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"The music is never the same. It verifies its positions and conditions, its peculiar way of listening to the cavities, the motions started, the tensions between sound and silence, tone and memory. Nature is present not only as trees and clouds, light and shadows. It is a readiness for what is constantly changing, a heightened awareness on the minimal variations in the materials and processes at hand, what it means to slowly examine a rough surface, the transformation of a rhythm, a melodic phras…
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
London-based experimentalists Kinkajous have announced their new studio album, Nothing Will Disappear, set for release on October 18th via Nottingham's Running Circle label. Maximalism at its most subtle and tender – ambient music at its most rejuvenated. There are echoes of Sam Shepherd's collaborative work with Pharoah Sanders as Floating Points, and the subtle timbre shifts of Jon Hopkins and James Holden more so than their capital-"J" jazz contemporaries. A marked step-up from their previous…
On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records. Created following a move to Berlin, marriage, new parenthood, …
Brûlez les meubles is a dual-headed jazz project led primarily by Éric Normand (Rimouski) and Louis Beaudoin de la Sablonnière (Montreal). Born from their mutual passion for each other’s eccentric musical worlds, this duo is known for collaborating with experimental improvisers and renowned artists. Their music is abstract and meditative, both modern and simple, drawing inspiration from jazz guitar legends such as Jim Hall, Bill Frisell, René Thomas, and Brandon Ross.
Their fifth album, Folio #5…
"Sofa is delighted to announce the Italian musician and composer Andrea Giordano (b. 1995)’s Àlea, a suite for large mixed ensemble in which Giordano also performs as vocalist and multi-instrumentalist. Dedicated to Giordano’s friend and mentor, the Italian jazz musician and pedagogue Alessandra Giachero, who died unexpectedly in 2020, Àlea is at once a lament and testament to Giordano’s multifarious musicianship. In dense, rending orchestration, the artist shows us the multidimensionality of gr…
*2024 stock* Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Clamor utilizes a collective, improvisational vision that prioritizes an intentionally fluid style by employing indeterminacy, navigated by the performers via time-based scores. These principles are balanced with metered notation to shape the overall f…
*2024 stock. 300 copies limited release* The Wind (music by Scott Clark, lyrics by Laura Ann Singh/Scott Clark)Dawn & Dusk (music by Scott Clark, lyrics by Laura Ann Singh)Silent Singing (music and lyrics by Scott Clark)Above The Gray (music by Scott Clark)
Tracks 1-4 recorded August 16, 2021 and mixed at Minimum Wage Recording by Lance Koehler.Tracks 5-8 recorded live March 28, 2022 and mixed at Spacebomb Studio by Curtis Fye.Tracks 1-8 mastered at Minimum Wage Recording by Lance Koehler.Album …
Andrew Barker - drums, percussion William Parker - bass, b flat pocket tuba, gralla Jon Irabagon - tenor saxophone, sopranino saxophone
Recorded by Andrew Barker January 3rd, 2022 at Phantom Ear Studio, Brooklyn, NY.Mixed by Andrew Barker.Mastered by Steve Silverstein.
Avant-garde bassoonist Karen Borca's first proper leader record is a series of duos with drummer Paul Murphy who she first played with in Jimmy Lyons group.
“Weston lays down a ferocious groove with ecstatic shouts … tugging rhythmic displacements that tease like thunder and lightning throughout.” — All About Jazz
"The starry floor/The watery shore/Is given thee til the break of day.“ - William Blake
Music records a dream in which your other body goes out for a walk with a friend or two or more and brings back things you can grasp in the real world. If the ground beneath you is water and reflects the stars you may dream you're walking on stars. One morning, the Somnambulist woke up from his dream-walk with a record in his hand and miraculously they were all there: the uncanny encounters, spooling elucubra…
Everything is True is an album of a personal and sentimental nature, where various musical styles blend, influenced by music from different cultures, contemporary, orchestral, and electronic music. The instrumentarium is equally diverse, combining acoustic, electronic, and even unconventional instruments such as lithophones or prototypes of string instruments like the bassdesmophon. This fusion creates timeless-sounding pieces with exceptional tonality. Most of the tracks on the album were recor…
Unknown Rivers is bassist Luke Stewart’s debut for Pi Recordings. An omnipresent and galvanizing force on the music scene, Stewart is a leader or co-leader of such bands as Irreversible Entanglements, Exposure Quintet, Blacks’ Myths, Heart of the Ghost, and Remembrance Quintet. He is also among the most in-demand collaborators, having performed with the likes of David Murray, Nicole Mitchell, Moor Mother, Jaimie Branch, Nate Wooley, Ken Vandermark and countless others. Stewart is also a curator …
"Duck Baker should be a national treasure. He should be an international treasure. Should be? In my book he already is. I first came across his work in the 1970s on early Kicking Mule LPs in my local library in the UK, which was his temporary base then, and is his permanent home now. Many years later I was astounded by Spinning Song, his CD of Herbie Nichols compositions. Around the same time, I made contact with him by way of thanks following a review he wrote of my work on Stuff Smith and, lat…
*2024 stock* Before any instrumentation, Francisco Mela addresses his fellow musicians, pianist Matthew Shipp and bassist William Parker, with a sense of anticipation and affirmation, “Okay guys, ready? Rolling!” The sense of camaraderie and his artist-focused approach is heard throughout the album’s majestic improvisation—as well as in its inspiration, dedicated to Mela’s longtime musical partner, the legendary jazz musician McCoy Tyner. Tyner was well-known for his boundless musical talent, an…
*2024 stock* Super groups are not a riskless endeavor—but when they’re made up of longtime friends and master improvisers, they tend to work. On their collaboration, simply titled Volume 1, up-and-coming American saxophonist John Dikeman (When The Time Is Right, 577 Records, 2021) is accompanied by a group of UK-based music masters: pianist Pat Thomas, a 577 Records mainstay (Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), bassist John Edwards (EMPoWe…
*2024 stock* Brooklyn-based pianist Eva Novoa delivers a masterfully executed trio album of melodic themes replete with touches of swing, grooves and exquisite electronic landscapes. Novoa’s articulated playing flows with plenty of room gifting the band full freedom of improvisation.
On the track ‘Rocket Man’ you can hear the possibilities of the traditional jazz trio format as it projects into the future, combining the acoustic beauty of the piano with the electronic tapestry of modular synthes…
*2024 stock* Matthew Putman and Michael Sarian found a home in a makeshift studio, using a borrowed 20-year-old keyboard, a good microphone, and in cramped apartment acoustics, to improvise throughout the pandemic. What they called their “weekly pilgrimages” gave them a sense of much-needed sanity, grounding their friendship and keeping them afloat, as Sarian describes, “much like a lifeboat.” The resultant project was an exploration of cadences, rhythms, and full of searching and synchronicity.…