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Bomb! Danish pianist Tom Prehn was one of the first Europeans to deeply explore free music. With his quartet featuring Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums, Prehn recorded Axiom in October, 1963, for Sonet, though it went unreleased until 2015 because the band felt that their music had moved beyond it already. To hear the music they were talking about, one could only turn to two privately-made reel-to-reel tapes, Centrifuga and Sohlverv, recorded in Au…
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
"The CD surprised me because it could be listened to with many ears. At first I felt I could not separate it from contemporary composed music, soon after that I could still place it in the context of contemporary improvised music, and finally the fantasticness of a journey that takes the best both worlds have to offer revealed itself to me. Much of the merit can be attributed to the sensible arrangement of the four movements, which, despite being at least superficially similar procedures - mixin…
1999 release ** "Very idiosyncratic and very beautiful improvisations by one half of the Takla Records collective, these nineteen pieces sound like nothing much else on the planet. Individual notes hang in the air; no particular statement lasts for long, and yet the duo manage to sustain a sense of momentum across the silences. They've programmed unusually long pauses between the tracks, perhaps in an attempt to encourage the casual listener to hear distinct pieces. On in the background, these p…
1998 release ** "This CD represents the pinnacle of IST's achievements so far. Phil Durrant's Sowari For Ist, concentrates upon texture and timbre as opposed to pitch and rhythm. The resulting music is detailed, fragile, abstract and beautiful, pushing acoustic instruments further into a sound-world more often associated with acousmatic forms. In Mark Wastell's Ritmico the emphasis is upon rhythm and the particular sonorities produced by the percussive possibilities of the wooden parts of each i…
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that audiences and critics took notice. Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, he played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was accompanied by…
"Finnish saxophonist Harri Sjöström has been calling Berlin home for nearly 40 years, and for over 10 of them, he has been organizing concerts at venues around the city, featuring a who-is-who of the city's rich improvisation scene and beyond, under the title "SoundScapes." Starting in 2016, he extended the concept and held the first two SoundScapes Festivals in Helsinki, followed by one in Munich, and then, finally, in his adopted hometown. SoundScapes #4 was held over two mid-autumn nights in …
Simon Nabatov - piano, live electronicsMark Helias - bassTom Rainey - drums
All music by Simon Nabatov (GEMA) except collectively improvised tracks 4,8,10,12
2006 release ** "Avant garde jazz, it's all just a load of old guys making squeaky sounds with long pauses isn't it? Well yes, to a point it is but I think Rune Grammofon have taught us that it can, occasionally, be a lot of fun. Over two giant sprawling live improvisations (one 40+ mins and the other 30+), Bob Marsh and co proceed to learn and unlearn their craft, weaving in and out and creating some quite terrifying sounds. You don't need a degree in avant garde musical forms to enjoy this, b…
Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.
A compelling collaboration between guitarist Fred Frith and innovative harpist Shelley Burgon — known for her work with Anthony Braxton, Trevor Dunn, and Okkyung Lee — in a series of concise and precise improvisations recorded in Oakland, CA, in 2002 and 2005, as Burgon blends seamlessly with Frith's acoustic guitar to create seemingly telepathic synchronicity and an expansive sonic palette.
2009 release ** "When an improvised recording presents itself as a meteor, some foreign object from another civilization, like Days Are Not Days does, we should rejoice that it has entered our atmosphere and like a bolide, exploded upon contact. Okay, this recording by Portuguese saxophonist and flutist Paulo Chagas, and guitarists Samuel Hällkvist, from Sweden, and Stephan Sieben, from Denmark, isn't a bomb. It is, though, an improvised explosive device, pieced together from chamber music debri…
Huge Tip! Deluxe CD edition, in tri-fold gatefold sleeve with outer case. This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performance, the B10 Live team conducted a warm and friendly interview with the three musicians. The transcribed conversation has been edited and included in the liner notes of this vinyl album.Liu Ying Studio delivered…
Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
Tip! *2025 stock* During three days in June 2021, reed players Klaus Ellerhusen Holm and Andreas Røysum recorded in three different locations in Trondheim: Vår Frues Church, Øra Studios and Bymarka. This was done in close collaboration with sound wizard Kyrre Laastad. The general idea for the record was to present the same material in three completely different acoustic settings.
The music explores phenomena such as acoustic space, sound in motion and the perception of depth and dimensions in so…
2010 release ** "This project originates from a pleasurable Roman afternoon spent by yours truly with Hubert Bergmann, who – having known that this writer’s spouse is, in essence, an atypical songwriting specimen – thought that some experimentation using her vocalism would have constituted an intriguing attempt to do something singular. Files of Bergmann’s duets with Udo Schindler were emailed, and in a matter of several months Yellerwood recorded and “assembled” a number of parts, adapting them…