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Folk /

Jackson C Frank: The Clear Hard Light of Genius
The story of Jackson C. Frank is tragic. The victim of a school fire in his youth, struggling with homelessness and mental illness throughout his life, half-blinded in old age before his death in 1999, Frank met continuous obstacles. And yet he enjoyed a shining moment with the release of Jackson C. Frank on Columbia Records in 1965. The album would go on to be seen as one of the greatest folk albums of the decade—maybe of all time—and its opening track “Blues Run the Game” has become a standard…
Formación del Espíritu Nacional
2013 release. With his sight set on legendary figures of guitar experimentation (John Fahey, Jim O’Rourke, Loren Connors), Negro builds a statement of his own that is wider than it may seem at first hearing: ambient, mutant blues, field recordings, finger picking, rusty folk, post-punk, lo-fi poetry…
Celestial Explosion
"Don Bikoff released one lone, rare solo album, Celestial Explosion, on Keyboard Records in 1968, now reissued by Tompkins Square. Watch the YouTube video of Bikoff playing on the Ted Mack Amateur Hour, taped May 12, 1968. You'll see the sheepish, long-haired, mustachioed musician spinning gold in a style (still?) so foreign to the mainstream listener. The befuddled host concludes after Don's performance, 'That's unusual to say the least.' A kid from Oyster Bay, LI, Bikoff got his start in Green…
In My Own Time
Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Karen Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan’s Highway 61 Revisited and Miles’ Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybodys heart – from her spectral evocation of Joe Tates “One Night of Love”,…
Art of the Acoustic Steel String Guitar 6 & 12
Mindblowing!!!!!! Originally released in 1979, "Art of the Acoustic Steel String Guitar 6 & 12" was Robbie Basho's 15th record, and his magnum opus of solo guitar. It is the culmination of his life's effort to usher guitar music into a new artistic paradigm, and to "establish the steel string as a concert instrument indigenous to America."This album represents Basho’s most technically fine guitar work. In both composition and performance, the album is enormously complex and yet conveys an effort…
Between two worlds
Native californian guitarist danny paul grody has always been more of a fellow traveller than a true disciple of the american primitive school. he came up in gauzy, san francisco post-rock outfits like tarentel and the drift. his music is spare and otherworldly. his ideas, more often than not, are realized in repetition rather than in florid displays of virtuosity. his compositions seem to owe as much to john luther adams as to john fahey. one imagines the grooves on his copy of the seminal west…
The Godward Way
Daniel Higgs has always been held in the highest esteem by us here at Southern, becoming an almost totemic figure in the process. Certainly an appreciation for his work, and the canon of the band Lungfish, has been a job requirement for all the staff who've worked with us over the years. He has graced us with visits from time to time, and his London shows have always been must attend events for Southern alumni. Naturally, a Latitudes recording would be the jewel in the crown for our catal…
Decorated
"Of the players involved in the recent resurgence of fingerstyle guitar, Harris Newman has established himself as a primary envoy on the modern day steel-stringer shortlist. As with the case of his brothers-in-arms Jack Rose, Glenn Jones and Steffen Basho-Junghans, each of whom borrow from the past traditions of mavericks Fahey, Basho et al but have re-invented the sound and style with fresh perspectives, Newman distinguishes his music even further with a very idiosyncratic sound. In cont…
Imaginational Anthem Vol. 6
"If American primitive guitar begins with John Fahey and the Takoma School, then the actual origins of this sound are found within this collection of fourteen classic solo guitar performances. Recorded between 1923 and 1930, this set is the 'Rosetta Stone' of style and repertoire tapped into deeply by Fahey, Basho, and Rose, among many others. Sam McGee, Riley Puckett, Bayless Rose, Sylvester Weaver, Lemuel Turner, Frank Hutchinson, and Davey Miller are the rural artists included in this …
Queen of the Flat Top Guitar
LP version. "Impossibly rare recordings by the legendary finger-picker. Notes by John Renbourn. A musical 'amateur' that best exemplified true artistry, Lena Hughes was born in Grape Grove Township, Missouri, in 1904. Though she never recorded any 78s and only one LP, Hughes was most influential through her steady performances at various fiddler conventions and folk festivals throughout the Ozarks. She was an excellent fiddler, banjoist, and guitar picker who retained the largely extinct …
This Forest and the Sea
Excellent 1976 private press acoustic album, self-recorded at various places in Colorado, and filled with beautiful fingerstyle acoustic guitar, plus some atonal bottleneck slide, string scrapes and drones (at times, very Ry Cooder/Paris, Texas about six years before that soundtrack existed). Although almost completely instrumental, what lyrics there are tend towards the dark and the satiric. The obvious points of comparison are John Fahey and Leo Kottke, although Scott Key certainly has …
Digging In The Dust: Home Recordings 1976
Mark Fosson's The Lost Takoma Sessions seemed to be the definitive statement on his earliest work upon its release in 2006, but then again, before the studio work there had to have been something around that caught John Fahey's ear to start with. Digging in the Dust: Home Recordings 1976 is just that, collecting performances of many but not all the songs that were eventually re-recorded for Takoma, along with an otherwise unavailable recording in the shape of Gene Autry's classic "Back in the Sa…
An Acoustic Confusion
"The beautiful debut album by Steve Tilston was originally released by The Village Thing in 1971. Housed in a beautiful sleeve, it contained ten wonderful songs, mostly played on just acoustic guitar (plus voice, of course), which showed the great talent of a young Tilston that must have been listening to a lot of stuff by Bert Jansch, Nick Drake, or Davy Graham. Occasionally he is also accompanied by Dave Evans (guitar & vocals), Keith Warmington (harmonica & vocal), John Turner (string …
The river session
Recorded live at City Hall in Glasgow in 1974, this is an extraordinary set drawing from the 2 albums of the period: "LA Turnaround" & "Santa Barbara Honeymoon"
Red Favorite
Red Favorite, a cycle of compositions for guitars, electronics and voices created by Jeremy Pisani was first released as a limited edition CD on Spirit of Orr and is now offered, as it was originally conceived to appear, on an LP. He moved closer and looked through the peephole. And he saw: the world stretched out before him, a quiet and gentle space with a broad expanse of grass that practically glistened in its greenness. A sparkling brook ran through the meadow in the middle distance, and now…
The Mill Pond EP & Collected Paintings
The Mill Pond was originally released in 1997 as a double 7' that went immediately out of print. For it's 10th aniversary we're issuing it on compact disc housed in a deluxe letterpressed jacket and including an extensive booklet collecting John Fahey's paintings for the very first time. Limited edition. The Mill Pond is all over the place stylistically, so it should confuse those who try to pigeonhole Fahey into any one category. The Mill Pond further proves that there is only one category into…
Venus in Cancer
The 1969 guitar classic, remastered from the original tapes. With new reflections by Will Ackerman, Max Ochs, Steffan Basho-Junghans, and Pete Townshend. "Robbie Basho released Venus in Cancer in 1969 on the Blue Thumb label. After five albums for the Takoma label in the '60s, Basho had cemented his reputation alongside John Fahey and Leo Kottke as one of the most brilliant guitarists of his generation. His wide range of musical influences from around the globe set him apart from other blues-bas…
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