Skip to content

Jazz /

Uncovered Correspondence - A Postcard from Jaslo
Recorded at the concert hall of the Jasielski Dom Kultury (Jaslo Cultural Centre) in southern Poland on the 15th of May 2010."It is given to very few artists to have created a language entirely their own, but that is what AMM has done over the years, in various line-ups and configurations, with Eddie Prévost on drums as the only unifying element since 1965, and with John Tilbury on piano for the last two decades, here with just the two of them. You may like them or not, but they have made histor…
End of a Cable
**100 copies** Improvising duo Ed Lucas and Graham Dunning explore texture, timbre, dynamics and drones.Ed Lucas plays trombone, sometimes augmented with controlled feedback, and has had many associations with improvising musicians in London and beyond.Graham Dunning uses turntable with field recordings pressed to dublate, along with snare drum and objects, focusing on tactile soundmaking.End of a Cable is their first album together. Graham Dunning: turntable, snare drum and objectsEdward Lucas:…
Caura
**100 copies** Caura is a long-distance collaboration by Masayuki Imanishi (Osaka, Japan) and Marco Serrato Gallardo (Sevilla, Spain), which takes the form of two long improvised tracks made with double bass, field recordings, contact microphones and manipulated speakers.  Masayuki Imanishi: field recordings, speaker, contact microphoneMarco Serrato Gallardo: double bass Recorded in Sevilla and Osaka by Masayuki Imanishi and Nacho García, December 2018 / January 2019.Mixed by Masayuki Imanishi, …
Free Percussion
**100 copies** Tsss Tapes is a new tape label from Italy and this is their first release. Snares, bells, sticks, cymbals, pinecones, rattles, brushes, bass drums, mallets and other objects that make a sound if you hit them, stroke them, let them bounce. A compilation of improvisations by twelve percussionists from different parts of the world mastered by Nacho García. Includes tracks by Claire Rousay, Rie Nakajima, Chris Dadge, Håkon Berre, Ted Byrnes, Tim Daisy, Will Guthrie, Simon Camatta, Kev…
1969, 1970
**Available next week** "The original concepts of vocal and instrumental music are utterly different. The instrumental impulse is not melody in a 'melodious' sense but an agile movement of the hands which seem to be under the control of a brain centre totally different from that which inspires vocal melody. Altogether, instrumental music, with the exception of rudimentary rhythmic percussion, is as a rule a florid, fast and brilliant display of  virtuosity... Quick motion is not merely a means t…
Live At Nancy Jazz Pulsations
It was in 1973, on the 14th of October, late in the afternoon; on a pretty Sunday under the Big Top in the heart of the “Parc de la Pépinière”, in Nancy; it was the “premiere”, the world first hearing, and it has so far remained the only one commissioned by composer and trumpet player lvan Jullien, for the first international Nancy Jazz Pulsations festival.In order to complete this work of composition and orchestration, Ivan asked the great Eddie Louiss on organ, and chose to do without a double…
Events 1998-1999
In the late '90s three young musicians in the Oslo jazz scene – Paal Nilssen-Love, Ketil Gutvik and Eivind Opsvik – hooked up with two legends – Carl Magnus “Calle” Neumann and Bjørnar Andresen. Neumann and Andresen were extremely important in the development of Norwegian free jazz in the late '60s and early '70s, playing with Jan Garbarek, Arild Andersen, Svein Finnerud Trio, Terje Rypdal, George Russell and many others.The project was named The Quintet and it was the meeting of two generations…
Désordre
**250 copies** Two instruments linked, calling to each other, leaping around, recalling and fooling around with the music of Joëlle Léandre, improviser, composer and double bass player, and Alexandra Grimal, composer, singer and saxophone player. With chaos, a joyful mess of unique moments, bright, plural and playful, the two musicians have no care for determinism: the music just is, and they simply follow it.
Rockefeller Concert
Since 2016 Sfyria Trio is the Chicago/NY free improvising trio of tenor saxophonist Sam Decker (Shorve, Logan Strosahl Team, Green and Grass), bassist Charlie Kirchen (The Few, Rooms, Charlie Kirchen Quartet), and drummer Matt Carroll (Ohmme, Typical Sisters, Rooms), performing their unique improv idiom incorporating elements from a wide range of musical perspectives.
Aerophobia
Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, etc. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.
Solid Bottom
Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of Carl with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.
I Used To Sing So Lyrical
The debut recording of New York double bassist Sean Ali's improvising string trio with violist Joanna Mattrey and cellist Leila Bordreuil, having worked together since 2015, each brings impressive technique and a somewhat twisted approach to their strings in a diverse set of extended improvisation from pensive and spacious to formidable density.
Desert Encrypts Vol. 1
Desert Encrypts Vol. 1, is a two-part suite based on observations from the desert in and around Marfa, TX. It also explores Rob Mazurek's ongoing fascination with social, psychological, and physiological structures, both terrestrial and extra-terrestrial. The composition includes written music and graphic scores for improvisation.For Desert Encrypts Vol. 1 Mazurek has put together an awe-inspiring new ensemble featuring Kris Davis on piano, Ingebrigt Håker Flaten on bass and Chad Taylor on drums…
No Place To Fall
**500 copies** Rodrigo Amado and Chris Corsano need no introduction. No Place to Fall is a studio recording from July 2014 at Manouche Studios, Lisbon. The title of this album captures faithfully the urgent and restless atmosphere of this meeting. Amado and Corsano soar instantly into dense, turbulent stratosphere like there is no tomorrow. Both play with boundless energy, relying on their deep understanding of the art of the moment and super-fast instincts. They fill the room with their busy, m…
Old Growth Forest II
**300 copies** "This recording, a document of a live concert, was originally supposed to have taken place on February 12, 2017. We’d been on the road for a week in Canada and had had cold but clear weather the whole time. That couldn’t last. Sure enough, by the time we got to Kingston, Ontario on February 9, it was snowing peacefully. The snow ended up sticking. I remember sitting in my hotel room when Glenn Siegel, the presenter from Northampton, called. The forecast called for more and more sn…
Borasisi
**300 copies** Named after a sun deity appearing in a Kurt Vonnegut novel, Borasisi is a team up between two saxophonists (Patrick Shiroishi and Vinny Golia) and two drummers (Dylan Fujioka and Alex Cline). While the cover art exhibits the signature retro feel of the Astral Spirits label, the music only nods toward the past and is, in essence, a forward-looking spontaneously creative effort. And the album is a grower. Once you get to the fifth or sixth listen, the soulful and outside power of th…
Electroradiance
**300 copies, 2019 stock** Soon after the catchy synth-bass line that opens Electroradiance, listeners will start to suspect they’re in for something different. The synth-bass line has a herky-jerky contour that does fit a basic pattern of power-rock bands over the decades, but the bass clarinet melody that follows? Not so much. And halfway through, when the bass line becomes a vamp, and the improvisation enters a realm of altissimo squawks and thrillingly convoluted deep runs – well, we’re not …
Fictional Souvenirs
**300 copies** Performing in concert at Iklectik in London in 2017, the UK and Norwegian free improvising trio of Pat Thomas on Moog, Theremin and IPad based electronics, John Butcher on saxophones, and Ståle Liavik Solberg on drums and percussion, impress through a mix of masterful free playing and eclectic electroacoustic conversations, an adventurous and wonderfully unpredictable set.
Life's Intense Mystery
**500 copies** Performing live at Lily Pad in Cambridge, MA, the trio of free jazz piano legend Burton Greene with bassist Damon Smith and drummer Ra Kalam Bob Moses, in six collective improvisations, with impressive playing from all three as they segway through the three parts of Life's Intense Mystery, taking exploratory moments and even some Kid Play in between.
Drolleries
Saxophone jazz deviant Sam Weinberg joins with refugees from thrash jazz agent Little Women — Andrew Smiley, guitar; Jason Nazary, drums — to form a new trio, Bloor. It’s wild, acerbic and even a bit mathematical... Similar to the electric guitar-based free jazz units like Many Arms and Matta Gawa. Their new album Drolleries comprise of ten performances that are concise and never overlong. In contrast to another Weinberg project, W-2, there’s at least a sense of premeditated composition (seven o…