We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The long-running duo since 1987 of spouses, pianist Hildegard Kleeb and trombonist Roland Dahinden, are joined by Swiss-born/ Berlin-based percussionist & vibraphonist Alexandre Babel for an album of interweaving and contrasting instrumental lines, blurring the boundaries between contemporary music and improvisation through exceptional mastery and dialog.
After introducing his new trio with pianist Paul Bley and double bassist Steve Swallow in two 1961 albums on Verve, clarinetist Jimmy Giuffre embarked on a tour of Europe, this recently discovered, well-recorded concert in Graf, Austria the perfect example of his unique concepts yielding intensely focused, harmonically challenging, rhythmically abstract, and exquisite chamber jazz.
Drawing on material from Billy Strayhorn, Thelonious Monk, Michel Legrand, Harry Warren, and Victor Young, the lyrical duo of saxophonist Alex Hendriksen (Swiss Jazz Orchestra) and double bassist Fabian Gisler (Jurg Wickihalder European Quartet) cite the art form of storytelling as central to their music as they reflect thoughtfully on the American Songbook.
An essential part of the New York jazz scene since the mid-80s, pianist Russ Lossing's compositions employ concept and space in unique and personal ways, as heard in these 8 original works performed with his trio of long-time collaborators, double bassist Masa Kamaguchi and drummer Billy Mintz, for an album of highly evolved and lyrically sophisticated music.
Trumpeter Marco von Orelli's piano-less quartet with Tommy Meier on tenor saxophone, bass clarinet, Luca Sisera on double bass, and Sheldon Suter on drums is caught live at Theater am Gleis, in Winterthur, Switzerland in 2018, and at Boudoir au Revoir, the same year, performing von Orelli's compellingly clever compositions, plus one each from Adam lane and Tommy Meier.
Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
The two volumes of "Heliocentric Worlds", recorded 7 months apart in 1965, represent perhaps one of greatest chapters in Sun Ra's legacy, bringing together his immense orchestration skills with future-leaning free jazz, allowing his players expanse inside disciplined compositions that reflect on both space and the then-new freedom explored by jazz soloists.
Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".
Taking his quartet on a European tour in the fall of 1962, Coltrane's band with McCoy Tyner on piano, Jimmy Garrison on double bass, and Elvin Jones on drums performed in Graz, Austria at Stefaniensaal, the concert beautifully recorded by ORF Steiermark and here released as the first of two volumes, showing both Coltrane's lyrical origins and expanding free inclinations.
Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.
Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 and 1965's "Ghosts"
**First pressing of 175 copies with red cassette shells** The longer one works as an artist, the more secure one’s own identity becomes — whether visual, sonic, textual, or otherwise, the goal is to be clearly oneself. It may seem overly simple to cut the fat and center on creation and individuality, but considering those who have gone before and died for their art, the gambit seems far from easy. Saxophonist and photographer Rodrigo Amado (b. 1964, Lisbon) has worked in two different but relate…
Between 1969 and 1971, Francois Tusques and Sunny Murray were often accomplices in rebellious music. After other recordings, their collaboration culminated in an album that became mythical, Intercommunal Music, the site of a joust within the orchestra. The ephemeral and demanding label Shandar had invited François Tusques to lead a recording session on his own suggestion. Sunny Murray, one of his guests, arrived at the studio at the eleventh hour with a group of musicians ready to stage a ʹcoup …
"Further honing a singular cosmic musical language, Matthew Shipp begins celebrating his landmark 60th year with this new work for solo piano. The Piano Equation is also the inaugural release from Tao Forms, a new label devoted to enlightened and elevated free jazz. Over more than half of his lifespan, Shipp has built up an unparalleled body of work and a wholly original musical language that only becomes more hyper-focused and distinctive with the passage of time. Shipp's abstract eloquence is …
**175 copies** "A joint release between Noel Meek's New Zealand label Called God In The Music and Astral Spirits, the trio of Meek himself on electronics, Arrington de Dionyso on saxophone and Rodrigo Rico on drums are caught live at Gallery 1412 in Seattle, WA in 2017 for a freely improvised album of controlled chaos among intensely wicked and mischievous electroacoustic improv." - SquidCo
**175 copies** "Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice and objects, Steve Marquette on acoustic and electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part New Omens and some Telly Attire." - SquidCo
Ricochet by the Sam Rivers Trio was recorded January 12, 1978, at Keystone Korner, San Francisco, CA, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Dave Holland - bass and cello; Barry Altschul - drums.
"For the past 15 years, bass clarinetist Jason Stein has been an integral part of Chicago’s avant-garde jazz scene, leading two bands—Jason Stein’s Locksmith Isidore and the Jason Stein Quartet—while co-leading other groups like Nature Work and Hearts & Minds. Each crew has a different sound: Isidore straddles darker and more traditional forms of jazz, while the Quartet covers deep cuts by Thelonious Monk and Charlie 'Bird' Parker. Nature Work and Hearts & Minds are thicker blends of downbeat ja…