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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqi…
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
We Are Busy Bodies reissues Sadayasu Fujii Trio's 1977 album, Like A Child. Led by pianist, Sadayasu Fujii, the album includes jazz standards "A Sleepin' Bee" and "If I Should Lose You", along with original compositions.
Tip! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam open…
Limited edition compact disc of a previously unreleased recording made at a rare 1971 studio performance by a Karl Jenkins-led nine piece group of stellar musicians.
“At the time, I had taken Karl’s answer to mean that Penumbra II contained no material exclusive to it, possibly consisting of different arrangements of music previously recorded by Nucleus or recycled later in Soft Machine. At it turns out, I was both right and wrong: Penumbra II is previously unheard but does include some famili…
Never broadcasted and unreleased sessions by Dutch keyboard players Rob Franken and Jan Huydts alongside Scope drummer H. Zomer. Session which took place in Feb. 1976 and were stored in VPRO archives untill discovered by journalist Frank Jochemsen who searched for material to use for a radio special about Rob Franken..Check soundbites and discover these unheard and never broadcasted dope jazz funk sessions which will in particulary appeal to fans of the Fender Rhodes piano.
Rob Franken was a tal…
*2022 stock.* Inspiration in jazz has many sources. Who would have thought that British prisons could have inspired a Belgian-born composer, arranger, co-leader of a truly international band? The fact is that when the Clarke-Boland band came to this country at the beginning of 1969 for their memorable booking at the Ronnie Scott Club tenor saxophonist Johnny Griffin was, to quote the sleeve “whisked off to Pentonville”. It was nothing worse than a question of outstanding income tax from a previo…
Originally released as an obscure private-press LP by the Florida trio of Ben Champion, Ken Burkhart and Danny Burger. Special guest on this super rare funky jazz outing is Mike Longo who says a few words on behalf of the group on the back cover, and sure enough he contributes scorching Rhodes in the style of his early 70s Greasy Groove sides for Groove Merchant and Mainstream. Also on board are Kelton Champion on guitar, Gary Champion on Bass, Mickey McGann on keys and David Winters on Congas a…
*2022 stock.* You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with som…
Tip! *Repress with new obi-strip* Japanese label P-Vine sure know how to pick out the essential spiritual jazz reissues. This is another gold standard that came originally on Strata East in 1974. Vocals feature throughout and often soar to the highest of heights and make it a charismatic album. Sample hounds and hip hop lovers might well recognise the track 'Optimystical' which has been pillaged by Detroit great Andres before now. Elsewhere there is real freeform magic on 'Music Is Nothing But A…
*In process of stocking* We Are Busy Bodies is proud to present a reissue of composer, guitarist, and later producer, Almon Memela’s ultra rare 1975 album, Funky Africa. From the original liner notes: 'Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in …
*In process of stocking* Second, and long out of print album by South Africa's Roots. Remastered from original audio tapes. Artwork completely restored by Steve Lewin.
*Official remastered reissue* We Are Busy Bodies presents Drive Live. A live performance by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Definitely one of Nucleus' lesser known albums, Alleycat nonetheless maintains the exceptionally high standards that Ian Carr & Nucleus had set for themselves over the course of numerous albums before this one. It's true that there's little here which is a departure from any of their previous releases, but with a quality of of both songwriting and playing this high, who could blame them? Once again we have fast, intricate, melodic jazz-rock fusion, with moments of high energy interspersed with s…
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this re-issue, shows off just why this deserves to be back in press. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing…
Born in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He mi…
*In process of stocking* Tribe Records' activities over the past five years, from its sophisticated jazz-based funkiness to its self-produced magazine, have remained influential and unfading even today. Through their various activities including sound, words, and visuals, they have been sending out their message locally, hoping for "a society where Black Americans are respected," while maintaining their seriousness and conviction. What We Need" is a soulful jazz-funk song with cool electric pian…
Released way back in 1974, the lone, self-titled effort from Spirale is an album notable for its lack of electronic instruments. It also has some of those loveable low-budget production flaws that are so often heard in obscure 1970s Italian progressive music, and the bass quite often seems charmingly out-of-tune. But this was an earnest and quite energetic jazz-rock ensemble excursion, with excellent brass arrangements and improvisation. Other instruments used include violin, drums, piano and va…