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The Tokyo Sessions, the dazzling new album project by Dutch alt sax icon Benjamin Herman, oozes a deep affinity for the Land of the Rising Sun. In 2024 and 2025, Herman – along with bassist Thomas Pol and drummer and The Tokyo Sessions album producer Jimmi Jo Hueting – found themselves knee-deep in Tokyo’s hyper-eclectic musical underbelly – districts like Shimokitazawa and Koenji where underground scenes in the city continue to flourish. Minds were ceaselessly and consistently blown: noise art…
"These are not musicians trading licks or showing off individual virtuosity - they are six voices engaged in genuine conversation, responding to each other with the kind of intuitive understanding that only comes from years of shared musical history. The music breathes, shifts, transforms. Moments of delicate interplay give way to passages of ferocious intensity; dense textures dissolve into sudden clarity. Nothing is predictable, yet everything feels inevitable." - Mark T., Third Millennium
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
Head’s Blackpool Cool was self-released in 1977 on the band’s own Head Records, marking the Scottish group’s third and final album. Long prized by collectors, it stands as a distinctive entry in UK jazz-rock and fusion, driven by an inventive interplay of trumpet and keyboards and a sharp, forward-moving sense of rhythm.
Influenced by the exploratory edge of groups such as Nucleus, the album showcases the band’s creative confidence and the multi-instrumental talents of John Davies. The sound is …
While most holidaymakers in Greece lounge by the pool, soak up the sun on sandy beaches, or pick up a few souvenirs, British jazz pianist Greg Foat took a different path last year. Inspired by the island of Samos, he returned not with trinkets, but with Impressions of Samos – a captivating album blending synthesizer, grand piano, and traditional Greek folk instruments with immersive field recordings.
Teaming up with Sokratis Votskos and The Giorgos Pappas Trio on Blue Crystal Records, Foat craft…
This first-time reissue of Quinteplus’ 1971 album revives a key moment in Argentine jazz, featuring crisp trumpet and tenor sax, electric piano-driven funk and modal grooves, and a tight, spacious rhythm section. It showcases prominent figures like Jorge Anders and “Pocho” Lapouble.
Quinteplus was born in Buenos Aires at the end of the 1960s, emerging directly from the ideas and experiments of the legendary Agrupación Nuevo Jazz. Founded in the early ’60s, this collective brought together some o…
*250 copies limited edition* Mozaik began its journey under the oppressive aura of the 1980 coup in Turkey, singing songs of freedom from all around the world, eventually stepping into the more controversial areas of jazz, progressive rock and fusion with their own compositions. Whilst the post-coup music scene was dominated by apolitical pop music, Mozaik produced sophisticated lyrics and composed songs in unusual structures.
With a dynamic crew and a rotating list of songwriters in the band, M…
Witchess is an experimental concept album by drummer and composer Francesca Remigi, which blends music, spoken words, and political concepts together to explore themes of feminism, social justice, and historical memory. Drawing on the radical voices of Angela Davis and Silvia Federici, the album confronts the intersections of gender, race, and capitalism, tracing the roots of gender violence from witch-hunt to today’s systemic economic inequalities. Through edgy compositions and spoken excerpts,…
2005 release ** Cardboard sleeve. All 4 tracks are electro-acoustic improvisations that delight the ear through their unorthodox tones and unexpected turns. Noisy and mystifying sounds develop into subtle compositions while playful rhythms and dynamic drones invite the listener on a 45 minute journey into the extreme.
*2025 stock* "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time d…
Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. On Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly …
A punk trio that is influenced by middle eastern psych, free jazz, and improvisation. While not recorded in a traditional studio, these recordings represent the first studio-produced sounds from this group. The group is built around Joel Robinson and has had as many as eight to ten members in recordings and live performances, but more recently has been focused on a trio that composes music that challenges every notion of what rock, punk, or psych can be; however, at the same time, the music is c…
Placebo's debut LP "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band.
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pi…
Black Vinyl. Coming four years after the previous trio album Ding Dong. You're Dead, it´s the longest period ever between Hedvig albums. That, however, is no indication she´s been idle, quite the contrary, actually. There´s been five commissioned works, two of which have resulted in albums in her own name. 2023 saw the debut release from power-impro-trio Hedvig Mollestad Weejuns with Ståle Storløkken (keyboards) and Ole Mofjell (drums). The same year she was Artist In Residence at the Moldejazz …
Originally released in 1972, bassist Miroslav Vitouš’s acclaimed album Mountain in the Clouds returns to the spotlight as a remixed, expanded edition of his influential 1970 debut, Infinite Search. Widely celebrated as a seminal document in the birth of jazz-fusion, this recording chronicles the early, creative explosion of a new musical era. With Mountain in the Clouds, Vitouš pushes the limits of jazz bass, blending lyrical improvisation and experimental technique to striking effect. The album…
This album is one of Hancock's first departures from the traditional idioms of jazz, as well as the beginning of an original and creative style which eventually appealed to a wider audience. In addition, Mwandishi was Hancock's attempt at continuing the musical principles and styles he explored in his previous experiences with Miles Davis. Mwandishi was recorded at Wally Heider Studios Studio C, in San Francisco, California in January 1971, by Hancock's Mwandishi Sextet. The recording incorporat…
Long hidden from the world, the extraordinary sound of Baobab finally emerges. Recordings made in the late 1970s by the Stuttgart-based group—once described as "one of the most interesting rock-jazz groups on the Stuttgart scene"—are being unveiled to listeners for the very first time after more than 45 years in the vaults.
The album, simply titled Baobab, showcases the fearless creativity and genre-blurring spirit of a band who were decades ahead of their time. Fusing the improvisational energy…
Original 1971 American edition of Coxhill's diverse and bizarre debut double album, featuring among others David Bedford, Pierre Courbois, Burton Greene, Jasper Van't Hof, Robert Wyatt, Mike Oldfield and Kevin Ayers in disguise.