Folk /
Chelsea Girl
She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…
Ghost and More Ghosts
Kit darlings Love Is Yes (Dax Niesten and Sander van der Toorn) return with a particle scattering follow-up to their celebrated, self-titled debut. While the Dutch duo's serenely motorik guitar, levitational synths and airy vocals are still present, 'Ghost and More Ghosts' sees the pair take a sideways step into the nether realm - tugging gamelan metallophones, organs and vocoders with them through the fermented portal as they disintegrate completely. A melancholy magic trick occurs when these a…
Yashlik
Maqom Soul, a newly founded Uzbek label dedicated to reviving rare and overlooked music from Central Asia, proudly announces its debut release: a vinyl reissue of the seminal album by the Uyghur vocal-instrumental ensemble Yashlik, originally recorded and released in 1978.
Founded in 1974 as part of the Uyghur Music and Drama Theater in Almaty, Yashlik (which translates from Uyghur as Youth) quickly emerged as a groundbreaking force in the regional music scene. Though born out of a theatrical s…
The Gods Laugh
"Cotton may expand folk’s raw emotions into more avant garde territories, but they still feel possessed by a blood-red muscle memory that goes back centuries." - The Quietus
Alison Cotton’s fifth solo album is a mesmerizing weave of haunted atmospherics and avant-folk songcraft. Built around her viola, harmonium, and transportive vocals, the album moves between stark drone passages and more layered arrangements with piano, percussion, and synths. The Gods Laugh is a work of quiet, sublime intens…
New Old Medicine
Tip! Hot on the heals of their spectacular self-titled debut album, The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and la…
Los Orientales de Paramonga 1972-1976
In the late 1960s, the coastal city of Paramonga, just a three-hour drive north of Lima, gave rise to a vibrant music scene shaped by surf, rockabilly, and tropical sounds. Among its protagonists were two musicians, Víctor Ramírez and Maximiliano Chávez, who, with their psychedelic guitars, Fender amplifiers, and wah-wah pedals, would define not only their own sound but also shape the musical identity of the region. Under the mentorship of their manager, Néstor “Romanito” Robles, the two guitari…
Exuma II
Exuma returns with Exuma II, the hypnotic follow-up that deepens the spellbinding fusion of Bahamian folk traditions, mystical storytelling, and raw, soulful performance. First released in 1970 on Mercury Records, Exuma II expands the singular vision that introduced the world to Exuma’s otherworldly sound earlier that year.
On Exuma II, the artist refines the eccentric, ritualistic atmosphere of his debut while offering moments of greater restraint and melodic clarity. Where the first album dazz…
I Think I’m Alone Now
At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight “Baltimore to Fair Play”).
I Think I’m Alone Now is a profound ex…
Scott Seskind
Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.
Images of Life
Images of Life is the career-spanning, 3xLP retrospective boxset illuminating the staggering breadth and depth of Detroit's unheralded songwriting genius, Ted Lucas. Disc one "Strange Mysterious Sounds (1965-1970)" highlights Ted's flirtation with psychedelic major label clout via his bands the Spike Drivers, the Misty Wizards and the Horny Toads. "Rainy Days (1970-1974)" will be the solo acoustic warmth and charm most familiar to folks already aware of Ted's self- titled "OM" album from 1975. "…
Souvenez-Vous De L'Homme
Michel Houellebecq is, of course, well-known for his novels, translated into more than 40 languages, and his Goncourt Prize (The Map and the Territory, 2010), but perhaps less so for his debut album, released exactly a quarter of a century ago on Tricatel label. One can sense the influence of Serge Gainsbourg's L'Homme à la Tête de Chou, a disillusioned Procol Harum and a world-weary Burt Bacharach hovering over Houellebecq's poems in Présence Humaine, a now cult classic album orchestrated by Be…
Occult Concert
The transcendental guitar master's 1971 debut, remastered for all your sabbath needs. 37 minutes of ambient guitar witchcraft and the perfect soundtrack for third eye awakening, light alchemy, or human sacrifice. You could start a cult with this thing. California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On offer: Burchette's sevenpart, block-printed "Psychic Meditation Course," designed …
Songs Of Mine
Reissued on vinyl for the first time the sole album from this Westland folk trio, recorded in 1972 at the Folk Heritage Studio. An esoteric acid-pop masterpiece with irresistible and obscure melodies, a must have for all the British folk revival fans.
Universal Light
Debut by a new string trio of Pelt and Elkhorn veterans with the wild card contributions of Kaily Schenker, creating a new variant of supremely pleasing acoustic-psychedelic-drone-Americana etc. “Lullaby>Summer Field” is an aptly named gentle rise, with Sheppard’s fingerpicked 12 string snaking through waves of elongated fiddle and cello. “Triode>Freedom” follows a darker minor-key ostinato with Gangloff’s keening melody over the top. “Freedom>Universal Blues” starts as a dirge and builds to a t…
Muzan No Bi (Beauty Without Mercy)
40th Anniversary Release!! Recorded in 1985 and released by Polydor in 1986, Kazuki Tomokawa's seminal 1980s album “Beauty Without Mercy”. To mark its 40th anniversary, this long-awaited reissue arrives on vinyl! This defining album of the 80s features tracks including “He Was There” about his friend Takohachirō, “Beauty in Tragedy” about his brother's death, “God Was Crying in the Well”, and his signature song “Waltz”. Nakahara Chūya penned the lyrics for “A Fairy Tale” and “Boy”. Numerous dist…
Vol. IV: Casting Lines - A Museum Of Memory
Sixteen(!) years after Vol. III - A Hand Full of Days, B’ee returns with the long-awaited next chapter - Vol. IV: Casting Lines - A Museum of Memory.
Maranatha
Marana tha is the sole full-length statement by Megan Sue Hicks, a quietly incandescent artifact of early 70s psychedelic folk. Cut in Australia and pressed in microscopic quantities, it frames intimate, spiritually tinged songs in hushed acoustic settings that feel both homespun and faintly otherworldly.
Kathy Smith / 2
With Kathy Smith / 2, Kathy Smith pushes her Stormy Forest songcraft into a shimmering intersection of jazz, psych-folk and California road-dust. Brass, flutes and subtle funk currents coil around a voice that feels both weathered and luminous, turning outsider singer-songwriter reveries into widescreen, late‑night epiphanies.
Sandy
On Sandy, Sandy Denny sharpens intimacy into something orchestral, fusing folk clarity with country shimmer and chamber strings. The album feels like a private notebook sung aloud, where regret, resilience and quiet defiance unfold with luminous, unhurried precision.
The North Star Grassman and the Ravens
The North Star Grassman and the Ravens finds Sandy Denny stepping from the wreckage of Fotheringay into a dreamlike solo territory, where maritime omens, cryptic elegies and barroom detours collide. The arrangements are spare yet spectral, framing lyrics that read like riddles whispered to the tide.