Jazz /
Roundtrip
First CD edition. Remastered from the original master tapes. OBI Strip, Twelve pages booklet with exclusive pictures and liner notes. After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatr…
With Archie Shepp, 7-Tette & Orchestra - Revisited
While his recordings with Archie Shepp and 7-Tette established Bill Dixon as a distinctive jazz modernist, ahead of the curve, creating a niche within a crowded field of emerging artists, it is Intents and Purposes (Orchestra) that established his singularity. Together, they constitute the first chapter of a recorded legacy that continues to grow in status and influence. – Bill Shoemaker
Wildflower
*2023 repress* "The trio takes you on an intense, meditative and spiritual musical journey that embodies the spirit of freedom. Based around hypnotic grooves laid down by Brichard’s unswervingly solid bass lines, drummer Skinner plays around artfully with the beats, grooving hard in constantly shifting, unexpected turns of rhythmic play. Rahman’s contributions range from subtle conversational interplay to loudly expressed angry passion to the most delicate of whispers, conveying a depth of emoti…
One Foot In The Air
Critical Mass is the second album from the unique duo of Chicago reedist Mars Williams and percussionist Vasco Trilla, following his album SPIRACLE which received excellent reviews in the international press. In his second album the duo use their technical skills to pivot reflective and meditative playing around exuberant free jazz spirit, maintaining a sense of journey and sonic introspection through unusual and extended techniques; a beautifully balanced music experience.
Critical Mass
Critical Mass is the second album from the unique duo of Chicago reedist Mars Williams and percussionist Vasco Trilla, following his album SPIRACLE which received excellent reviews in the international press. In his second album the duo use their technical skills to pivot reflective and meditative playing around exuberant free jazz spirit, maintaining a sense of journey and sonic introspection through unusual and extended techniques; a beautifully balanced music experience.
Dances With Questions
The working trio of New York trumpeter & saxophonist Joe McPhee, London double bassist John Edwards, and German drummer Klaus Kugel, actively touring through Europe since 2017, are heard live at Alchemia in Krakow, Poland in 2018, for four monumental examples of free improvisation in superlative playing with intense rhythmic interaction and deeply expressive soloing.
Drops
**2023 repress** Out of print and hotly pursued on the secondary market, we’re thrilled to announce a much needed reissue initiative, dedicated to Ictus’ back catalog, beginning with four LPs, Steve Lacy and Andrea Centazzo’s Clangs, originally issued in 1976, Derek Bailey and Andrea Centazzo’s Drops, originally issued in 1977, Steve Lacy, Andrea Centazzo, and Kent Carter’s Trio Live, also from 1977, and John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, Toshinori Kondo, and Polly Bradfiel…
Mysticism Of Sound
*2023 repress* Sun Ra inspired Space Jazz. Nat Birchall plays all the instruments - Tenor & soprano saxophone, bass clarinet, Korg Minilogue synth, bass, drums, hand drums, bells, shaker.
Why Do You Mourn
The End is near - after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Børge Fjordheim (drums) release their third album on Trost. They combine Avantrock, Jazz and a haunting beautiful voice to a seethe mix of emotions, noise, music - a sonic landscape, dynamic and captivating. This album is a t…
Joy
Super rare 1970s British jazz from Joy: Chris Francis, James Dvorak, Frank Roberts, Ernest Mothle, Keith Bailey reflecting the young, multicultural, vibrant flavours of mid-70s London. Funky, hip, committed, Joy is one of the forgotten gems of London jazz. Originally released in 1976, Cadillac and Joy are delighted to offer the first CD/Digital reissue of this great album - remastered by Keith Bailey and including extra, previously unissued, material and a vinyl reissue of the original release i…
Evenings At The Village Gate
Tip! A long-lost live recording featuring one of John Coltrane and Eric Dolphy's 1961 sets at New York's Village Gate has been unearthed for release this summer. Evenings at the Village Gate was recorded in the summer before Coltrane's legendary slate of November 1961 dates at the Village Vanguard, with a similar quintet lineup: the short-lived tandem of Coltrane and Dolphy alongside drummer Elvin Jones, pianist McCoy Tyner and bassist Reggie Workman.
While the trailblazing Village Vanguard show…
Succo di formiche
Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, "Succo di formiche" reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.
High Tide In The Lowlands
Born in 2012 when the three were living in the same apartment building in Cairo's Agouza district, the trio's instrumental improvisation-based explorations are propelled by Louca's North African percussion loops and shimmering keys, Shalabi's West African tinged free jazz guitar and grounded by Bishop's driving Krautrock-style acoustic bass.
High Tide in the Lowlands was recorded in Brussels at Les Ateliers Claus on September 5, 2017 and is quite an intense experience. Most performances and reco…
Bengt "Frippe" Nordström
Second edition. 300 copies, all parts identical to the first edition For the past decade, Mats Gustafsson has fastidiously produced and compiled the most thorough and comprehensive collection of archival solo recordings of the late legendary Swedish saxophonist and eccentric archivist of free music activity in Sweden, Bengt “Frippe” Nordström (1936–2000). Bringing together rare and unreleased recordings taken from an extensive collection of home-recorded solo sax improvisations, it documents his…
Sam Jesteś Pompa Vol. 2
Remont Pomp (repair of pumps) is a band playing ethnic, avant-garde and improvised music, which was founded in 2003 at the Polish Association for People with Intellectual Disabilities Koło in Gdańsk, created by the association's charges. The band's inspiration is ethnic music with an emphasis on the richness of African music. Remont Pomp also discovers the space of experimental music by playing unusual instruments and objects not usually associated with music. The band uses a variety of instrume…
Something Different!!!
Recorded in Stockholm on October 25th, 1962, this session marks one of Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 1963 and beginning his legendary run with ESP-Disk and Impulse! Though his genius was not yet fully formed, one can easily hear he's headed that direction, and this rare and long out of print recording is an essential piece of the history of one America's most uniquely lyrical voices on t…
Egon Bondy's Happy Hearts Club Banned
** ltd 700 copies on black vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist government. Banned and jailed under …
Dizzy Gillespie & Charlie Parker At Town Hall 1945, Carnegie Hall 1947 & Birdland 1951 "Revisited"
When Charlie Parker and Dizzy Gillespie went into the recording studio together on 28 February 1945, they had already served a shared apprenticeship in the big bands of Earl Hines and Billy Eckstine, had jammed informally exploring their common interest in adventurous extensions of swing harmonies and reconfigured rhythms, and were, individually and collaboratively, prepared to redirect the course of modern jazz. That session shouldn’t in any way be considered the public “birth” of bebop; those …
Charlie Parker At Birdland 1950 "Revisited“
"This one was working. This one always had been working. This one was always having something that was coming out of this one that was a solid thing, a charming thing, a lovely thing, a perplexing thing, a disconcerting thing, a simple thing, a clear thing, a complicated thing, an interesting thing, a disturbing thing, a repellant thing, a very pretty thing. This one was one whom some were follow-ing. This one was the one who was working.” Gertrude Stein’s 1910–11 description of the creative eff…