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Folklore Tapes open up the West Yorkshire vinyl series with a stunning musical adaptation of the tale of ‘The Witches of Eagle Crag’, performed by FT artists Bridget Hayden, Dan-Bridgwood-Hall, Ramsey Janini, Sam McLoughlin and David Chatton Barker. Eagle Crag is a well known rocky outcrop in the shape of an eagle’s head, located in Calder Valley just outside of Todmorden in Lydgate. The Witches of Eagle Crag was originally discovered in the book ‘Traditions of Lancashire’ by John Robey. The tal…
While the "acoustic based project[ions]" of Six Organs of Admittance have been pigeonholed by some as a chance-operated celestial jam unit, the group has always been about songs, and nowhere is this more apparent than on their fourth full length album, an eight-song cycle that mixes the strengths of Ben Chasny's acoustic and electric guitar with his knack for placing this on top of disparate and subtle atmospheric backgrounds. The live favorite (and rare single) "Somewhere Between" has been redo…
In the 1970s, Tucker Zimmerman made some low-key acoustic guitar records in England. He was raised in California, and sang like it. And between those two circumstances, Zimmerman happens to have sat in with a whole lotta famous people; The Spiders From Mars, guys from Yes and Traffic and T Rex, Mary Hopkin, Paul Butterfield, Aynsley Dunbar, Ricky Fataar, and plenty more. The seriously famous are always moving along to whatever's new. But Zimmerman has kept his hand in. There were a couple record…
*300 copies limited edition* Inner Roads and Outer Paths is Herefordshire born Vic Mars’ third release on Clay Pipe Music. It follows last years ‘The Soundtrack To The Hospice’ commissioned by Gideon Coe for BBC 6 Music, and 2015s critically acclaimed ‘The Land and the Garden’.
Inspired by in part by Alfred Watkins words and photographs of Herefordshire, the record also harks back to a period in Vic’s youth spent exploring the abandoned houses and factories on the fringes of his home town; the i…
Clay Pipe Music is thrilled to announce The Beacons by Vic Mars - the enigmatic producers third LP for the label. Since 2019s Inner Roads and Outer Paths his music has found a new audience having been used as the soundtrack to the game I am Dead by British interactive studio Hollow Ponds.
While his previous two albums were inspired by the pastoral landscapes of Herefordshire, The Beacons, embarks on a journey westward into Wales, inviting listeners into the rugged terrain of the Brecon Beacons a…
Black Earth has eleven traditional Macedonian songs infused with African aesthetics, including Gnawa undertones, Congo rumba, and African field recordings. The core of the traditional Macedonian harmonies and rhythms was developed over the centuries from the Ancient Greek and Roman Empire’s lyricism, Byzantium’s chants, and the Ottoman Empire’s classical music progressions, by way of multiple migrations, storytelling, wars, myths, tribalism, reconciliations, etc.) In a nutshell, Black Earth is a…
*2023 repress* Discrepant proudly re-presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). Born from Yassin and Haber’s love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music.
The fin…
More in tune now with the rhythm of the sun and moon, Xylouris White speak to each other across great distances with the intuition and fellowship that can only be found over years in each other’s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.
Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.
Tip! A poet, soothsayer, bicycle race tipster, actor, prolific drinker, self-taught guitarist, and living legend of Japanese sound, Kazuki Tomokawa catapulted into Tokyo’s avant-folk scene in the mid-1970s, forging a sound and sensibility marked by throat-wrenching vocals and searing ennui. Among his musical peers in postwar Japan, Tomokawa distinguished himself as a pioneer of radical individualism. He had “the personality of a hydrogen bomb”—as the notorious ultraleft band the Brain Police on…
Tip! In the 1970s, Kazuki Tomokawa catapulted into Tokyo’s avant-garde scene with his cathartic and utterly electrifying performances. Straight from the Throat, Tomokawa’s second album, released in July 1976 by Harvest Records, finds the musician in his truest form: as the “screaming philosopher” he would come to be called—cynical but fair, cheeky and melancholic, and looking at the world with truth-seeking eyes.
In Straight from the Throat, Tomokawa shrieks and shouts and wallows with ritualis…
Norwegian folk collective Völvur team up with Scotland's very own Alasdair Roberts for an album combining traditional and modern songs in both groups' native languages – to powerful effect.
Bud Petal is the stage name of musician Eran Asoulin. His music has been described as ‘cerebral art-folk’ & ‘the music Lord Byron would be making had he lived in the 21st century’. Bud is a true outsider, a freak-folk wunderkind who has been compared to Syd Barret & Daniel Johnston. But don’t for a minute think him primitive or naive - Bud is worldly & word-wise beyond his years. He was ‘discovered’ when his self-produced first album was pulled from the trash at a local radio station. A self-tau…
Originally released in either 1968 or 1969 depending on your sources, The Yellow Princess saw a post-philosophy degree, subculture-aware John Fahey branching out from his earlier, more traditional work. He earned his name back in 1959 at the age of 20, with his Blind Joe Death debut album. Following that album Fahey engaged in a wide stylistic range, from Appalachian-style finger picking to delta blues, but this album and its partner Requia, both for the Vanguard label, took Fahey to places for …