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We Jazz Records presents the debut album of AINON, a Helsinki-based ensemble founded by cellist-composer Aino Juutilainen, released 4 September. On "Drought", the four-piece plays music influenced by jazz, contemporary music and classical music, all morphed together into a highly inspired musical vision. The music of AINON might be best described as "spiritual avantgarde jazz", with original compositions and the individual voices of the four players both playing an integral part in the music. In…
Tip! In the first years of its existence, starting in 1997, the Peter Brötzmann Chicago Tentet worked as a collective, inviting all and any of its participants to contribute compositions to the band's repertoire. Eventually, the Tentet would jettison scores and pre-planned structures altogether, opting for free improvisation, but on their early tours and initial recordings they played pieces written by the various band members. A marathon set of summer studio sessions in 2002, just off a U.S. …
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …
'During the first lockdown of the Covid era in spring 2020 my creative fire was still burning. All concerts were cancelled, but I still wanted to play and improvise. That's were the idea for long-distance improvisation came up. I sent emails to some of my friends and other musicians who I admired and hoped that they might be interested in doing such a project. I'm really happy that some of the best improvisers in Europe were happy to participate in this project. I'm such a fan of all these playe…
Mycorrhiza is the term describing the symbiotic relationship between mycorrhizal fungi and a plants root system. The fungi forms networks between the trees, allowing them to communicate. Often nicknamed the ‘wood wide web’, the network allows trees to send each other nutrients and warn each other about predators such as bugs, deer, or harmful pathogens. This album is inspired by natural systems like this and is concerned about the human impact and the corruption surrounding it. The album flows l…
Orfeo 5 formed in 2002 out of a series of text/music projects curated by The Word Hoard artists’ co-op. They’ve composed and toured a number of commissions in different line-ups, and released two CDs, a year on the ice from The Word Hoard in 2009, and in the green castle from Discus in 2017. The core of the group’s sound comes from longstanding members Shaun Blezard on electronics and Keith Jafrate on saxophones, with other players from an extended family of musicians and poets joining them from…
Temporary Super Offer! These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, espe…
Recorded live may 03 2018 at Porgy&Bess, Vienna recorded by Wolfgang Racher & Gerald Domjan mixed and mastered by Martin Siewert
released March 14, 2022 Konrad Bauer - trombone Georg Graewe - piano John Lindberg - double bass
The extraordinary, powerful and characterful French singer Carla Diratz (described by none other than Robert Wyatt as "the soulful Ms Diratz") collaborates here with composers Martin Archer and Nick Robinson to deliver an extremely diverse set which runs from out and out prog through avant-rock to improv, electronic collage and modernist chanson - "Improg" is the name we've given to this mixed up school of music. Lyrics sung in English, French and Italian ultimately present a very personal view …
I have wanted to make a trio recording – that simplest and yet most demanding configuration for any saxophone player – for many years, but had been unable to decide who the other players should be. It was only when I heard Michael’s solo work that I realised that his approach to the bass, combined with Walt’s textural playing, would make the foundation which I was looking for. I wanted a trio sound where the saxophone could inhabit the music from within - as opposed to riding upfront in the role…
Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in mid-1969, a year after her debut and two years after the death of her husband, Coltrane performs on piano and harp and is backed by bassist Ron Carter and drummer Rashied Ali.Musically, it's a bit more relaxed than before, with Coltrane's playing a b…
Tip! 'Frijazz mot rasisme' or ‘Free Jazz Against Racism’, as you may have guessed, is a compilation of Norwegian contemporary and outsider music. There’s plenty to get your teeth stuck into here. Highlights include Sanskriti Shrestha & Andreas Wildhagen cut a percussive groove, there’s the strange processed sounds of Propan and the subversive Agnes Hvizdalek.
Stitched and compiled by Anja Lauvdal and Tine Hvidsten, the set features 18 outsider Jazz burners centered around a varied and diverse ca…
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie) Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)
This is the third issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more. This is a magazine put together by a qu…
Contemporary German artist Albert Oehlen invited Steamboat Switzerland to create music for his solo exhibition Tramonto Spaventoso at the Gagosian Gallery in Los Angeles, 2021. Oehlen and the experimental Swiss ensemble had already collaborated in 2019/2020 at the Serpentine Galleries (London). The recorded instant compositions draw connection with Oehlen’s own visual strategies in which he interprets and transforms John Graham’s painting Tramonto Spaventoso (Terrifying Sunset) (1940–49).
Based in Tokyo, Keiko Higuchi is a vocalist and instrumentalist internationally renowned both for her solo performances and extensive collaborations in the world of underground improvisation, jazz and the avant garde. On Vertical Language, Higuchi has created an evocative and hauntingly beautiful album that unfurls in equal parts light and darkness, form and emptiness. On solo voice and piano as well as in duets with bassist Louis Inage, Higuchi performs a collection of songs and improvisations …
Crossed & Recrossed presents two works composed by Peter Knight & inspired by mappings of imagined places by iconic Australian novelist, Gerald Murnane & Italian master, Italo Calvino. Simultaneously celebrating & deconstructing the tropes of minimalism, Crossed & Recrossed creates a series of musical mirages that form on an endless sonic horizon, reflecting & reimagining the wide open spaces described in Murnane’s iconic novel, The Plains & the labyrinthine streets of Calvino’s Invisible Cities…
Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
**Limited edition of 100 copies** “I am not sure if with the double bass there are various types, like with the guitar, but none is mentioned on the cover or the fact if this is a mono recording. The latter probably not. It was recorded in the spacious surrounding of the old church in Oud-Charlois, which is a part of Rotterdam and home to a few great concerts, some of these involving the church organ housed there. Goncalo Almeida stuck to his bass. We know him for his one-off collaboration with …