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When Jacobo Vega-Albela left New Mexico for upstate New York to pursue a lifelong dream of becoming a performer and composer, he knew it would change him forever. Ready to expand his potential, he soon found himself on a path that some only fantasize about. He has since transformed his extraordinary journey and its captivating highs and lows into his first album with 577 Records.
“Un-Belonging is a record underpinned by tremendous joy, optimism, and love for the world counterbalanced by a pers…
Many have been taken by the works of New Orleans’s Byron Asher and NYC’s Tomas Majcherski, but few have heard them as the Sonic Chambers Quartet. Joined by rising bassist (and frequent collaborator) Matt Booth from North Carolina and NOLA’s beloved avant-garde drummer Doug Garrison, the new group has teamed up with 577 Records to release its debut album, Kiss Of The Earth. It’s a beautiful, thought-provoking arrangement of emotion, creativity, and freedom that soothes your soul.
Though not offi…
2010 release ** "This part of Martin Vognsen’s SCATAW project features a trio with Yasuhiro Yoshigaki (drummer in Altered States, Otomo Yoshihide’s New Jazz Orchestra, ROVO) and Kumiko Takara (percussionist in Bondage Fruit, P.O.N., Warehouse). Spontaneously created on miscellaneous percussion, semi-acoustic dobro and sparse electronics the music takes improvisation through a fresh mix of crisp sounds, meticulous rhythms and enigmatic melodies. Together the 10 distinctive tracks compose a highly…
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
1993 release ** "Before getting to the music of this Anthony Braxton recording, the listener is confronted with a highly calculated methodology. The album bears the stark title Four Compositions (Quartet) 1983, and each song (itself merely a cataloged number) is accompanied by its own highly cryptic diagram. This sets up a struggle, whereby musical/emotional ends must be achieved through Braxton's analytical compositional means. For this 1983 session, Braxton selected materials from his collecti…
A legendary recording by tenor saxophonist Albert Ayler with his amazing working band, recorded in Holland for radio play, here digitally remastered with new artwork.
Personnel
Albert Ayler: tenor saxophoneDon Cherry: cornetGary Peacock: bassSunny Murray: drums
1992 release ** "Robert Marcel Lepage, clarinettist, pays tribute to scientists, to today’s musicians and to this Renaissance man, little-known as a musician, Leonardo Da Vinci. Inspired by the personal history of this ingenious artist/inventor, Lepage has composed a remarkably eloquent music: a hydro-mechanic alliance of accurate writing, improvised music and sound machine. Musicians Michel F Côté, Jean Derome, Bernard Gagnon, Mario Légaré and René Lussier back him on this record. Adieu Leonar…
2025 stock ** "The beauty of this music lies precisely in the capability of transmitting echoes of the pianistic music research happened in the last 50 years, filtered by Nicola Guazzaloca's personal and unmistakeable gaze.Prepared piano, improvisation, but also lyricism and the delicacy of the touch are the ingredients of his musical landscape. The ability of reinventing and being at ease with the "piano solo", aim and test for every pianist appears to us as one of the most precious elements of…
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
2025 repress The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitone…
*2025 repress* On the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler …
*2025 repress* Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arra…
*CD Version* Celebrating 50 Years of The Ethnic Heritage Ensemble’s Legacy and Unwavering Contribution to Great Black Music. This is the new offering from Kahil El’Zabar and his Ethnic Heritage Ensemble, in conjunction with the legendary group’s 50th anniversary, Open Me, A Higher Consciousness of Sound and Spirit. Open Me is a joyous honoring of portent new directions of the Ethnic Heritage Ensemble; it’s a visionary journey into deep roots and future routes, channeling traditions old and new. …
Recorded in France in 1989, Sanders plays here with an all-star line-up consisting of Stafford James on bass, William Henderson on piano and Eddie Moore on drums. Great percussion work from Cheikh Tidiane Fall, particularly on “Moon Rays”, and as always Sanders’ sax work is rich, full and throaty. On this album, the legendary saxophonist clearly reinvented himself as a more traditional improviser, capable of thoughtful and pensive deliberations. Catchy mystical New Age vocals and astrological re…
On this 1987 album Pharoah Sanders is accompanied by the great Idris Muhammad on drums, John Hicks on piano and Curtis Lundy on bass. Five of the eight compositions are by Sanders, one track by pianist Hicks, Coltrane’s “Naima” is a tribute to Trane and “Speak Low” is a beautiful standard from Kurt Weill and Ogden Nash. A real smoky slower number “Heart To Heart” shows Sanders can be subdued and romantic and John Hicks plays some beautiful jazz piano. The whole album exudes energy and joy. On “D…