We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism. Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet…
*2023 stock* Lo and behold, the second and final part of the diptych from the unusual free improvising quartet featuring two New York-based viola players Mat Maneri & Tanya Kalmanovitch, and Copenhageners Tomo Jacobson on double bass & Kresten Osgood on drums, is finally here! This time, we enter into a darker, fiercer, seemingly telepathic exchange - a powerful finale to an unprecedented musical journey.
Perhaps for the first time in the history of music, here is two violas, double bass, and drums quartet featuring the New York-based Mat Maneri & Tanya Kalmanovitch, and Copenhageners Tomo Jacobson & Kresten Osgood. Calling their music chamber free improv gives some clues about the sound world you are entering, but it also falls very short in the face of the multitudes presented here. ‘Variations On No Particular Theme’ is a pregnant name in which we can look for the key to this album. Of course,…
*2023 stock. 50 copies limited edition* After his oneiric, Casio-centric 'Nullpluss' that Kristian Tangvik released two years ago, the time has come for his next move. In Kristian's own words: "The Cod and the Cat has developed over the course of two years. It came to me in a dream. Some compositions arrived while traveling, others in a complete standstill. And so I have gathered a fresh combination of exceptional performers from the rich and exciting underground of Copenhagen's music scene, and…
"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…
*2023 stock* "The West Coast Chamber Jazz Trio, recently formed, remains faithful to its name, in the sense that the undoubted chamber size and the jazz component, apparent in rhythmic melodic lines and improvisation always kept under control, are beautifully conjugated in the narrative modes, colloquialisms and relaxed of the Californian jazz, not only from the fifties and sixties, but also that one of the most recent landings …" - Libero Farnè
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
*2023 stock* "Celebrating a label's 35th anniversary at a venue as iconic as The Stone in New York City is already quite revealing of the nature of the music to be heard, i.e. definitely unusual and daring, definitely with no piano bar and no noisy cash register... But with the present celebration, there was an added element of surprise, as Andrea Centazzo — founder of the creative Ictus label and curator of the 12 nights Festival (April 1-14, 2012) -- brought for the first time ever to the hear…
*2023 stock* "Celebrating a label's 35th anniversary at a venue as iconic as The Stone in New York City is already quite revealing of the nature of the music to be heard, i.e. definitely unusual and daring, definitely with no piano bar and no noisy cash register... But with the present celebration, there was an added element of surprise, as Andrea Centazzo — founder of the creative Ictus label and curator of the 12 nights Festival (April 1-14, 2012) -- brought for the first time ever to the hear…
*2023 stock* "Real Time is an extraordinary example of interaction between musicians coming from different worlds of new music. I had the chance to perform with those two great musicians on other occasions: in duo with Curran and in duo, trio and sextet with Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination.
Evan had left jazz to accomplish his own instrumental language, aiming at total improvisation. The idea of…
*2023 stock* "The story behind this CD is really singular and date back to a couple of years ago. One day I got an e-mail from Marco Cappelli a young Italian guitarist, living in New York and making quickly a reputation in the avant-garde and improvised music scene. Marco was trying to establish a contact, claiming similarities between my and his experience. I was intrigued by the letter and, even if my recent music was totally on another planet, I decided to write him and establish a relationsh…
*2023 stock* "On a summer-like evening of May 2012 in Milan, Italy, three master improvisers played together for the first time, and created music full of spontaneity and ethereal beauty at JapzItaly – Jazz Aid for Japanese Children. At a superficial level, Andrea Centazzo – the idiosyncratic composer and percussionist renowned for refined finesse – and Akira Sakata – the iconoclastic reedman famed with volcanic emotional display – would make an ‘odd’ musical team. Despite this presumption, guid…
*2023 stock* "This is quite an attention-catching band, with its two very clever trombones styles, a piano fully explored both inside and outside, and a truly stunning multi-effects percussions set. As a quartet, the musicians had never played together until that particular evening of the Ictus’ 35th anniversary Festival. Yet what we hear from the very first bars is a band in the communion of the moment, painting together greatly textured music with many surprising turns. Their creative energies…
*2023 stock* "In a morning of 2 years ago, I got a surprising email from somebody from my past: guitarist Roberto Zorzi. I think to remember that we met briefly in 1975 only and then our paths diverged until that email out of the blue. Roberto was in Los Angeles visiting, so we had the opportunity to reconnect and meet. I had the chance to listen to his past works and I was very impressed. Very versatile and innovative guitarist who deserves much greater recognition, Roberto Zorzi is one of the …
*2023 stock* "On September 23, 2010, the day following Andrea's Kennedy Center appearance, two of my colleagues in the Twenty-first Century Chamber Ensemble, Janel Leppin (cello) and Mike Sebastian (reeds), came over to my home to jam. It was the anniversary of Coltrane's birth -- thus, "impressions" in this work's title to honor the master's legacy. I set up my recording rig to capture what I could. It was, in Andrea's words, "battlefield conditions": his expansive percussion rig in the living …
*2023 stock* "What happens when you multiply limitlessness by infinity? You absolutely do not know. Which is why it's such a great idea to toss Henry Kaiser and Andrea Centazzo into the same reaction chamber. As one of the West Coast's premier freakers for some three decades, Kaiser has made a career of sticking his guitar in unpredictable places. Dude's also an experimental-film-&-lit buff and an ace scuba diver, and grows radioactive coral on Neptune.Meanwhile Centazzo has crashed regularly ou…
Tip! It would appear that Polish jazz is a well-known subject through and through. Dozens of outstanding albums, biographies of the masters, hundreds of journal articles. As it turns out, it is still possible to find music that has been waiting for years to be discovered. On the 80th birthday of Tomasz Stańko, Astigmatic Records presents the first part of Wooden Music, a conceptual project created by the maestro and his legendary quintet, which has been stored in the archives of Radio Bremen fo…
A study of contrasts as French improvising synth player Jean-Marc Foussat joins with legendary saxophonist & bass clarinetist Sylvain Guerineau, whose work in both jazz tradition and free playing finds him a lyrical and expressive player, bringing flexibility in combination with a seemingly disparate foil in Foussat, heard in six succint dialogs of unconventional compatibility.
"Recorded at home in November 2022 in the Loiret, this curious little regional river which gives its name to the depart…
"A newly discovered, enthusiastically received 1982 concert from three avatars of French Free Jazz captures the triumphs and the trajectories of improvised music at the time. Veterans, even at that time, saxophonist Daunik Lazro, now 78, and known for this work with Michel Doneda and many others; bassist Jean-Jacques Avenel (1948-2014), a Steve Lacy associate for years; and pianist Siegfried Kessler (1935-2007) who had a similar relationship with Archie Shepp; are as usual expressive and explora…