate feel. When listening to rootless, you often get…
Dayspring
Released in 1983 on a miniscule run of 300-self-financed LP’s, Dennis Taylor’s ‘Dayspring’ remains a lost masterwork of transcendental instrumental guitar. An important missing link between the 60’s folkloric experimentalism of John Fahey and Robbie Basho, and the new age atmospherics mined by William Ackerman and Michael Hedges in the early 80’s. Though Taylor’s guitar playing remains crisply unadorned on these 10 tracks, his technique and his compositions stretch beyond the folk roots of the g…
Bizzarrophytes
Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a ge…
The Yellow Princess
Originally released in either 1968 or 1969 depending on your sources, The Yellow Princess saw a post-philosophy degree, subculture-aware John Fahey branching out from his earlier, more traditional work. He earned his name back in 1959 at the age of 20, with his Blind Joe Death debut album. Following that album Fahey engaged in a wide stylistic range, from Appalachian-style finger picking to delta blues, but this album and its partner Requia, both for the Vanguard label, took Fahey to places for …