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An adventurous instrumental jazz-rock fusion album that captures the free-form chemistry between keyboardist Howard Wales and guitarist Jerry Garcia. The record blends jazz improvisation, psychedelic rock, blues, funk, and progressive influences into fluid, exploratory compositions driven by Wales' inventive keyboard work and Garcia's expressive, melodic guitar playing. Supported by musicians including John Kahn, Bill Vitt, and Martin Fierro, the album emphasizes spontaneous interplay over conve…
“Memories of a Loser” presents Juan Belda & The Bit Band at their most focused and fully realized. Blending jazz, rock, electronics and experimental composition, the album refines the core elements that have defined the project into a more cohesive and direct musical statement. The result is a record that moves with clarity while preserving its exploratory edge.
Structured compositions and open passages coexist naturally throughout the album, driven by a strong sense of atmosphere and interplay …
La rueda infinita de Hans continues the exploration initiated by Juan Belda & The Bit Band, expanding their language through a conceptually structured and musically ambitious work.
The album brings together a stable ensemble of outstanding musicians from the worlds of jazz and experimental music: Jorge Pardo, Enrico Barbaro, Juanjo Ortí and Epi Lorente. Their collective virtuosity shapes a sound that moves freely between composition and improvisation, precision and openness. Throughout the recor…
With No encuentro la tónica, Juan Belda & The Bit Band push their musical language further into unpredictable territory. The album unfolds as a restless and multifaceted work where jazz, experimental rock and electronic textures intersect freely. Rather than following a fixed stylistic path, the music constantly shifts perspective, moving through dense arrangements, sudden rhythmic turns and moments of spacious improvisation.
The ensemble once again brings together a remarkable group of musician…
With Carretera mágica, Juan Belda & The Bit Band continue their journey through a musical territory where genres dissolve and direction emerges from collective exploration. Although its language can loosely evoke the broad landscape of jazz rock, the album ultimately resists precise categorization. Instead, it unfolds as an open musical route shaped by interplay, texture and evolving momentum.
The core ensemble once again features Jorge Pardo, Juanjo Ortí and Enrico Barbaro, joined by collaborat…
*2026 repress!!!* What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records. Maybe it was a little too out there for the time, but it’s aged very, v…
The second volume in the Reference series from AlAy, the Basel imprint curated by Werner X. Uehlinger, gathers twenty two sides that document one of the great partnerships of modern jazz: trumpeter Fats Navarro and composer, arranger and pianist Tadd Dameron, captured across seven New York studio sessions between January 1947 and January 1949, with sonic restoration and mastering by Michael Brändli and new liner notes by Art Lange.
Navarro, gone at twenty six, made perhaps the deepest impression…
*Warehouse Find !!!* After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates…
*Warehouse Find !!!* The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in ad…
*2026 stock* "The quartet sounded like they had been working together for many years. Everyone got to solo and stretch out at some point and all four members shined at different times. This was a near-perfect set and one of the highlights of this fest. This quartet was fabulous and should have a live recording out!" - Bruce Lee Gallanter
The first leader album by Ryo Kawasaki, a jazz and fusion guitarist whose talent was recognized by Gil Evans and who went on to work internationally. The album presents a cool cosmic sound, including "Agana," where Kawasaki delivers breath-taking guitar playing over high-speed percussion, and the dazzling jazz-funk number "Phil."
East Wind was a ground-breaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then know…
The scent of fresh greenery rising into the air. A youthful Hidefumi Toki weaves a vivid and beautiful story through a one-horn quartet. Making his professional debut while still in high school, Hidefumi Toki went on to perform with groups led by New Herd, Isao Suzuki, Terumasa Hino, Ryo Kawasaki, and Fumio Itabashi. From the late 1970s onward, he also collaborated with Ryuichi Sakamoto and Tatsuro Yamashita, contributing broadly to Japan’s music scene across jazz, fusion, and pop.This album, re…
Once again studio master / composer / bassist Guy Segers assembles a huge cast of progressive musicians to perform / improvise 8 new pieces. Guy's methods of composition and collage remain as before, but each new Eclectic Maybe Band release brings a new perspective to the music. This time round harder, more brittle sounds emerge from an album with a very punchy attitude. A mixture of avant pop and progressive complexity.
BBE Music’s celebrated J Jazz compilation series reaches its fifth and final volume in early 2026, culminating in a track list that maintains the exceptionally high standard first set with volume one back in 2018. This final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity. J Jazz volume 5 sees compilers Tony Higgins and Mike Pede…
Original 2LP documentation released by MPS/Basf of the great 1972 jazz/rock/fusion festival with exclusive live recordings by Anima, Association P.C., Kurt Edelhagen Big Band, Brassy Brew, Erwin Lehn Big Band, Karl Berger Company, Hans Koller Free Sound, Tremble Kids, Art Farmer Quartet, Rhythm Combination & Brass and the Michael Naura Quartet.
Kosuke Mine’s electric album, with a strong rock and funk flavor, is set for reissue as part of "Spin This Now!" Vol. 9. This classic album shines with the outstanding combination of Mine’s saxophone with a wah-wah pedal and Mikio Masuda’s psychedelic keyboards.
Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about five years, the label pr…
A classic album recorded in 1976, featuring a superb lineup including Sam Jones, Kazumi Watanabe, and Fumio Karashima, with expansive cello solos. Highlights include an exhilarating duo number with the seasoned bassist Sam Jones, as well as Kazumi Watanabe’s hip guitar solos throughout.
Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about…
The first ever reissue of one of the great hidden artifacts of early prog and fusion: 'Power On!', the second and final full-length by the little-known Frankfurt ensemble From, originally issued by the German arm of CBS in 1972 and now returned to print by Free Flow Archive. Building upon and radically expanding creative ground pioneered by Miles Davis on 'In a Silent Way' and Herbie Hancock on 'Mwandishi', alongside roughly contemporaneous efforts by Soft Machine and The Nice, the sounds of Fro…
Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butterfly; Orchestral Excerpts (From The Symphony Of Life), In The Basement and City Of Stone are high-grade fusion jams with one eye on Weather Report and Return to Forever, the other on the organic Australian sound of Alan Lee and John Sangster.
The al…