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"Okinawa-born tenor sax star Ryusei Tomoyose famously studied under Sadao Watanabe in Tokyo words the final part of the 190s. Once his studies were complete, he went home and decided to focus on teaching and nurturing young musicians, which he did for the rest of his life while also becoming a pioneer in the Okinawa jazz scene. This album which was originally released in 1979 is packed with his playing passion and is a legendary record into which he pours his whole heart and soul. It was recorde…
*Limited Edition* Experience the musical journey of Japanese trumpeter Terumasa Hino in this 1970 recording from his early New York trip. With a sextet, including Reggie Workman on bass, Hino explores two expansive tracks, "Gongen" and "Peace & Love," revealing a post-Coltrane spiritual exploration. Taking more musical risks than before, Hino showcases a shift towards a future-oriented jazz approach for the 70s.
*2023 stock* Takehiro Honda joins forces with Reggie Workman on bass and Motohiko Hino on drums in this outstanding trio session. The album showcases a freer side of Honda, exploring open and lyrical modes that were gaining prominence in Japan during that period. Despite the freedom, a strong rhythmic sense prevails. While one track features Honda on electric piano, the acoustic numbers stand out with a proud and righteous energy.
*2023 stock* From 1960 era, Hiroshi Yamazaki played with Masayuki Takayanagi, Kaoru Abe, Masabumi Kikuchi, and so on. He plays from standard Jazz to Freeform Improvisation by his original drum sounds and now he put the focus on this unit called Tryangle. Also bassist Nobuyoshi Ino played with Masayuki Takayanagi and Yamazaki from 60 era. Tryangle is the unsettled unit that drummer Yamazaki and bassist Ino invite unique guest musician. For example, Takayuki Kato (g), Masayo Koketsu (as), Sachi Ha…
*2023 stock* The impossibly cool 1973 album What's Going On from Late, Great Japanese Funk & Jazz Don Takehiro Honda which swings through jazz orchestral renditions of American R&B and Funk Classics like Marvin Gaye's "What's Going On, "Otis Redding's "Sitting On The Dock of the Bay," and James Brown's "Ain't It Funky Now" turning them into the most Down Home, Grits 'N' Gravy Grooviest Versions and sounding like they were recorded at the studio of the band that taught the Memphis Rhythm Sections…
Delve into the groovy sounds of a Japanese harp jazz trio led by Tadao Hayashi. Similar to Dorothy Ashby's small combo records, the trio, with Takao Kusagaya on bass and Koichi Suzaki on drums, maintains a lean approach. Hayashi's harp work, given ample space, weaves mesmerizing note combinations with a gentle groove, especially enhanced by skillful bass. Familiar tunes take on a fresh perspective, resonating strongly in this recording.
*2024 stock* "This release Shintaro Quintet’s private press release ‘Evolution’. It’s another well-chosen release that comes with superb packaging, high sound quality and some interesting sleeve notes which give a fascinating in-depth insight into the music and the musicians in Japan within the specified time period.
Recorded in New York, the one-off recording by bassist Shintaro Nakamura and his quintet features the brilliant trumpeter Shunzo Ohno, who has played on many of the quintessential J…
*2023 stock* "A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, ‘East Plants’ is now available once more, reissued as CD and digital formats. Originally released in 1983 on the Japanese VAP label, ‘East Plants’ is an essential album in the J Jazz canon. It’s an album that distils several key characteristics of Moriyama’s music: clearly articulated and inventive rhythms, open yet orderly arrangements, and an accessible groove balanced with a graceful control. …
*Limited Edition* This late '60s Japanese "Playboy Manual" features a sexy cover and a unique format. Each track begins with Japanese spoken segments from Norio Maeda, possibly on seduction, followed by groovy instrumental music. The blend of jazz and easy modes, with romping piano, blasting horns, and mod rhythms, makes it a stylish and lively record.
*Limited Edition* This trio, led by drummer Motohiko Hino and featuring Masahiko Satoh on piano and Nobuyoshi Ino on bass, delivers truly unique work that transcends the typical piano trio conventions of its time. The trio breaks open the format with their creative exploration on the album. Satoh's piano work initially leans towards lyricism before expanding, while Ino's bass rolls and dips with its own beautiful sense of melody. Hino's drumming diverges far from a straight rhythm, often adding …
*Limited Edition* This Japanese trio session from the 70s is precisely the kind of record that has us exploring this era so fervently. Filled with warm, soulful sounds, inventive changes, and engaging rhythms, the album maintains a subtle funk undercurrent without overpowering the best lyrical lines of pianist Kichiro Sugino. The trio, featuring Kishio Kitahara on bass and Mitsaki Katayama on drums, is perfectly synchronized, soaring elegantly throughout the record, living up to the "flight" in …
*Limited Edition* Percussionist Masahiko Togashi collaborates with the exceptional piano accompaniment of Takashi Kako in a unique and captivating musical journey. Kako's piano work, marked by a distinctive sense of touch and tone, complements Togashi's drumming. Kako's ability to extract guitar-like sounds from the piano, characterized by an airy chromatic quality, adds a warm and poetic dimension to the moments of freer improvisation on the record. While the music remains rooted in free jazz, …
*Limited Edition* In this early 80s trio collaboration, Japanese pianist Kunihiko Sugano teams up with the legendary American drummer Jo Jones, resulting in a pleasingly traditional vibe. Sugano opts for the acoustic piano, and the album features laid-back tracks adorned with lyrical nuances. Kunihiko delivers soulful and warm solos, subtly propelled by Jo Jones' drumming expertise, while receiving solid backing from bassist Kunimitsu Inaba. The album's lengthier tracks showcase a delightful fus…
*Limited Edition* Album released in 1977 by Japanese jazz pianist Kunihiko Sugano, who started playing in a trio with Isao Suzuki and George Otsuka in the early 1960s and recorded the classic album Blow Up with the aforementioned two and Takashi Mizuhashi on Three Blind Mice in 1973. Recorded live in Date City, Hokkaido in 1976 as a trio with Osamu Kawakami and Hiroshi Murakami. The air from the venue was recorded to give a realistic impression, and standard numbers such as Luiz Bomfa's A1, whic…
*Limited Edition* Immerse yourself in the charm of a Japanese piano trio session, elevated by the rhythmic enchantment of conga player Yohichi Ogawa. The trio, featuring Kunihiko Sugano on piano, Eizoh Honda on bass, and Teruhiko Takada on drums, takes on a sweet and dynamic quality. Ogawa's conga rhythms add a distinctive flair, injecting energy into Sugano's music—a blend of lyrical imagination, gentle swing, and freewheeling vitality. With extended tracks this session is a delightful explorat…
*Limited Edition* Pianist Kunihiko Sugano unveils a collection of solo pieces, featuring shorter tracks than his trio albums of the time but brimming with emotion. Sugano's gentle and expansive piano touch, reminiscent of Bill Evans, is complemented by a unique phrasing that suggests an approach to the acoustic instrument akin to an electric one. The notes unfold with a measured attack and a lingering sustain. Sugano's distinctive style shines here offering a beautiful and individual musical jou…
*Limited Edition* Pianist Kunihiko Sugano shines in this early album, captured in a relaxed live setting at a small Japanese club. With a conga added to his usual trio, Sugano introduces each number with introspective lyricism before the trio kicks in, showcasing majestic and soulful solos. A classic in the 70s Japanese piano style, the ensemble includes Izao Suzuki on bass, Shinji Mori on drums, and Yoichi Ogawa on congas.
*Limited Edition* Hiroshi Hatsuyama's presence is invaluable in Japan's jazz vibraphone scene. His ability is evident in his achievements alone, as he has brilliantly colored the works of musicians such as Shoyuki Akutagawa, Koichi Matsukaze, Yoriyuki Harada, and Fumio Itabashi, all of whom have been difficult to dislodge from the scene. This is his first album. This is his first album, and it is a delightful work, sometimes bluesy, sometimes swingy, and filled with beautiful sounds. The "melanc…