Jazz /
Exta
Finally restocked! "Butcher’s sax ranges from soft, whispery purrs to teeth-chatteringly spiteful blasts. Lehn’s analogue synth leaps in a moment from burbling tones to fiercely sizzling abstraction, and Tilbury slips from his familiar melodic interludes and fragmented arpeggios to crashing, seismic attacks on the inside of the piano. What sets this album head and shoulders above similar offerings is the understanding between the trio. It’s not just the way all three move together as one from su…
Berlin
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
Workshop Concert
Jennifer Allum,violin. Ute Kanngiesser, cello. Grundik Kasyansky, theremin, electronics. Dimitra Lazaridou-Chatzigoga, zither. Eddie Prévost, percussion. Daichi Yoshikawa, electronics. At Café Oto on Monday 21 May 2012.
Fume of sighs
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet. The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples). Bark! again take their group virtuosity to new areas, creating beautiful jagged, sharp edged textures propelled by some of their …
Hasselt
Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble: Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi.
One four and two twos
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!
Spiraltendenz
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
as : is
It was recorded in Bruxelles 2011, has been mixed and mastered by Sabine Ercklentz. A trio recording of forceful fragility, new sounds mixing, acoustic instruments meeting electronics. Random sounds taken care of. Creating 7 different pieces, each one of them representing its own personality. It is very dense and lo-fi. Christine Abdelnour has been one of the front figures in the last years with her new sounds on saxophone. Andrea Neumann is one of the original creators of the Berlin Scene no fu…
New Sights, Old Sounds
A much-needed reissue of Derek Bailey's 1978 2-CD Japanese release on the Morgue label, the first disc a series of studio improvisations and the second presenting two live performances in Nagoya and Kalavinka.Recorded and originally issued in Japan in 1978, the contents of this two-disc set quickly became something of a collector's item as the album quickly went out of print. Happily, the master tapes were reacquired for release on Incus in 2002, providing further documentation of a rich portion…
A closely woven fabrik
For a number of years as West Head Project, we've been making site specific sound events and recordings at outdoor locations - initially these were held at West Head in Ku-ring-gai Chase National Park. We've gone on to play in special sites around Australia and this disc documents our work on Maria Island off the east coast of Tasmania where we were resident for 10 days, guests of 10 Days on the Island Festival and Parks and Wildlife Service Tasmania. Auditory transmogrification of Tasmani…
L’Effaçage
Lucio Capece, bass clarinet. Radu Malfatti, trombone. 'Do light waves disrupt sound waves ?' Francis Brown. Recorded live 25 September 2011.
Empire
RED trio made a stunning debut in 2010. In this second album they play with British music veteran John Butcher pushing musical boundaries to the new realms of gripping and exciting kingdom of free improvisation. Rodrigo Pinheiro, piano. Hernani Faustino, double bass. Gabriel Ferrandini, drums and percussion. John Butcher, tenor and soprano saxophone. Recorded April 6, 2010 at Namouche Studio Lisbon by Joaquim Monte. Mixed by John Butcher. Mastered by Ar nas Zujus at MAMAstudios. Design by …
From the Hip
The Bohman Brothers (Adam and Jonathan) team up with Leonard Aspen and Roger Boulding to form Ischio Romantico Ð the result is this album called From The Hip which is a combination of the Bohmans' amplified objects and raw electronics and the smooth hypnotic loops and turntable inventions of Aspen and Boulding (who have collaborated extensively with Xentos Jones and Lepke B of Die Trip Computer Die). Urbane Deserts vs Sylphides' is a ballet in four parts. Leonard's libretto (undisclosed) describ…
Amplified Trio
Dutch drumming legend Han Bennink teams up with Treader mainstays John Coxon and Ashley Wales for an amplified onslaught of ferocious freeform jazz. For this session Coxon kits himself out with an electric guitar while Wales mans electronics and samples. Between the two of them there's a barrage of flurried sonic ideas ranging from discordant string ensembles and abstract soundscapes to jagged wah-wah abuse. Throughout all this, Bennink's drumming comes across as boundlessly inventive, constantl…
Archive 1
AMAZING RELEASE!! Between 1977-1978 Japanese improvising guitarist Masayuki Takayanagi performed with his "New Direction Unit" in a series of concerts of different formats (trio, quartet, quintet, sextet, &c). This "Archive" box set included the recordings of 5 concerts in Japan: the "another situtation" concert at Purcinera and "Regular Concerts" from Jean Jean in Shibuya. Comprised of live improvisations, this beautifully packaged box also has a booklet with details on the concerts, though mos…
Religious Electronics
No Fun are keen to assert "This is not a jazz record." Yeah, no kidding. Noise maestro Greg Kelley puts his trumpet down and attends to his collection of analogue elecronics, belting out some sublime passages of unstable drones, echo chamber feedback derangement and rampant oscillator fuzz. This is pretty exceptional stuff, up there with the finest non-digital noise excursions currently out there, and one of the very best No Fun emissions in quite some time. Typically, despite Kelley being a pre…
Gracilty
a mindblowing archival double cd centered around Laurie Scott Baker, who has been involved in experimental music since he was a teenager. A pioneer of live electronics and graphic scores back in the 60s, a member of the Scratch Orchestra & Peoples Liberation Music with Cornelius Cardew, played many first performances of new music.Gracility comes out of the development of free improvisation & groups such as Scratch Orchestra etc. & the general questioning of the music establishment. Text and grap…
Hyperborean Trenchtown
The album resonates a future sound vision that can only come from an old soul destined to further pave the paths laid by electronic & minimalist pioneers. Undeniably pure processes of creating & sustaining sound visually, sonically & otherwise brings a mathematical & scientific accuracy that hasn't been seen since the days of lovely music ltd. or GRM. Brilliant textures & audio hallucinogenic time/space wormholes create infinite listening possibilities
Unidentified Sound Object
“Unidentified Sound Project” opens with a section entitled “Quantum Dripping” (three tracks), which relays their non-compromising sound research that deals with stylized interferences. Nervous sound structures (which are then modulated in the subsequent “Rebirth” section), elementary sound particles, cacophonies and granular sound frizzles consistently abuse the electronic medium. Perhaps this is a foil to certain less radical audio expressions, considering that Milani used to make a living as s…